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DTSTART;TZID=America/New_York:20250430T170000
DTEND;TZID=America/New_York:20250516T170000
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UID:22862-1746032400-1747414800@storytelling.concordia.ca
SUMMARY:Exhibit - Bodies Carrying: Traces & Stories
DESCRIPTION:Bodies carry and transmit traces of memories\, sites\, and stories—both as acts of care and as burdens to bear. \nBodies Carrying: Traces & Stories is a twofold conversation taking the form of a group exhibition and a program consisting of workshops\, performances\, and talks. This is an experiment in transforming the Centre for Oral History and Digital Storytelling into a dialogue space that brings together artists and researchers who engage with or reflect on oral history in their work\, from the curatorial process to the mise en œuvre. \nThe exhibition and program explore the traces we carry—the traces of what was willingly or unwillingly passed on\, those that were inflicted\, and the lingering ghosts of what was left behind.  \nThese imprints can be things we hold onto or want to make more visible\, carried through acts of care\, (re)connection\, and resistance. Yet\, these traces also represent the weight of what bodies have borne and still bear. Bodies Carrying: Traces & Stories asks: How do we hold space for both the tenderness and heaviness of what it means to carry? \nExhibition Location \nCOHDS\, 10th Floor – LB-1042; 1400 de Maisonneuve Blvd W.\nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \nExhibition Hours \nMay 1 – May 16\nOpen daily | 1:00 PM – 4:00 PM \nDates \nMay 5 – May 8\nPlease register for individual events. \nVernissage \nApril 30\, 5 à 7\, Sunroom (LB-1019)\nWith durational performance “I Insist” by Sol Worsnip \nProgram \nMay 5\, 10h-13h\nCorps\, émotions et recherches: une exploration par cartographie corporelle – Atelier \nMay 6\, 12h-14h\nAttuning to Spectralities: Senses\, Whispers\, and Other Connective Membranes – Workshop \nMay 6\, 15h-16h30\nكان حتى ما كان (Once Upon a Place): What Remains of the Halqa? Performing Memory and Absence – Lecture Performance \nMay 7\, 10h-13h\nThe Metabolism of Silence – Workshop \nMay 7\, 16h-17h30\nIntimate Listening- Immersive Theatre \nMay 8\, 14h-15h\nWalking Interludes – Reading and dialogue  \nMay 8\, 16h-18h\nIdentity\, Care\, Labour\, and Matrilineal Stories – Performance and Artist Talks  \nREGISTRATION \nRegistration forms are linked on each event page. \nCurated/facilitated by: Annie Thao Vy Nguyen \nAnnie Thao Vy Nguyen (they/she) is a Master’s student in Geography and Urban Studies at Concordia University\, exploring queer futurity and political imagination through dialogic processes. Their thesis uses oral history to trace the evolution of queer Asian activism in Montreal across generations\, using Chinatown as a case study. Annie holds a Bachelor of Architecture from Université de Montréal\, with a thesis at the Technical University of Munich on inquiry-based exhibition pedagogy\, where they co-developed and co-taught a course on pedagogy in architecture exhibitions. Trained and soon-to-be certified in Philocreation dialogue facilitation\, Annie used these tools to facilitate this exhibition and program through a curatorial dialogue with all contributors.
