{"id":11156,"date":"2021-09-09T18:07:29","date_gmt":"2021-09-09T22:07:29","guid":{"rendered":"https:\/\/storytelling.concordia.ca\/11145\/"},"modified":"2021-10-12T10:18:47","modified_gmt":"2021-10-12T14:18:47","slug":"11145","status":"publish","type":"post","link":"https:\/\/storytelling.concordia.ca\/fr\/11145\/","title":{"rendered":"COHDS-ALLab 2021 Fall Programming"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1elxl-b72babf4858e5795568ec5dbf4e0127c\">\n.flex_column.av-1elxl-b72babf4858e5795568ec5dbf4e0127c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1elxl-b72babf4858e5795568ec5dbf4e0127c av_one_fourth  avia-builder-el-0  el_before_av_three_fourth  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1elxl-a8c501240a5b25f22485ac3905a1b946\">\n.flex_column.av-1elxl-a8c501240a5b25f22485ac3905a1b946{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1elxl-a8c501240a5b25f22485ac3905a1b946 av_three_fourth  avia-builder-el-1  el_after_av_one_fourth  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-kbihb0gk-77d502bee485f9a4a86f2960911ef3a4 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: right;\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/storytelling.concordia.ca\/wp-content\/uploads\/2021\/09\/COHDS_FALL_2021_PROGRAMMING-2.pdf\">Download the program by clicking here<\/a><\/span><\/p>\n<hr \/>\n<h2 style=\"text-align: left;\">UPCOMING EVENTS<\/h2>\n<p><strong><a href=\"#oct13\">+ OCT 13 &#8211; (POSTPONED) Listening to the Anthropocene through the sound of plantations (Part II)<\/a><\/strong><\/p>\n<p><strong><a href=\"#oct14\">+ OCT 14 &#8211; Atelier : Introduction \u00e0 l\u2019histoire orale<\/a><\/strong><\/p>\n<p><strong><a href=\"#oct18\">+ OCT 18 &#8211; Intro to Sound Editing I With Adobe Audition<\/a><\/strong><\/p>\n<p><strong><a href=\"#oct21\">+ OCT 21 &#8211; (POSTPONED) Listening to the Anthropocene through the sound of plantations (Part III)<\/a><\/strong><\/p>\n<p><strong><a href=\"#oct22\">+ OCT 22 &#8211;\u00a0Indigenous Healing Knowledges Online Gathering<\/a><\/strong><\/p>\n<p><strong><a href=\"#oct25\">+ OCT 25 &#8211;\u00a0Intro to Sound Editing II With Adobe Audition<\/a><\/strong><\/p>\n<p><strong><a href=\"#nov5\">+ NOV 5 &#8211;\u00a0Workshop: How can Music Contribute to the Listening of Testimonies?<\/a><\/strong><\/p>\n<p><strong><a href=\"#nov8\">+ NOV 8 &#8211;\u00a0Workshop: Oral History Theory and Ethic<\/a><\/strong><\/p>\n<p><strong><a href=\"#nov18\">+ NOV 18 &#8211;\u00a0Purity and Pitfalls: Ethical Issues in Multiplatform Storytelling Using Oral Histories<\/a><\/strong><\/p>\n<p><strong><a href=\"#nov25\">+ NOV\u00a025 &#8211;\u00a0Conversation: Ethics as a quest<\/a><\/strong><\/p>\n<p><strong><a href=\"#dec10\">+ DEC 10 &#8211;\u00a0Prototyping a Research-Creation Project (Exhibition of work by ALLab\u2019s PhD students)<\/a><\/strong><\/p>\n<p><strong><a href=\"#dec14\">+ DEC 14 &#8211;\u00a0Veronica Mockler &#8211; Research-Creation Thesis Presentation (Master of Arts in Fine Arts &#8211; Individualized Program)<\/a><\/strong><\/p>\n<p><a href=\"#dec16\"><b>+ DEC 16 &#8211; Sonic Sentimentality and the Unification of the Listening Space<\/b><\/a><\/p>\n<hr \/>\n<p>Please note: if you have any Covid-19 symptoms of if you are not fully vaccinated we invite you to join the online version of our events. Veuillez s&rsquo;il vous pla\u00eet noter: si vous pr\u00e9sentez des sympt\u00f4mes de Covid-19 ou si vous n&rsquo;\u00eates pas compl\u00e8tement vaccin\u00e9, nous vous invitons \u00e0 joindre la version en ligne de nos \u00e9v\u00e9nements.<\/p>\n<hr \/>\n<p id=\"oct13\"><strong>OCT 13, 16:00-18:00 (online) <\/strong><\/p>\n<p><strong>Listening to the Anthropocene through the sound of plantations. <\/strong><strong>Part II. <\/strong>Hosted by Daniel Ruiz-Serna, Ph.D. With Mar\u00eda del Pilar Ram\u00edrez Gr\u00f6bli. Institute of Social Anthropology, Unversit\u00e4t Berne. In Spanish and English.<\/p>\n<p>Los sonidos de la palma de aceite: despojo y culturas de paz en el postconflicto colombiano.<\/p>\n<p>Register in advance for this meeting: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZcqc-6srTMtHdXojRJQJucODRpQ82FHF6ei&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145591390%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=ZsdmFOzxzrwg4oRhilvyMO13nt7R4e9yjdIHcbYCU%2BY%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZcqc-6srTMtHdXojRJQJucODRpQ82FHF6ei<\/a><\/p>\n<hr \/>\n<p id=\"oct14\"><strong>OCT\u00a014, 12:00-14:00\u00a0(in\u00a0person) <\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Atelier : Introduction \u00e0 l\u2019histoire orale<\/strong>\u00a0avec\u00a0Lea\u00a0Kabiljo.