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X-WR-CALDESC:Évènements pour COHDS
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251105T160000
DTEND;TZID=America/New_York:20251105T181500
DTSTAMP:20260510T042331
CREATED:20251016T205819Z
LAST-MODIFIED:20251105T191051Z
UID:24398-1762358400-1762366500@storytelling.concordia.ca
SUMMARY:My Dear Theo
DESCRIPTION:With Alisa Kovalenko and Stéphane Siohan \n  \nThe Chair in European Intellectual History at the Munk School\, Marci Shore\, in collaboration with the Centre for Oral History and Digital Storytelling (COHDS)\, invites you to the first screening of My Dear Théo (2025) with Alisa Kovalenko and Stéphane Siohan. \nAlisa Kovalenko is an award-winning Ukrainian documentary filmmaker and former soldier. After documenting the early stages of the war in Donbas—where she was captured by Russian-backed separatists—she later joined the Ukrainian Volunteer Army following the full-scale invasion in 2022. Her deeply personal film My Dear Théo began as a video diary for her son\, created from the front lines to capture “a landscape of beauty and death.” \nStéphane Siohan\, her partner\, is a senior French journalist and filmmaker based in Kyiv since 2013\, and one of the foremost international correspondents covering Ukraine. Together\, Kovalenko and Siohan have spent over a decade chronicling Ukraine’s wartime realities through cinema and reportage. \nThis screening and panel discussion offer a rare opportunity to engage with two voices who have lived and documented Ukraine’s ongoing struggle with remarkable courage and honesty. \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nRegister here. \nFor any questions\, please contact cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the COHDS Sunroom (LB-1019). \nYou will find us on the tenth floor of Concordia’s Library Building\, 1400 De Maisonneuve Blvd. W.\, Montreal\, Quebec. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/fr/event/my-dear-theo/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:Présentations
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/10/mydeartheo-e1760648142801.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T130000
DTEND;TZID=America/New_York:20251107T150000
DTSTAMP:20260510T042331
CREATED:20250918T185840Z
LAST-MODIFIED:20251001T173454Z
UID:24030-1762520400-1762527600@storytelling.concordia.ca
SUMMARY:Queer Oral History
DESCRIPTION:With Gabryelle Iaconetti and Liam Devitt \nThe workshop and discussion will offer reflections on methodological and ethical approaches to undertaking queer oral history in research. How does one conduct oral history interviews with queer narrators? What is particular about queer oral history? How has oral testimony been significant in the figuration of queer histories? \nThis panels brings together historians Gabryelle Iaconetti and Liam Devitt\, who use oral histories in their various research milieus related to queer labour and activism. \n  \nGabryelle Iaconetti is a third-year PhD student at Concordia University in Montreal\, Quebec\, working under the supervision of Dr. Rachel Berger. She holds a BA and MA in History from Concordia University and MISt (Master of Information Studies) from McGill University. Her research interests lie at the intersections of bisexual history\, oral history\, queer space\, queer theory and archives. \nLiam Devitt is a labour historian\, writer\, and research worker based in Tiohti:áke/Montréal. Their MA thesis “Gay Steel Mill” (Concordia University\, 2024) examined how deindustrialization affected queer communities in Cape Breton. Currently\, they are the Associate Director of “Deindustrialization and the Politics of Our Time” (deindustrialization.org)\, a SSHRC Partnership grant project examining histories and contemporary lived experiences of deindustrialization. They are also General Coordinator of their union\, CARE (PSAC 12501)\, organizing for job security\, fair wages\, and workplace justice. \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nThis is a hybrid event. \nTo attend in person\, please register here. \nTo attend online\, please register here. \nFor any questions\, please contact cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the COHDS Sunroom (LB-1019). You will find us on the tenth floor of \nConcordia’s Library Building\, 1450 De Maisonneuve Blvd. W.\, Montreal\, Quebec. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/fr/event/queer-oral-history-2/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:Ateliers,Roundtable/table ronde
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/09/Queer-Oral-History-e1758740023311.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251112T150000
DTEND;TZID=America/New_York:20251112T170000
DTSTAMP:20260510T042331
CREATED:20250924T195000Z
LAST-MODIFIED:20250924T195624Z
UID:24111-1762959600-1762966800@storytelling.concordia.ca
SUMMARY:Histoires orales de migration et de mouvement : Rábanos Olas Jacarandas Aleonarse