URL:https://storytelling.concordia.ca/fr/event/exhibit-bodies-carrying-traces-stories/
CATEGORIES:Ateliers,performances et expositions,Présentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250505T100000
DTEND;TZID=America/New_York:20250505T130000
DTSTAMP:20250415T192646Z
CREATED:20250414T195701Z
LAST-MODIFIED:20250415T192646Z
UID:22886-1746439200-1746450000@storytelling.concordia.ca
SUMMARY:Corps\, émotions et recherches: une exploration par cartographie corporelle - Bodies Carrying Exhibition Programming
DESCRIPTION: La cartographie corporelle offre une manière unique et créative d’explorer son identité\, ses expériences de vie ou une thématique particulière en centrant le corps et les émotions dans le processus de réflexion. Utilisant l’idée de la carte topographique\, la cartographie corporelle propose d’imaginer le corps comme un territoire qu’il est possible de représenter de manière symbolique. Abordant les thématiques du corps\, des émotions et de la recherche\, cet atelier invitera les participant-es à se pencher sur les manières dont le corps et les émotions affectent la recherche et inversement\, comment la recherche affecte le corps et les émotions ?  \nDurant l’atelier\, les participant-es créent une représentation en taille réelle de leur corps. Après avoir personnalisé leur carte pour l’imprégner de leur personnalité et caractéristiques\, les participant-es explorent les thématiques proposées à l’aide d’images\, de couleurs\, de textures\, de mots et de symboles produits via différents médiums d’art plastique (peinture\, dessin\, collage\, etc.). Cela leur permet d’exprimer et documenter leur perspective de certaines expériences à partir de sensations vécues  dans leur corps-territoire.  \nL’atelier se termine par un cercle de partage afin que chaque participant-e puisse raconter sa carte. Ces récits laissent ensuite place à une discussion collective sur les thématiques abordées pour mettre en relief les convergences et les contrastes entre les cartes. Nous invitons chaque participant-e à s’investir dans la création d’un espace bienveillant et sans jugement. Nous cherchons à établir un climat ludique\, marqué par le partage\, l’écoute et le respect mutuel.  \nInstructions: \n\nVeuillez apporter un tablier ou porter des vêtements que vous n’avez pas peur de salir avec de la peinture\nN’hésitez pas à amener des collations\nVeuillez arriver quelques minutes à l’avance si possible\n\nNaomie Léonard (elle/sher) est doctorante en études urbaines à l’Institut national de la recherche scientifique (INRS). Adoptant une posture écoféministe décoloniale\, ses intérêts de recherche touchent les relations entre corps\, émotions et espaces en contexte de résistance au colonialisme et dans les luttes socio-écologiques. Sa thèse porte sur les relations à la ville et les espaces de care créés et maintenus par des femmes Ilnuatsh et Atikamekws de Mashteuiatsh. Elle a mobilisé la cartographie corporelle comme méthode de recherche afin d’inviter les femmes à explorer de manière créative leurs relations aux espaces et à leurs trajectoires de vie.  \nStéphane Guimont Marceau est professeure au centre Urbanisation Culture Société de l’Institut national de la recherche scientifique (INRS). Elle codirige le programme conjoint INRS-UQAT de maîtrise et de doctorat en études autochtones. Elle est aussi codirectrice du Collaboratoire Villes Voix Visions (c3v.inrs.ca). À partir d’approches critiques\, féministes\, antiracistes et décoloniales\, elle travaille au sein de projets collaboratifs et partenariaux qui priorisent des épistémologies autochtones et des méthodes participatives basées sur les récits. \nINSCRIPTION  \nInscrivez-vous ici. \nVeuillez noter que tous nos événements sont gratuits et ouverts à toutes et à tous. Cependant\, vous devez réserver votre place. Pour participer à l’événement en présentiel évrivez à: cohds.chorn@concordia.ca  \nLIEU \n Le CHORN/ALLAB sont situés sur le territoire non-cédé de Kanien’kehá:ka à Tiohtiá:ke/Montréal. 