\u00a0<\/span><span data-contrast=\"none\">En\u00a0fran\u00e7ais.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">Cet atelier de formation couvre les concepts fondamentaux de la m\u00e9thodologie de l\u2019histoire orale. On y aborde l\u2019\u00e9volution de la discipline, son approche de l\u2019entrevue, l\u2019\u00e9thique de la recherche, et les diverses fa\u00e7ons dont les chercheur.e.s en histoire orale diffusent leurs travaux aupr\u00e8s d\u2019un vaste public. Le plus possible, le contenu sera adapt\u00e9 au niveau de connaissances et aux projets des participant.e.s. Cet atelier est fortement recommand\u00e9 aux nouveaux et nouvelles affili\u00e9.e.s du CHORN, car il constitue une introduction \u00e0 la m\u00e9thodologie et aux principes d\u00e9velopp\u00e9s et suivis par le Centre.<\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">Lea Kabiljo est une candidate au doctorat dans le d\u00e9partement d&rsquo;\u00e9ducation de l&rsquo;art a l&rsquo;universit\u00e9 Concordia. Sa recherche s&rsquo;int\u00e9resse \u00e0 l&rsquo;histoire orale, la photographie, les nouvelles technologies et l&#8217;empathie dans un contexte p\u00e9dagogique. Sa pratique artistique combine l&rsquo;histoire orale et la photographie, examinant la fa\u00e7on dont les interviews biographiques peuvent susciter des portraits. Elle est r\u00e9cipiendaire de la bourse d&rsquo;\u00e9tude Fond de recherche du Qu\u00e9bec au niveau doctoral et de la bourse Concordia fellowship of Fine Arts. En 2019, elle a \u00e9t\u00e9 nomm\u00e9 \u00ab\u00a0Concordia&rsquo;s Public Scholar&rsquo;s\u00a0\u00bb, une des dix candidat.e.s au doctorats les plus qualifi\u00e9.e.s \u00e0 travers les quatre facult\u00e9s. Lea est aussi une professeur d&rsquo;art au secondaire et une avide fan de voyages et de fromages.<\/p>\n<p><span data-contrast=\"none\">Registration required.\u00a0<\/span><span data-ccp-props=\"{\">Limited spaces. RSVP:\u00a0<a href=\"mailto:cohds.chorn@concordia.ca\">cohds.chorn@concordia.ca<\/a><\/span><\/p>\n<hr \/>\n<p id=\"oct18\"><strong>OCT 18,\u00a010:00-12:00 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Intro to Sound Editing I With Adobe Audition<\/strong>, with\u00a0Vitalyi\u00a0Bulychev.\u00a0In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Processing,\u00a0editing\u00a0and enhancing your audio recording \u2013 an introduction to Adobe Audition.<\/span><\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">With this two-parts Sound Editing workshop, we will look at ways to clean up and edit recorded sound. Whether the final destination is a podcast, an audio documentary or radio play, we will cover the basics of improving the overall sound of the recorded material, looking at strategies that will enhance it. The recommended software for this workshop is Adobe Audition. It is strongly recommended that you have the program installed before the start date of the workshop. In Sound Editing I (Oct. 18th) we will cover the layout of the software and we will discuss workflows. Sound Editing II (Oct. 25th) will focus on key effects within Audition that should be part of your strategies and approaches to improve sound. Finally, we recommend that participants partake in both sessions of the series.<\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">Vitalyi Bulychev is COHDS Lab Coordinator. He studied film production at Mel Hoppenheim School of Cinema, Concordia University, Montreal. Past projects include short films and video installations. Interests include information architecture, expanded cinema, interdisciplinarity, photography. Currently in pre-production for a documentary film focused on micro-histories\/oral histories from a small village in Ukraine<\/p>\n<p><span data-ccp-props=\"{\">Limited spaces. Register by emailing us at\u00a0<a href=\"mailto:cohds.chorn@concordia.ca\">cohds.chorn@concordia.ca<\/a><\/span><\/p>\n<hr \/>\n<p id=\"oct21\"><strong>OCT 21, 11:00-13:00 (online)<\/strong><\/p>\n<p><strong>Listening to the Anthropocene through the sound of plantations. <\/strong><strong>Part III. <\/strong>Hosted by: Daniel Ruiz-Serna, Ph.D. In Spanish and English.<\/p>\n<p>Countermapping the Plantation. Dispossession and Soundscapes of oil palm plantations. Diana Ojeda. Universidad de los Andes.