DESCRIPTION:avec Nico Contreras\, Sonia Bustos\, et Priscilla Opazo Castillo \n  \nRábanos Olas Jacarandas Aleonarse (2025\, 10 min) est un collage audiovisuel né d’histoires orales sur la migration\, la communauté et le pouvoir transformateur de l’art. En mêlant des entretiens et des explorations chorégraphiques avec les artistes Sonia Bustos et Priscilla Opazo\, basées à Tiohtiá:ke/Montréal\, le film partage des réflexions entremêlées sur la conscience politique\, la navigation entre les identités changeantes à travers les pays d’origine et d’installation\, et l’engagement dans les processus de changement. Des aperçus du Chili\, du Mexique et du Canada coexistent dans un espace et un temps partagés\, dans un moment d’échange entre des voix créatives. \nLa projection du film sera suivie d’une discussion avec les créateurs. \n  \nPriscilla Opazo Castillo\, artiste et enseignante originaire du Chili\, vit à Tiohtià:ke/Montréal depuis 2017. Danseuse autodidacte en formation au Centre Nyata Nyata\, elle tisse son parcours entre l’éducation populaire et la recherche artistique. Son expérience créative\, collective et multidisciplinaire\, s’enracine dans une identité fragmentée par la colonisation\, l’exil et les violences\, mais s’élève en résonance avec d’autres voix marginalisées. Féministe engagée\, elle conçoit l’art comme un territoire vivant de résistance\, de guérison et de mémoire\, où le mouvement libère les corps\, ravive le lien à la terre et nourrit une conscience collective. \n  \nChorégraphe et interprète mexicaine basée à Tiohtiá:ke\, Sonia Bustos axe sa recherche artistique sur des perspectives féministes\, la troisième racine en Amérique Latine\, la mémoire\, la théâtralité et le rapport avec le public. Les éléments constants de son travail sont: composition à partir des états de corps\, utilisation de la voix/du texte\, présence des objets porteurs de mémoire et approches corporelles non-dansés. Sonia est interprète-créatrice de Intérieur brut\, Je ne vais pas inonder la mer\, Luz : Dentelle\, Luz : Terre et Luz : Echo (en cours de création). Elle détient une Maîtrise en danse (UQÀM) et une Licence en théâtre (UNAM). \n  \nNico Contreras est un artiste interdisciplinaire équatorien-canadien\, travailleur social et étudiant en doctorat en analyse sociale et culturelle à l’Université Concordia. Facilitateur de réflexion et de dialogue par la pratique créative\, il croit au pouvoir de l’art pour transformer nos conceptions de soi et de la société. Son dernier film\, SAN HEN\, une lettre d’amour à la communauté Latinx de Montréal\, sera présenté en première au Festival du film latino-américain de Toronto 2025. \n  \nINSCRIPTION \nInscrivez-vous maintenant  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLIEU  \nEn présence\, au local LB-1042 (ALLLAB)\, COHDS   \n Le CHORN/ALLAB sont situés sur le territoire non-cédé de Kanien’kehá:ka à Tiohtiá:ke/Montréal. 
URL:https://storytelling.concordia.ca/fr/event/oral-histories-of-migration-and-motion-rabanos-olas-jacarandas-aleonarse/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:performances et expositions,Présentations
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/09/Event-photo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251114T140000
DTEND;TZID=America/New_York:20251114T160000
DTSTAMP:20260510T042331
CREATED:20251001T215849Z
LAST-MODIFIED:20251003T164845Z
UID:24166-1763128800-1763136000@storytelling.concordia.ca
SUMMARY:Intimate Maquettes: Artistic Interventions in Post-Violence Contexts
DESCRIPTION:With Pablo Gershanik \n  \n“At the very moment your life changes forever\, what other stories are taking place—on your street\, in your neighborhood\, in your city\, in your country\, across the map of the world?… \n– Intimate Maquettes Lab” \n  \nThe Intimate Maquettes Lab is a participatory artistic practice that explores how personal and collective memories of violence can be re-imagined and re-signified through small-scale narrative and audiovisual reconstruction. Developed over the past decade\, the Lab engages individuals\, families\, and communities who have been protagonists of challenging experiences in a process of symbolic reconstruction\, where symbolic cartographies of memory become a shared stage for testimony\, reflection\, and dialogue. Each participant creates a maquette in the interest of exploring the link between personal and collective history\, giving form to images\, memories\, absent elements\, mythologies\, and desires. These maquettes act simultaneously as archive\, witness\, and metaphor\, opening new pathways for public conversation about trauma\, justice\, and reparation. In this talk\, I will share the conceptual framework of the Intimate Maquettes Lab\, situating it within applied theatre\, object-based performance\, and trauma-informed artistic placemaking. I will also share aspects of my research motivated by key moments that have emerged throughout labs developed across Europe\, North America\, and Latin America\, reflecting on the methodological and ethical challenges of working at the intersection of memory\, art\, and social repair. \n  \nPablo Gershanik is an actor\, clown\, director\, and academic whose work bridges visual theatre\, memory\, and justice. He trained at the École Internationale de Théâtre Jacques Lecoq (Paris)\, holds a Master’s degree in Dramatherapy from the University of Paris\, and is currently pursuing a Doctorate in Arts at Concordia University (Montreal). He is a 2025 Pierre Elliott Trudeau Foundation Scholar. Pablo is the creator of the Intimate Maquettes Lab\, an artistic and trauma-informed intervention presented in museums\, universities\, and cultural institutions in North and Latin America\, Europe and China. \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nThis is a hybrid event. \nTo attend in person\, please register here. \nTo attend online\, please register here. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1042 (ALLab)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/fr/event/intimate-maquettes-artistic-interventions-in-post-violence-contexts/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/10/Screenshot-2025-10-01-at-5.39.26-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251119T190000