URL:https://storytelling.concordia.ca/fr/event/corps-emotions-et-recherches-une-exploration-par-cartographie-corporelle-bodies-carrying-exhibition-programming/
CATEGORIES:Ateliers
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DTSTART;TZID=America/New_York:20250506T120000
DTEND;TZID=America/New_York:20250506T140000
DTSTAMP:20250415T192900Z
CREATED:20250414T200329Z
LAST-MODIFIED:20250415T192900Z
UID:22917-1746532800-1746540000@storytelling.concordia.ca
SUMMARY:Attuning to Spectralities: Senses\, Whispers\, and Other Connective Membranes - Bodies Carrying Exhibit Programming
DESCRIPTION:Photo: Milena Rodriguez \nThis workshop offers an immersive\, collaborative space for scholars\, performers\, visual artists\, and curators to engage with embodied practices that attune to spectral presences. By experimenting with spectrality as a connective tissue that links us to ancestral pasts\, we will explore expanded modes of perception that allow us to sense beyond conventional boundaries of time and space. \nParticipants will experiment with “tuning-in” to spectral traces—those unseen presences and memories that linger in bodies\, objects\, and environments. Through guided exercises\, ritual\, open discussions\, and collaborative writing\, we will examine how these traces  are always already part of our embodied experience\, inhabiting material objects\, spatial environments\, and our physical and emotional tissues.  \nThe session includes grounding and attuning exercises\, brief presentations by Esteban and Shalon on their methodologies\, and a generative group writing activity to create a shared “score” reflecting our collective experience of the spectral. \nEsteban Donoso is a researcher-artist from Quito\, Ecuador currently living in Montreal. He recently completed his PhD in Theatre and Performance Studies at York University in Toronto. His work focuses on dance and performance archiving and transmissions\, oral histories\, and practice-based methodologies. His artistic work has been shown in Ecuador\, Colombia\, Chile\, Belgium\, Switzerland\, France\, the U.S.\, and Canada. \nShalon T. Webber-Heffernan is a Toronto based writer and curator. She holds a PhD in Theatre and Performance Studies and is a core member of the Toronto Performance Art Collective (7a11d International Festival of Performance Art). Some of her recent writing has been published in Theatre Research in Canada\, Performance Research\, Comparative Media Arts Journal\, C Magazine\, Peripheral Review\, Performance Matters\, and several other publications. \n*Please wear comfortable clothing \nNote: this event will take place in English\, with the possibility of French translation \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \n 
URL:https://storytelling.concordia.ca/fr/event/attuning-to-spectralities-senses-whispers-and-other-connective-membranes-bodies-carrying-exhibit-programming/
CATEGORIES:Ateliers
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250512T080000
DTEND;TZID=America/New_York:20250526T170000
DTSTAMP:20250305T153300Z
CREATED:20250305T152454Z
LAST-MODIFIED:20250305T153300Z
UID:22530-1747036800-1748278800@storytelling.concordia.ca
SUMMARY:Summer Institute: Oral History & Creative Practice (for credit)
DESCRIPTION:May 12-26\, 2025\nOpen to university students (for credit course) and community members \nCall for applications COHDS Summer Institute 2025 \nStorytelling\, as both an art and a practice\, occupies a central role in many cultures. The evocative power of oral history has made a major impact in the worlds of public history\, museum/curatorial practice\, and the arts. Our inaugural Summer Institute in “Oral History & Creative Practice” – hosted by Concordia’s “Centre for Oral History and Digital Storytelling” (COHDS) – offers you an opportunity to develop an oral history project that aspires to the kind of public-facing research that has become synonymous with COHDS\, including digital storytelling\, podcasts\, creative writing\, visual arts media\, and the performing arts. \nThis Summer Institute brings together graduate and senior undergraduate students\, activists\, artists\, oral historians\, and community members in a shared exploration of the intersection of oral history and creative practice. It will provide you with a strong grounding in the theory\, methodology\, and ethics of oral history while offering a space to “translate” your oral history research into works of research-creation. Participants will work with leading experts in the field; collaborate in workshops on oral history\, storytelling\, and research creation; and forge connections within an interdisciplinary group of peers. \nAs a field of inquiry\, oral history has grown up on the margins. Oral history interviewing has been undertaken for many reasons: artistic; community-building; truth and reconciliation; political action; storytelling\, preservation\, and research. Common to these projects is a commitment to lending an ear to marginalized voices. This year’s institute is a blend of a traditional seminar that revolves around deep engagement with assigned readings and a workshop that affords us a space to reflect on interview dynamics\, learn about best recording practices\, and explore innovative and creative ways of interpreting life stories. \nFor more information\, and for instructions to apply\, please see the call for applications. \nREGISTRATION\nPlease note that registration is open to university students and community members alike. University students may take this Summer Institute for credit.\nWe welcome all levels of experience. To submit an application for the Summer Institute\, please consult the call for applications above.\nPlease note that the application deadline is Sunday\, March 23\, 23:59 EST. For any academic inquiries please reach out to the Director of the Summer Institute\, Dr. Barbara.Lorenzkowski@concordia.ca
URL:https://storytelling.concordia.ca/fr/event/summerinstitute2025/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:Ateliers
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