<\/p>\n<p>Register in advance for this meeting:<\/p>\n<p><a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZ0ldeygrzsqE9CS34Qm9vvcnLslTuFqsaQa&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145601383%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=P%2BBt8qyoxt93XJBndbR7TKEdL7qup9n0hCUA9mVP3JQ%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZ0ldeygrzsqE9CS34Qm9vvcnLslTuFqsaQa<\/a><\/p>\n<hr \/>\n<p id=\"oct22\"><strong>OCT 22,\u00a09:00-16:00<\/strong><\/p>\n<p><strong>Indigenous Healing Knowledges Online Gathering.\u00a0\u00a0<\/strong><\/p>\n<p><span data-contrast=\"none\">9:00-12:00 Learning from Indigenous Healers\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">13:00-16:00 Youth Exploration of Indigenous Healing Knowledges\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Come join us for an\u00a0online\u00a0gathering, as we get to hear from various elders, knowledge\u00a0keepers\u00a0and youth on their experiences and approaches to healing.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">Today, more than ever, Indigenous peoples need knowledge of ways to enhance their immune systems, avoid conditions such as diabetes and high stress, in order to prevent being vulnerable to conditions such as COVID19.<\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">In this context, this research aims to enhance the understanding of Indigenous worldview and epistemology in relation to healing and well-being, by presenting the teachings of various healing practitioners including those of the Cree, M\u00e9tis, and Haudenosaunee. These Indigenous Healers referred to as speakers engage in healing practices in the context of social work, counselling, talk therapy, energy work, and those who heal through modalities of music, rhythm, sound, and song. They will offer teachings in their epistemological and cosmological approaches to their work and will inform an audience in areas of First Peoples Studies, Counselling, Social Work, Health Professionals, Sociological and Psychological scholars, and community members.<\/p>\n<p>Registration: \u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZYuc-6srT8qG9DRJAWi4Kj-iGvJ-lBNS-9v\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZYuc-6srT8qG9DRJAWi4Kj-iGvJ-lBNS-9v<\/a><\/p>\n<hr \/>\n<p id=\"oct25\"><strong>OCT 25,\u00a010:00-12:00 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Intro to Sound Editing II With Adobe Audition<\/strong>, with\u00a0Vitalyi\u00a0Bulychev.\u00a0In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Processing,\u00a0editing\u00a0and enhancing your audio recording \u2013 an introduction to Adobe Audition.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">With this two-parts Sound Editing workshop, we will look at ways to clean up and edit recorded sound. Whether the final destination is a podcast, an audio documentary or radio play, we will cover the basics of improving the overall sound of the recorded material, looking at strategies that will enhance it. The recommended software for this workshop is Adobe Audition. It is strongly recommended that you have the program installed before the start date of the workshop. In Sound Editing I (Oct. 18th) we will cover the layout of the software and we will discuss workflows. Sound Editing II (Oct. 25th) will focus on key effects within Audition that should be part of your strategies and approaches to improve sound. Finally, we recommend that participants partake in both sessions of the series.<\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">Vitalyi Bulychev is COHDS Lab Coordinator. He studied film production at Mel Hoppenheim School of Cinema, Concordia University, Montreal. Past projects include short films and video installations. Interests include information architecture, expanded cinema, interdisciplinarity, photography. Currently in pre-production for a documentary film focused on micro-histories\/oral histories from a small village in Ukraine<\/p>\n<p><span data-ccp-props=\"{\">Limited spaces. Register by emailing us at\u00a0<a href=\"mailto:cohds.chorn@concordia.ca\">cohds.chorn@concordia.ca<\/a><\/span><\/p>\n<hr \/>\n<p id=\"nov5\"><strong>NOV 5, 18:30-20:00<\/strong><\/p>\n<p><strong>Workshop: How can Music Contribute to the Listening of Testimonies? <\/strong>Hosted by: Jad Orph\u00e9e Chami. In English<\/p>\n<p>The workshop will explore the way music amplifies testimonies and accompanies us in the listening of real-life stories.