DTEND;TZID=America/New_York:20251119T210000
DTSTAMP:20260510T042331
CREATED:20250924T192941Z
LAST-MODIFIED:20251113T211949Z
UID:24102-1763578800-1763586000@storytelling.concordia.ca
SUMMARY:How to Say ‘Longing’ - Cancelled
DESCRIPTION:with Jad Orphée Chami and Noël Vezina \n\n\nJoin us on Wednesday\, November 19th\, at 7 PM\, at the ALLab\, Centre for Oral History and Digital Storytelling\, for How to say ‘longing’\, a contemplative performance by movement artist Noël Vézina and composer Jad Orphée Chami. \nThis intimate exploration of dualities—music and movement\, composition and improvisation\, the said and the unsaid—delves into the boundaries of closeness\, vulnerability\, and technology. Using a MIDI controller\, a chain of touch-sensitive sensors\, the performers weave a digital soundscape that shifts with their physical interactions\, crafting a dialogue of embodied listening. \n  \nJad Orphée Chami  is a Lebanese-Canadian artist-researcher\, composer and performer born in Beirut and living in Montreal. He notably composed the original music for the feature film Antigone by Sophie Deraspe\, which represented Canada at the 92nd Academy Awards. He was nominated at the age of 21 for the Iris prize for best original music at the 22nd Gala Québec Cinéma\, notably alongside Jean-Michel Blais and Howard Shore. After having provided the soundtracks for more than fifteen short films and three web series\, he composed his second film score in 2023 in collaboration with director Eli Jean Tahchi for the documentary Dorchester: In the Midst of the Fray\, produced by Jonah Mallak (Nemesis Films). \nIn addition to his music work for the image\, he composes and designs works for the contemporary scene\, notably for the École de Danse Contemporaine de Montréal and for the Acts of Listening Lab in collaboration with the Center for Restorative Justice. He explores through research-creation the dialogue between music and oral history. In 2022\, he is part of a trio of artists commissioned by the MAI for the realization of the work Justement (en)raciner on the theme of Justice\, among others alongside Kimura Byol-Lemoine\, Angelina Guo and Moe Clark. The same year\, he presented with Noël Vézina the performance How to say ‘longing’\, mixing dance-theatre\, music and new technologies\, at the RIPA performance evening. The testimonies of the disappeared from Lebanon are central to his approach. He is affiliated with the Centre for Oral History and Digital Storytelling and is developing his oral history performance Rhapsody for the disappeared. \nHe is also interested in contemporary issues of art and presents conferences on themes such as the question of the author\, the ethics of research-creation and gender and sexuality in music history. \n  \n Noël Vezina is a queer\, interdisciplinary\, dance and movement artist based in Montreal (Tiohtiá:ke / Mooniyang). Largely self-taught\, her process is highly intuitive and organic. Approaching performance as a tool to connect deeply\, to herself and to others\, her work often takes on ephemeral and intimate forms. \nNoël’s latest accomplishments include: presenting Stardust and Parallax with Festival Quartiers Danses (2021)\, sharing a first version of a cloud\, a distance (September 2020)\, creating We live together now – a video performance presented by Sanskar Festival (August 2020) and Festival Bouge D’ici (March 2021)\, performing 05062020live via Zoom for National AccessAbility Week with the DisAbled Women’s Network of Canada (June 2020)\, and her ongoing collaboration with A Safe Space\, initiated by Nicholas Bellefleur in 2019. In February 2020 she hosted the first of many editions of 5×8/6 – a free-from experimental performance evening that takes place in her kitchen – where she premiered Soft Warm Light (an autobiographical solo piece in progress). \nNoël is one sixth of the winning team of the 2021 Dansathon in Liège\, recognized for their imagining of ‘the future of dance’ through a new interactive performance experience The \nLiving Room. They will continue questioning the place of technology in promoting embodiment soon\, with the support of the Maison de la Danse de Lyon\, Sadler’s Wells and the Théâtre de Liège. \nNoël strives to be radically soft\, honest and vulnerable. She values not-knowing and never perfecting. To be kind and loving is essential. \n  \nREGISTRATION   \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1042 (ALLLAB)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. 
