{"id":23259,"date":"2025-05-26T14:09:58","date_gmt":"2025-05-26T18:09:58","guid":{"rendered":"https:\/\/storytelling.concordia.ca\/?p=23259"},"modified":"2025-05-29T14:12:09","modified_gmt":"2025-05-29T18:12:09","slug":"beatriz-velez","status":"publish","type":"post","link":"https:\/\/storytelling.concordia.ca\/fr\/beatriz-velez\/","title":{"rendered":"Beatriz Velez"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1nd886z-2c2794aa5d87942ebc6cf06cbbaf6415\">\n#top .av_textblock_section.av-1nd886z-2c2794aa5d87942ebc6cf06cbbaf6415 .avia_textblock{\nfont-size:40px;\n}\n<\/style>\n<section  class='av_textblock_section av-1nd886z-2c2794aa5d87942ebc6cf06cbbaf6415 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock member_tagline'  itemprop=\"text\" ><p>Chercheuse\/Artiste invit\u00e9e<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-167l58b-508f491b76d844bd4604cd889e1272d9\">\n.flex_column.av-167l58b-508f491b76d844bd4604cd889e1272d9{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-167l58b-508f491b76d844bd4604cd889e1272d9 av_three_fifth  avia-builder-el-1  el_after_av_textblock  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mb5ein5j-da56d132bc8d4196dd50b30e5a7ac786\">\n.avia-image-container.av-mb5ein5j-da56d132bc8d4196dd50b30e5a7ac786 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mb5ein5j-da56d132bc8d4196dd50b30e5a7ac786 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mb5ein5j-da56d132bc8d4196dd50b30e5a7ac786 av-styling- avia-align-center  avia-builder-el-2  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-23250 avia-img-lazy-loading-not-23250 avia_image ' src=\"https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-300x255.jpg\" alt='' title='VELEZ Bea'  height=\"255\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-300x255.jpg 300w, https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-1030x874.jpg 1030w, https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-768x652.jpg 768w, https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-1536x1303.jpg 1536w, https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-2048x1738.jpg 2048w, https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-1500x1273.jpg 1500w, https:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2025\/05\/VELEZ-Bea-705x598.jpg 705w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-vj3erf-f1de392aff445f159984266c33b0399f\">\n.flex_column.av-vj3erf-f1de392aff445f159984266c33b0399f{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-vj3erf-f1de392aff445f159984266c33b0399f av_one_full  avia-builder-el-3  el_after_av_three_fifth  avia-builder-el-last  first flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-mb5ejzjk-f62fc68849784bd628eb564040f6b18d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Entre 1980 et 2005 j\u2019oeuvrais comme professeure et chercheuse universitaire en socio anthropologie des corpor\u00e9it\u00e9s genr\u00e9es dans le milieu urbain en Colombie. Notre programme de recherche nous a permis de saisir que dans l\u2019espace publique se tissaient d\u2019importantes relations entre ce jeu et la violence qui envahissait la soci\u00e9t\u00e9. En parall\u00e8le, nous avons pu d\u00e9couvrir un leadership des femmes, m\u00e9connu et m\u00e9pris\u00e9 et cette lutte a retenu notre attention, car les protagonistes arboraient une grande d\u00e9termination \u00e0 se tailler une place dans un univers ouvertement hostile \u00e0 leur insertion. Depuis 20 ans, j\u2019habite \u00e0 Montr\u00e9al, o\u00f9 je joue le r\u00f4le de chercheur.e ind\u00e9pendante et instigatrice culturelle et artistique du football autant dans les deux pays que dans d\u2019autres de la r\u00e9gion. En 2011, j\u2019ai publi\u00e9 l\u2019essai \u00ab Futbol desde la tribuna. Pasiones y fantasias \u00bb Ed. Silaba, Medellin, traduit et publi\u00e9 en fran\u00e7ais sous le titre \u00ab Football et \u00e9rotisme au masculin. Une anthropologue au stade \u00bb, 2014, Montr\u00e9al, Liber. En 2015, lors de la Coupe du monde de football f\u00e9minin j\u2019ai mis sur pied l\u2019Expo \u00abFootball et Femmes du Canada et du monde \u00bb (A\u00e9roport international de Montr\u00e9al et Hall artistique \u00c9difice Victoria Park). Par la suite j\u2019ai r\u00e9alis\u00e9 des \u00ab shorts \u00bb et un court vid\u00e9o \u00abQatar 2022 : Un legs insoup\u00e7onn\u00e9 pour une Coupe mondial du football