<\/p>\n<p>In person at the Acts of Listening Lab Black Box and streamed ONLINE.\u00a0Please email <a href=\"mailto:acts.listeninglab@concordia.ca\">acts.listeninglab@concordia.ca<\/a> to secure your in-person spot. A very limited number of spots are available.\u00a0Register in advance for this meeting: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZMsf-CgpjkpH9aDIdv_2mgtgUeQRnB0t5sB&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145601383%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=w4BwtPbgc%2FlyAVA6JLF%2F6pGlNoJEFPneZ3QxZYcctcU%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZMsf-CgpjkpH9aDIdv_2mgtgUeQRnB0t5sB<\/a><\/p>\n<hr \/>\n<p id=\"nov8\"><strong>NOV 8, 12:00-2:00\u00a0(online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Workshop: Oral History Theory and Ethic,<\/strong>\u00a0with Dr Steven High. In English.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">This workshop will provide you with some of the fundamentals in the interdisciplinary field of oral history. Participants will learn about an oral history approach to interviewing, ethics in research, and the many ways that oral histories are shared with the public. This workshop is strongly recommended to all new affiliates, as it is intended to present the methodology and ethics followed by our Centre.<\/p>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">Steven High is professor of history at Concordia University\u2019s Centre for Oral History and Digital Storytelling. He is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, and community-engaged research. He has headed a number of major research projects, most notably the prize-winning \u201cLife Stories of Montrealers Displaced by War, Genocide and Other Human Rights Violations\u201d. He is currently finishing a book on the Montreal neighbourhoods of Point Saint-Charles and Little Burgundy.<\/p>\n<p>Registration: \u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZwudO-sqDgjGdc7BUVCw9Levcv0ohzwxVZD\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZwudO-sqDgjGdc7BUVCw9Levcv0ohzwxVZD<\/a><\/p>\n<hr \/>\n<p id=\"nov18\"><strong>NOV 18, 13:00-15:00 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Purity and Pitfalls: Ethical Issues in Multiplatform Storytelling Using Oral Histories<\/strong>, with Alicia Aroche.\u00a0In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">This presentation will discuss some ethical challenges and opportunities in the use of oral histories in multiplatform storytelling.\u00a0Promoting equity and agency of marginalized community\u00a0members; examining\u00a0ethical considerations of community embedding; and strengthening collaborative partnerships on such projects will be explored.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><strong>Alicia Aroche<\/strong>\u00a0considers herself a maker, blending oral history, film making, visual arts and public health research.\u00a0She is interested in creating narratives that spur advocacy and action for equity and justice for marginalized groups.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Alicia launched her filmmaking career in the 2000s, earning a fellowship to the Hurston Wright Foundation Residency, a platform drawing published and unpublished writers globally from across the African Diaspora.\u00a0\u00a0During the residency, her work caught the attention of Emmy-Award Winning writer and producer David Mills (\u201cThe Corner,\u201d \u201cNYPD Blue,\u201d \u201cThe Wire\u201d).\u00a0\u00a0Soon after, she landed a position as story analyst with Emmy-nominated actor Tim Reid (\u201cWKRP in Cincinnati,\u201d \u201cThe Richard Pryor\u00a0Show\u201d \u201cSister, Sister\u201d\u00a0and \u201cThat 70\u2019s Show\u201d) as part of his production company.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">In 2016, the film she produced,\u00a0wrote,\u00a0and directed, \u201cEmpty Chair,\u201d based on oral history interviews with survivors of human trafficking, was recognized at the New York Short Film Festival in Williamsburg, and the Atlanta Underground Film Festival, where it won best animated short.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">She is currently promoting the film anthology, \u201cSunlight Around the Corner,\u201d an award-winning film series she conceptualized, along with community members, based on an oral history project. The anthology has been screened and accepted into seven film festivals globally, including an Academy Award Qualifying Festival in the United States.