COHDS Award of Distinction in Oral History: Call for Nominations and Self-Nominations
/dans NouvellesCALL FOR PROPOSALS : “Where Is the Joy in Oral History?” Emotional Currents in Oral History and Storytelling
/dans NouvellesAppel à candidatures: Assistant-e à la Directrice adjointe, CHORN (travail-étude ou work-study)
/dans NouvellesProgram: 12th Emerging Scholars Symposium
/dans NouvellesThe full program for our 12th Emerging Scholars Symposium — « Vivre avec le trouble »: Trouble in Oral History and Storytelling (Friday, March 14, 8:45-17:00) — is now available. You can access the program here. To register – and take a look at our “Program at a Glance” – please visit: https://storytelling.concordia.ca/event/vivre-avec-le-trouble/.
This year’s symposium brings together twenty emerging scholars from Concordia and beyond in an interdisciplinary conversation on the transformative potential of oral history in troubled times. How might trouble and troublemaking (re)shape our fields? How might oral history and storytelling help us survive the current moment of poly-crisis? How might we mobilize oral history and storytelling to engage in necessary troublemaking?
Panelists and conference attendees will explore ways of knowing, interrogate the politics of the archive, listen to oral histories on the ground, and examine how oral history and storytelling might be used towards creating a more just society. We will delve into intergenerational conversations and ways of feeling memory. There will be ghost stories too. The program will culminate in a series of four brief performances, followed by a conversation with the researchers-artists.
Archive Stories: Transfer Agreement with Concordia Library’s Special Collection and Archives
/dans NouvellesEmploi d’été – Catalogueur Histoire orale pour le Musée de l’Holocauste de Montréal
/dans Non classifié.e, NouvellesAppel à nominations et auto-nominations Prix de distinction en histoire orale du CHORN I Date limite le 15 février 2025
/dans Non classifié.e, NouvellesAPPEL À PROPOSITIONS – Nouvelle date limite (vendredi le 7 février) Douzième symposium des chercheur.se.s émergente.s en histoire orale, en récits numérisés et en pratique créative
/dans NouvellesLauréate du prix 2024 de Distinction en histoire orale – Lea Kabiljo
/dans Non classifié.e, NouvellesBook Launch: Out to Defend Ourselves: A History of Montreal’s First Haitian Street Gang
/dans Non classifié.e, NouvellesCall for Volunteers: Organizing Committee 2024 Emerging Scholars Symposium | Appel de bénévols: Comité organisateur pour le Symposium sur la recherche émergente 2024
/dans Non classifié.e, NouvellesCongratulations to our community/core affiliate Catherine Charlebois for receiving the Ted Little Prize 2023
/dans Non classifié.e, NouvellesLe CHORN accueille Dr. Barbara Lorenzkowski en tant que nouvelle codirectrice
/dans Non classifié.e, NouvellesLead Co-Director – Call for Nominations and Self-Nominations (deadline extended to Jan 20)
/dans Non classifié.e, NouvellesAppel à propositions : Dixième Symposium des chercheur·se·s émergent·e·s en histoire orale, en récits numérisés et en pratique créative
/dans Non classifié.e, NouvellesNo Correct Way to Love This Woman: Writing the Lives of Shulamith Firestone
/dans NouvellesThe History Department and Centre for Oral History and Digital Storytelling (COHDS) presents:
Dr. Lana Dee Povitz
Assistant Professor of History, Middlebury College
This talk will explore the challenges of writing an oral history-based biography of Shulamith Firestone, American radical feminist, organizer, writer, and artist (1945-2012). Gifted with creativity and insight, Firestone was a prime mover in the Women’s Liberation Movement of the late 1960s. She also struggled during her later life with schizophrenia and was frequently hospitalized against her will. Rather than splitting off these later years as an unfortunate sidebar, this work engages with the full sweep of Firestone’s life and brings new meaning to her legacy of resistance.
DATE & TIME
11 a.m. – 1 p.m.
This event is hybrid, you can join in-person LB-1019 (sunroom) or via zoom.
Félicitations à Dr. Catherine Richardson
/dans NouvellesRecipient of this year’s Dean’s Award for Excellence in Community Outreach and Public Engagement
Raconte-moi Riopelle: Appel à propositions à l’intention des artistes en émergence
/dans Non classifié.e, NouvellesLa Fondation Jean Paul Riopelle et le Centre d’histoire orale et de récits numérisés (CHORN) de l’Université Concordia lancent un appel aux artistes en émergence dans le cadre de Raconte-moi Riopelle, un concours ouvert à l’ensemble des personnes étudiantes et récemment diplômées de Concordia.
Félicitations à notre membre communautaire/principale, Emma Haraké, qui a reçu le prix Ted Little 2022
/dans Non classifié.e, NouvellesDeindustrializing Montreal: Entangled Histories of Race, Residence and Class Book
/dans Non classifié.e, NouvellesBlack History Archives Student Residency
/dans NouvellesThe deadline to apply is April 11, 2022
Call for Application: Graduate Student Research Assistants
/dans NouvellesThe deadline for applications is March 1, 2022 before 17h00 (EST)
Testimony: Visual and Embodied Gateways to Black Histories
/dans Non classifié.e, NouvellesEvent series organized by the SdBI as part of Black History Month, co-hosted by COHDS and the Department of History
Special event with NO VISIBLE TRAUMA directors Marc Serpa Francoeur, Robinder Uppal in conversation with activists Godfred Addai-Nyamekye and Marlihan Lopez
/dans NouvellesOn February 28th, 2022, at 8PM EST
Winter Storytelling Series featuring Indigenous Storytellers
/dans Non classifié.e, NouvellesPrésenté par le programe First Peoples Studies
COHDS : Adresse postale
Centre d'histoire orale et de récits numériques (COHDS)
Université Concordia
1455, boulevard De Maisonneuve O.
Montréal (Québec), Canada
H3G 1M8
COHDS : Adresse
Centre d'histoire orale et de récits numériques (COHDS)
Université Concordia
1400, boulevard De Maisonneuve O.
Édifice de la bibliothèque, 10e étage, salle LB-1042
Montréal (Québec), Canada
Métro Guy-Concordia





















































Jean Paul Riopelle à l’Atelier Durantin, Paris, 1952 | Photo par John Craven