URL:https://storytelling.concordia.ca/fr/event/how-to-say-longing-2/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:performances et expositions,Présentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/09/Jad-Orphee-Chami-Noel-Vezina-06-1-845x321-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251120T123000
DTEND;TZID=America/New_York:20251120T140000
DTSTAMP:20260510T042331
CREATED:20250918T192719Z
LAST-MODIFIED:20250918T192938Z
UID:24045-1763641800-1763647200@storytelling.concordia.ca
SUMMARY:Brown Bag Metting: Listening and Perspective-Taking
DESCRIPTION:This Brown Bag Meeting will be an informal\, lunchtime conversation between Mireille Paquet (Concordia Research Chair on the Politics of Immigration; Director of IRMS) and Luis C. Sotelo Castro (Director of the Acts of Listening Lab\, Department of Theatre\, Concordia).  \nThe session will explore the intersection of Perspective Taking and Active Listening\, two frameworks that resonate strongly with the work of both IRMS and ALLab. Rather than a formal lecture\, the gathering is designed as an open\, reflective exchange\, encouraging questions and dialogue from participants.  \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nThis is a hybrid event. \nTo attend in person\, please register here. \nTo attend online\, please register here. \nFor any questions\, please contact cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the ALLAB (LB-1042). You will find us on the tenth floor of Concordia’s Library Building\, 1450 De Maisonneuve Blvd. W.\, Montreal\, Quebec. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/fr/event/brown-bag-metting-listening-and-perspective-taking/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:Roundtable/table ronde
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/09/4.-Brown-Bag-Metting-Listening-and-Perspective-Taking-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251121T110000
DTEND;TZID=America/New_York:20251121T123000
DTSTAMP:20260510T042331
CREATED:20250918T193817Z
LAST-MODIFIED:20250918T193900Z
UID:24049-1763722800-1763728200@storytelling.concordia.ca
SUMMARY:CONECTADAS: la doble vía de la escucha y del habla / Connected: The Two-way Path of Listening and Speaking
DESCRIPTION:Held in Spanish with consecutive interpretation by Franklin R. Bonivento. \nIn this event Constanza Ramírez Molano ends her residency at the ALlab by presenting two interviews carried out with the method CONNECTED. This method proposes a journey from the intimate to the collective through narration\, listening\, and dialogue. It begins with mutual recognition between interviewer and interviewee\, giving value to personal stories of care and attachment to life. Listening is understood as an act of hospitality and ethical responsibility\, welcoming the other’s words without imposing prejudice. The testimonies\, recorded in audio or video\, become shared memory when brought into collective reflection\, where the personal acquires common meaning and transformative power. Finally\, the social circulation of these voices opens possibilities for new forms of citizenship and the construction of peace.  \nCreators of the method: Luz Marina Monzón\, Hugo Andrés Rincón\, and Constanza Ramírez.  \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nThis is a hybrid event. \nTo attend in person\, please register here. \nTo attend online\, please register here. \nFor any questions\, please contact cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the ALLAB (LB-1042). You will find us on the tenth floor of Concordia’s Library Building\, 1450 De Maisonneuve Blvd. W.\, Montreal\, Quebec. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \n 
URL:https://storytelling.concordia.ca/fr/event/conectadas-la-doble-via-de-la-escucha-y-del-habla-connected-the-two-way-path-of-listening-and-speaking/
LOCATION:Concordia University LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:Présentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/09/5.-CONECTADAS-la-doble-via-de-la-escucha-y-del-habla.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251126T140000
DTEND;TZID=America/New_York:20251126T170000
DTSTAMP:20260510T042331
CREATED:20250918T195959Z
LAST-MODIFIED:20250918T195959Z
UID:24057-1764165600-1764176400@storytelling.concordia.ca
SUMMARY:Immersive Oral History Capture: Setup\, Recording\, and Archiving