\u00a0This series of\u00a0five distinct short films uses various methods and modes, including expository, poetic and\u00a0essay, based\u00a0on the stories of community health workers and advocates recounting the punitive impacts and criminalization of poverty and addiction and despite this, the triumphs along this journey.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Alicia holds a\u00a0bachelor\u2019s degree\u00a0in Mass Communications and a\u00a0master\u2019s degree\u00a0in Education, with a focus on Action and Participatory Research.\u00a0She has continued studies in film and photography at the University College London, and Escuela de\u00a0Creativa\u00a0Fotograf\u00eda\u00a0de la Habana in Cuba.\u00a0Alicia\u00a0resides\u00a0in the USA in Virginia.<\/span><\/p>\n<p>Registration: \u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZwpd-2pqzgjHdKBdB-aAepRCBbwLtG8g_8N\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZwpd-2pqzgjHdKBdB-aAepRCBbwLtG8g_8N<\/a><\/p>\n<hr \/>\n<p id=\"nov25\"><strong>NOV\u00a025,\u00a012:00-14:00\u00a0(in person)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Conversation: Ethics as a quest<\/strong>, with Dr. Catherine Richardson and Zeina Ismail-Allouche.\u00a0In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">This is an open and non-formal conversation between Dr. Catherine Richardson and Zeina Ismail-Allouche that unsettles the concept of shared authority as a guaranteed pathway towards an ethical approach. The session will take the form of a sharing circle that invites participants to unpack their understanding of ethics while addressing representation and contextualization as proposed main constructs to ethics. We will address Indigenous Methodologies as a relational\u00a0egalitarian\u00a0approach that extends the concept of shared authority to include the world views, the choice of the research question, and the positionality of the researcher vis-vis the research question.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">Limited spaces. RSVP:\u00a0<a href=\"mailto:cohds.chorn@concordia.ca\">cohds.chorn@concordia.ca<\/a><\/span><\/p>\n<hr \/>\n<p id=\"dec10\"><strong>DEC 10, 11:00-13:00<\/strong><\/p>\n<p><strong>Prototyping a Research-Creation Project (Exhibition of work by ALLab\u2019s PhD students). <\/strong>Hosted by the Acts of Listening Lab and Dr. Luis Sotelo Castro<\/p>\n<p>In person at the Acts of Listening Lab Black Box and streamed ONLINE.\u00a0Please email <a href=\"mailto:acts.listeninglab@concordia.ca\">acts.listeninglab@concordia.ca<\/a> to secure your in-person spot. A very limited number of spots are available.\u00a0Register in advance for this meeting: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZcodeGqrz0sE9PTSdIFvfZa_KzQzxFBh0V6&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145611382%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=pb8HJlMUkudQPnwkvTmiZmCe%2FrxLIS5UtJnKpAzr9aE%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZcodeGqrz0sE9PTSdIFvfZa_KzQzxFBh0V6<\/a><\/p>\n<hr \/>\n<p id=\"dec14\"><strong>DEC 14, Time TBC<\/strong><\/p>\n<p><strong>Veronica Mockler &#8211; Research-Creation Thesis Presentation (Master of Arts in Fine Arts &#8211; Individualized Program). <\/strong>In English.<\/p>\n<p>In person at the Acts of Listening Lab Black Box and streamed ONLINE.\u00a0Please email <a href=\"mailto:acts.listeninglab@concordia.ca\">acts.listeninglab@concordia.ca<\/a> to secure your in-person spot. A very limited number of spots are available.\u00a0Register in advance for this meeting: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZIocuCprzMqEtMZb-S1ox2ndujXNmzeLxrF&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145611382%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=g%2B%2BWGQKTIlFoDhwGoPGpN3jIzBIgNiyhhWE4aA5ijIQ%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZIocuCprzMqEtMZb-S1ox2ndujXNmzeLxrF<\/a><\/p>\n<hr \/>\n<p id=\"dec16\"><strong>DEC 16, 18:00-19:00<\/strong><\/p>\n<p><strong>Sonic Sentimentality and the Unification of the Listening Space<\/strong>. With Alana DeVito (installation artist, composer, researcher). In English.<\/p>\n<p>Exploring the Intersections of Oral History and Sonic Art with Alana DeVito (installation artist, composer, researcher). A presentation and discussion of Mx. DeVito\u2019s paper (published in Organised Sound, September 2021).