masculin \u00bb destin\u00e9s \u00e0 faciliter des discussions sur le foot \u00ab autrement \u00bb \u00e0 Montr\u00e9al et \u00e0 Medellin. Entre 2023 et 2024, j\u2019ai r\u00e9alis\u00e9 le documentaire \u00ab Del Fango a la Gloria. Futbol y mujeres en el Valle de Aburra. El Pasado \u00bb, dans lequel, de vive voix, neuf de ces femmes, tr\u00e8s actives encore dans le football, remontent les traces de leur lutte, leurs souffrances, leurs joies et leurs sororit\u00e9s. De cette histoire officieuse compos\u00e9e des faits et d\u2019actions de r\u00e9silience en ressortent de pistes in\u00e9dites qui peuvent devenir des outils d\u2019agencement de la vie individuelle et collective humaine. Le football f\u00e9minin qui aujourd\u2019hui honore la nation est en dette envers le football maltrait\u00e9 et vilipend\u00e9 du pass\u00e9. Leur leadership a contribu\u00e9 \u00e0 la transformation des freins et pr\u00e9jug\u00e9s de genre en opportunit\u00e9s d\u2019\u00e9panouissement social pour toutes les colombiennes.<\/p>\n<section class=\"av_textblock_section av-mb5dsc4n-2e79ecd241150c24fa32c0aac7c5a5c2 \">\n<div class=\"avia_textblock member_tagline\"><\/div>\n<\/section>\n<div class=\"flex_column av-qcx5w0-bd06ba4c8edb7e60b9e97282f6f869ae av_one_full avia-builder-el-3 el_after_av_three_fifth avia-builder-el-last first flex_column_div av-zero-column-padding \">\n<section class=\"av_textblock_section av-mb5do0zm-0f5327f7cccd515a59e3e3ee7a1fda6d \">\n<div class=\"avia_textblock\">\n<p>Between 1980 and 2005, I worked as a professor and university researcher at the Universidad de Antioquia, focusing on the socio-anthropology of gendered bodies in urban Colombia. My research program explored the complex relationships woven between soccer and the pervasive violence within Colombian society. Simultaneously, I investigated a little-known and often scorned form of women\u2019s leadership within the sport, a struggle that captivated me due to the unwavering determination of these women to carve out a space for themselves in a world openly hostile to their integration. For the past 20 years, I have resided in Montreal, where I work as an independent researcher and a cultural and artistic promoter of soccer in both Canada and<br \/>\nColombia, as well as other regions. In 2011, I published \u201cFutbol desde la tribuna. Pasiones y fantasias\u201d (Ed. Silaba, Medellin), later translated and published in French as \u201cFootball et \u00e9rotisme au masculin. Une anthropologue au stade\u201d (2014, Montreal, Liber). During the 2015 Women\u2019s World Cup, I curated the exhibition \u201cFootball and Women of Canada and the World\u201d at the Montreal International Airport and the Victoria Park Building Art Hall, other short films like, \u201cQatar 2022: An Unsuspected Legacy for a Men\u2019s Soccer World Cup,\u201d designed to stimulate discussion around alternative approaches to soccer in Montreal. I directed the documentary \u201cDel Fango a la Gloria. Futbol y mujeres en el Valle de Aburra. El Pasado \u201c, 2024. In this film, nine women, still actively involved in soccers hares theirs stories. This \u201cunofficial\u201d history, built upon acts of resilience, shows that the leadership Women\u2019s soccer in Colombia, transforming gender<br \/>\nbarriers and prejudices into opportunities for social fulfillment of women.<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":23250,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,25,21],"tags":[],"class_list":["post-23259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-affilie-e-s","category-chercheur-se-s-artistes-invite-e-s","category-communaute"],"_links":{"self":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts\/23259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/comments?post=23259"}],"version-history":[{"count":4,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts\/23259\/revisions"}],"predecessor-version":[{"id":23322,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts\/23259\/revisions\/23322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/media\/23250"}],"wp:attachment":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/media?parent=23259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/categories?post=23259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/tags?post=23259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}