DESCRIPTION:With Frankie Ray \n  \nIn this hands-on workshop\, participants will learn the essentials of setting up and recording oral history interviews with both video and audio. We will cover how to prepare a recording environment\, assemble and test a recording rig\, and troubleshoot common technical challenges. Beyond capturing the interview itself\, participants will gain practical skills in file transfer\, organization\, and archival best practices\, ensuring that valuable stories are safely preserved for long-term use. Participants will practice setting up tripods\, microphones\, and recorders\, then conduct short mock interviews to apply these skills in real time. Cameras available to participants will be Sony FX6\, Canon XA40\, Blackmagic and JVC 3CCD. The session will conclude with a focus on safe file management: offloading to a computer\, creating backups\, and preparing files for the archive. No prior technical experience is required; this workshop is designed for anyone interested in documenting\, preserving\, and safeguarding oral history materials. \n  \nWhat we’ll do: \n§ Why technical setup matters for oral history \n§ Demonstrate a short 10-minute oral history video/audio project from our archives \n§ Equipment set up: build camera & mics \n§ File offload and management for editing \n§ Best Practices in Archiving Audio- and Videofiles \n§ Tear down gear and put it back safely \n  \nPerks: \n§ Everyone gets to touch gear \n§ Make a check list for oral history kit for everyone to take home \n  \nFrankie Ray is a Montreal-based videographer and DJ\, with professional experience across music festivals\, music videos\, and film productions\, including Netflix\, HBO\, the NFB and Crave. Trained as a certified 2nd Assistant Camera in ICG669/IATSE\, Frankiebrings both technical expertise and creative insight to their work. Outside of their personal work\, Frankiehas always put a focus on accessible\, hands-on training. At COHDS\, Frankie combines their professional background with a commitment to supporting researchers\, artists\, and storytellers in capturing and preserving stories with care and technical confidence. \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nRegister here. \nThis technical workshop has a maximum number of sixteen participants. To have your name added to our waiting list once this maximum number is reached\, please contact: cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the COHDS Media Lab (LB-1042). \nYou will find us on the tenth floor of Concordia’s Library Building\, 1450 De Maisonneuve Blvd. W.\, Montreal\, Quebec. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/fr/event/immersive-oral-history-capture-setup-recording-and-archiving/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:Ateliers
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/09/exhibition-annie-14-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251128T150000
DTEND;TZID=America/New_York:20251128T170000
DTSTAMP:20260510T042331
CREATED:20250918T201502Z
LAST-MODIFIED:20250918T201502Z
UID:24072-1764342000-1764349200@storytelling.concordia.ca
SUMMARY:Dancing Life Stories/Dancing Biographies/Forming the WE
DESCRIPTION:With the DANC 202 Cohort: Charlotte Bisson\, Nathaniel Cancela Edsell\, Florence Cross\, Homeyra Esmaeilzadeh\, Leonardo Giraldo Rodriguez\, Anaïs Girard\, Elle Golfinopoulos\, Sophie Groleau-Rouleau\, Nasiriyah Hamilton\, Joselande Josue\, Adaline Kuranko\, Camille Moon\, Fredlyne Pierre\, Pooya Ratnam\, Amy Staples\, Kaiya Thomas-Bynoe\, and Cameron Weaver. \n  \nJoin us for an afternoon of dance as students from the Department of Contemporary Dance bring embodied auto-biographical narratives to the Acts of Listening Lab. Such storytelling in motion – based on life history interviews that students conducted with one of their peers – constitutes what Christine Thurner once called “emphatically fragile\, deliberately contingent narrative acts.” These gestural narratives break free of the frame of linear\, literary (auto)biography. Seen in relation to one another they form a complex and rich society. \n  \nThis event is based on students’ coursework in the Department of Contemporary Dance\, who\, under the guidance of Professor Lília Mestre\, are exploring the possibilities of danced life narration\, this time in a collective improvisation setting. \n  \nPlease note that the event will take place in the Dance Studio (MB-7.265) of the Department of Contemporary Dance\, 1600 Blvd. De Maisonneuve Ouest. \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nRegister here. \nFor any questions\, please contact cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the Dance Studio (MB-7.265) of the Department of Contemporary Dance\, 1600 Blvd. De Maisonneuve Ouest. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/fr/event/dancing-life-stories-dancing-biographies-forming-the-we/
LOCATION:Dance Studio\, MB 7.265\, 1600 Blvd De Maisonneuve West\, Montreal\, Quebec\, H3H 1J5\, Canada
CATEGORIES:Ateliers,performances et expositions
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/09/Visuals-for-Fall-Event-Pages-8-845x321-1.jpg
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