<\/p>\n<p>In person and ONLINE.\u00a0Please email acts.listeninglab@concordia.ca to secure your in-person spot. A very limited number of spots are available. Register in advance for this meeting: <a class=\"oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8\" tabindex=\"0\" role=\"link\" href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZUsfu6opz8rEtaW1H_vA1S4zUW78yQaT-lP?fbclid=IwAR2CMuMZTzQZgG4WfuPFmLA5CUsKVS-jny2vmbuS5TaPxhGnVM7owVltoJg\" target=\"_blank\" rel=\"nofollow noopener\">https:\/\/concordia-ca.zoom.us\/&#8230;\/tZUsfu6opz8rEtaW1H&#8230;<\/a><\/p>\n<hr \/>\n<h2 style=\"text-align: left;\">PAST EVENTS<\/h2>\n<p><a href=\"#sep16\"><b>+ SEP 16 &#8211; On the occasion of the International Day of Listening: Experiments in Listening &#8211; Book\/Zine launch<\/b><\/a><\/p>\n<p><a href=\"#sep17\"><b>+ SEP 17 &#8211; Lamentation: Music as Chorus in the Context of the Testimonies of the Sabra and Shatila Massacre Survivors<\/b><\/a><\/p>\n<p><a href=\"#sep20\"><b>+\u00a0SEP\u00a020 &#8211;\u00a0<span data-contrast=\"none\">The Dangers of Everyday Oral History Interviewing: Building and Breaking Trust in the Field<\/span><\/b><\/a><\/p>\n<p><a href=\"#sep22\"><b>+SEP 22 &#8211;\u00a0<span data-contrast=\"none\">Beirut, one year after the blast<\/span><\/b><\/a><\/p>\n<p><a href=\"#sep28\"><b>+ SEP 28 &#8211;\u00a0<span data-contrast=\"none\">The Goose Village Project: Photography, Research-Creation, and Oral History<\/span><\/b><\/a><\/p>\n<p><a href=\"#oct4\"><b>+ OCT 4 &#8211; Intro to Sound Recording<\/b><\/a><\/p>\n<p><strong><a href=\"#oct6\">+ OCT 6 &#8211; COHDS\u00a0Annual General Assembly<\/a><\/strong><\/p>\n<p><strong><a href=\"#oct8\">+ OCT 8 &#8211; Rhapsody for the Disappeared (Movement, \u201cOdette\u201d): An Oral History Music Performance Fragment<\/a><\/strong><\/p>\n<hr \/>\n<p id=\"sep16\"><strong>SEP 16, 18:30-20:00 (online)\u00a0<\/strong><\/p>\n<p><strong>On the occasion of the International Day of Listening: Experiments in Listening &#8211; Book\/Zine launch. <\/strong>Hosted by Rajni Shah. In English<\/p>\n<p>Registration Link: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZwrcuirrjopHtQteWuZaNQ_LzuOhOXD-mOX&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145581397%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=9AqU5yqYmNSSx%2B9VbAvseneTR%2Fy5C2DFoH78CDKKUvw%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZwrcuirrjopHtQteWuZaNQ_LzuOhOXD-mOX<\/a><\/p>\n<hr \/>\n<p id=\"sep17\"><strong>SEP 17, 18:30-20:00<\/strong><\/p>\n<p><strong>Lamentation: Music as Chorus in the Context of the Testimonies of the Sabra and Shatila Massacre Survivors<\/strong>, with Jad Orph\u00e9e Chami. In English.<\/p>\n<p>A screening of edited footage from the BBC documentary \u00ab\u00a0After the Massacre\u00a0\u00bb and musical response to the testimonies.<\/p>\n<p>In person at the Acts of Listening Lab Black Box and streamed ONLINE.\u00a0Please email <a href=\"mailto:acts.listeninglab@concordia.ca\">acts.listeninglab@concordia.ca<\/a> to secure your in-person spot. A very limited number of spots are available.\u00a0Register in advance for this online meeting: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZIqd--opj0sHNDjUIVnGHIABvuEvKFjq5Bp&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145581397%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=uyQdxlHYXjocyItfltLrdBKJ5PgtZjLGWK1u0RDriKA%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZIqd&#8211;opj0sHNDjUIVnGHIABvuEvKFjq5Bp<\/a><\/p>\n<hr \/>\n<p id=\"sep20\"><strong>SEP\u00a020,\u00a012:00-14:00\u00a0(online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>The Dangers of Everyday Oral History Interviewing: Building and Breaking Trust in the Field<\/strong>, with Dr Stacey Zembrzycki. In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">What is intimacy in an oral history context? Does an oral history interview\u00a0constitute\u00a0and\/or make for an intimate encounter? How do projects\u2014the questions we ask and the stories we hear\u2014contribute to intimacy? Does gender impact intimacy? And does intimacy lead to dangerous intimate encounters in the field? If so, how should intimacy play a role in the ethical processes that guide our research?\u00a0In order to\u00a0delve\u00a0deeply into these questions, I will share some of my fieldwork experiences on my SSHRC-funded project\u00a0<\/span><i><span data-contrast=\"none\">Mining Immigrant Bodies: A Multi-Ethnic Oral History of Industry, Environment and Health in the Sudbury Region<\/span><\/i><span data-contrast=\"none\">.\u00a0In particular, I\u00a0will outline how the recruitment methods I employed and the ways in which I built research relationships led to four \u201cintimate\u201d and\u00a0somewhat problematic\u00a0encounters I had while conducting interviews about health, and, to a degree, personal trauma.\u00a0Although these encounters were not interrelated, they build on each other in important ways, highlighting how loneliness and intimacy can create the perfect conditions for fostering dangerous interview settings that have the potential to silence and even harm researchers. Is it safe to interview strangers? Is there a danger of becoming too comfortable? Are these dangers more of a problem for women, than for men? Should standard protocol require us to interview in pairs? Does assault happen more often than we care to admit? Ethics review boards ask us to consider the harm we can do to our narrators, but this paper ponders the harm, in everyday encounters, that narrators can do to us as researchers.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><strong>Dr Stacey Zembrzycki<\/strong><span data-contrast=\"none\">\u00a0teaches in the History and Classics Department at Dawson College in Montreal, Quebec.\u00a0An award-winning oral and public historian of ethnic, immigrant, and refugee experience, she is the author of\u00a0<\/span><i><span data-contrast=\"none\">According to Baba: A Collaborative Oral History of Sudbury\u2019s Ukrainian Community<\/span><\/i><span data-contrast=\"none\">\u00a0(UBC Press, 2014) and its accompanying website: www.sudburyukrainians.ca, and is co-editor of\u00a0<\/span><i><span data-contrast=\"none\">Oral History Off the Record: Toward an Ethnography of Practice<\/span><\/i><span data-contrast=\"none\">\u00a0(Palgrave Macmillan, 2013) and\u00a0<\/span><i><span data-contrast=\"none\">Beyond Women\u2019s Words: Feminisms and the Practices of Oral History in the Twenty-First Century\u00a0<\/span><\/i><span data-contrast=\"none\">(Routledge, 2018).<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p>Registration: \u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZIodOqhqDkiHtEfz9FUS18ZtCLFULZtCLKS\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZIodOqhqDkiHtEfz9FUS18ZtCLFULZtCLKS<\/a><\/p>\n<hr \/>\n<p id=\"sep22\"><strong>SEP 28, 14:00-16:00 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Beirut, one year after the blast<\/strong>.\u00a0Moderated by Zeina Ismail-Allouche and Emma\u00a0Harak\u00e9. In Arabic, English and French.\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">\u0645\u0636\u062a \u0633\u0646\u0629 \u0639\u0644\u0649 \u062a\u0641\u062c\u064a\u0631 \u0628\u064a\u0631\u0648\u062a \u0648\u0646\u062d\u0646 \u0645\u0627 \u0632\u0644\u0646\u0627 \u0646\u0626\u0646 \u0623\u0644\u0645\u0627\u064b \u0645\u0646 \u0648\u0637\u0623\u0629 \u0627\u0644\u0635\u062f\u0645\u0629. \u0643\u062b\u064a\u0631 \u0645\u0646 \u0627\u0644\u0642\u0635\u0635 \u0631\u0648\u064a\u062a \u0648\u0644\u0627 \u064a\u0632\u0627\u0644 \u0627\u0644\u062d\u0632\u0646 \u062b\u0642\u064a\u0644\u0627\u064b. \u0643\u064a\u0641 \u0639\u0634\u0646\u0627 \u062a\u0641\u062c\u064a\u0631 \u0628\u064a\u0631\u0648\u062a \u0646\u062d\u0646 \u0627\u0644\u0645\u0642\u064a\u0645\u064a\u0646\/\u0627\u062a \u0641\u064a \u0643\u0646\u062f\u0627\u061f \u0647\u0644 \u0646\u062c\u0648\u0646\u0627\u061f \u0643\u064a\u0641 \u0646\u0639\u064a\u0634 \u0627\u0632\u062f\u0648\u0627\u062c\u064a\u062a\u0646\u0627 \u0645\u0627 \u0628\u064a\u0646 \u0627\u0645\u062a\u064a\u0627\u0632 \u0627\u0644\u063a\u0631\u0628\u0629 \u0648\u062d\u0631\u0642\u0629 \u0627\u0644\u0634\u0648\u0642 \u0625\u0644\u0649 \u0645\u062f\u064a\u0646\u0629 \u0645\u062a\u062c\u0630\u0631\u0629 \u0641\u064a \u0630\u0627\u0643\u0631\u062a\u0646\u0627 \u0648\u0642\u0644\u0648\u0628\u0646\u0627\u061f<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">\u0647\u0644 \u0623\u0635\u0628\u062d\u0646\u0627 \u0647\u0624\u0644\u0627\u0621 \u0627\u0644\u0645\u063a\u062a\u0631\u0628\u064a\u0646 \u0648\u0627\u0644\u0645\u063a\u062a\u0631\u0628\u0627\u062a \u0643\u0645\u0627 \u064a\u0641\u062a\u0631\u0636 \u0628\u0646\u0627 \u0623\u0646 \u0646\u0643\u0648\u0646\u061f \u0627\u0646\u0636\u0645\u0648\u0627 \u0625\u0644\u064a\u0646\u0627 \u0641\u064a \u0623\u0645\u0633\u064a\u0629 \u0646\u062a\u0634\u0627\u0631\u0643 \u0641\u064a\u0647\u0627 \u062c\u0627\u0646\u0628\u0646\u0627 \u0627\u0644\u0645\u0643\u062a\u0648\u0645 \u0645\u0646 \u0631\u0648\u0627\u064a\u0629 \u062a\u0641\u062c\u064a\u0631 \u0628\u064a\u0631\u0648\u062a\u2026 \u062d\u0643\u0627\u064a\u0627\u062a\u0646\u0627 \u0639\u0646 \u0627\u0644\u0646\u062c\u0627\u0629 \u0627\u0644\u0645\u0632\u0639\u0648\u0645\u0629\u060c \u0639\u0646 \u0627\u0644\u0628\u0639\u062f \u0648\u0627\u0644\u0642\u0631\u0628\u060c \u0639\u0646 \u0627\u0644\u0637\u0631\u062f \u0648\u0639\u0646 \u0627\u0644\u062a\u0635\u0627\u0642\u0646\u0627 \u0627\u0644\u0645\u0632\u0645\u0646<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">\u0646\u0631\u062d\u0628 \u0628\u0627\u0644\u062c\u0645\u064a\u0639 \u0644\u0645\u0634\u0627\u0631\u0643\u0629 \u0627\u0644\u0645\u0634\u0627\u0639\u0631 \u0648\u0627\u0644\u0623\u0641\u0643\u0627\u0631 \u0648\u0627\u0644\u062a\u0637\u0644\u0639\u0627\u062a \u0628\u0627\u0633\u062a\u0639\u0645\u0627\u0644 \u0637\u0631\u0642 \u062a\u0639\u0628\u064a\u0631 \u0645\u062e\u062a\u0644\u0641\u0629 \u0645\u0646 \u0633\u0631\u062f \u0648\u0642\u0635\u0627\u0626\u062f \u0648\u0645\u0648\u0633\u064a\u0642\u0649 \u0648\u0635\u0648\u0631 \u0648\u0623\u0641\u0644\u0627\u0645\u060c \u0639\u0644\u0649 \u0623\u0644\u0627 \u062a\u062a\u062c\u0627\u0648\u0632 \u0645\u062f\u0627\u062e\u0644\u062a\u0643\u0645 \u0665-\u0667 \u062f\u0642\u0627\u0626\u0642<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\"><\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">: \u0644\u0644\u062a\u0633\u062c\u064a\u0644 \u0648\u0625\u062f\u0631\u0627\u062c\u0643\u0645 \u0628\u0627\u0644\u0628\u0631\u0646\u0627\u0645\u062c\u060c \u064a\u0631\u062c\u0649 \u062a\u0639\u0628\u0626\u0629 \u0647\u0630\u0627 \u0627\u0644\u0646\u0645\u0648\u0630\u062c \u0642\u0628\u0644 \u0627\u0644\u062e\u0645\u064a\u0633 \u0661\u0666 \u0623\u064a\u0644\u0648\u0644<\/div>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">\u00a0<a tabindex=\"0\" role=\"link\" href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fforms.office.com%2Fr%2FufV41HnaN0%3Ffbclid%3DIwAR2h2VWZQAR1jAydgsBpeiUk5cqOv-Aa_Unt4zQiHq2SZdA6yZjAnm6oiTc&amp;h=AT2leYxzl6UITvWezA_jYTm1nn5fuvN96cBZcAPwnXuw1wUJU0W0wfhhNc8O9-AxWzo3tLZDsyt-z7sYTNw6mrc7OnZ8KZe_a8DFZ4ddk0jRFWAFpCTo1CSfWGP9ySeE2eWSaWsH0w&amp;__tn__=q&amp;c&#091;0&#093;=AT0HKKieN01U8XDxR094nleN4gKqenvxJA3QqkS5f1E9ulJRs8sB8AMt7ivPwDTYcD9QHUllmhe2a_4ojGywT3y6Z9L3bKasj7Sh9bjSuERPFdQ17kWP2voN5Y_IkLhDTAGpV723CUnaE3-W6YjjPBb-3Pi4o6D3n4wF0-gE7jzRcus4\" target=\"_blank\" rel=\"nofollow noopener\">https:\/\/forms.office.com\/r\/ufV41HnaN0<\/a><\/p>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\"><\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">: \u0633\u064a\u0642\u0627\u0645 \u0647\u0630\u0627 \u0627\u0644\u062d\u062f\u062b \u0639\u0644\u0649 \u0645\u0646\u0635\u0629 \u0632\u0648\u0645 \u0648\u0647\u0648 \u0645\u062c\u0627\u0646\u064a \u0648\u0645\u0641\u062a\u0648\u062d \u0644\u0644\u062c\u0645\u064a\u0639. \u064a\u0645\u0643\u0646\u0643\u0645 \u0627\u0644\u062d\u0635\u0648\u0644 \u0639\u0644\u0649 \u0631\u0627\u0628\u0637 \u0627\u0644\u062d\u0636\u0648\u0631 \u0639\u0646\u062f \u0627\u0644\u062a\u0633\u062c\u064a\u0644 \u0647\u0646\u0627<\/div>\n<p class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\"><a class=\"oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8\" tabindex=\"0\" role=\"link\" href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZ0pfu-oqzMvH9VNgAHahOU6rXpOEx-LA056%3Ffbclid%3DIwAR3ldXZmUywiuTTb6lLYlbp2MKMLL9eLObrbWxt3lzvqna0jgbzFEyqFYRg&amp;h=AT2FHlEdj7HqQlM23SL-i2thh1lULV7srb0skVj0fKa8HoCLpP-UgOGwrg12YslzzX8Yyr78-k220Jp-jggXRXhKpml2faSXKQTnBbhymk0uyLa--K4PF0XhanTHO2EykkfjDtQhiQ&amp;__tn__=q&amp;c&#091;0&#093;=AT0HKKieN01U8XDxR094nleN4gKqenvxJA3QqkS5f1E9ulJRs8sB8AMt7ivPwDTYcD9QHUllmhe2a_4ojGywT3y6Z9L3bKasj7Sh9bjSuERPFdQ17kWP2voN5Y_IkLhDTAGpV723CUnaE3-W6YjjPBb-3Pi4o6D3n4wF0-gE7jzRcus4\" target=\"_blank\" rel=\"nofollow noopener\">https:\/\/concordia-ca.zoom.us\/\u2026\/tZ0pfu\u2026<\/a><\/p>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql\"><\/div>\n<p>&#8212;<\/p>\n<p>One year after the blast, we are still in pain and shock. Many stories were shared, and voices were heard. The grief is still heavy.<br \/>\nHow do we, the people from Lebanon living in Canada, experience the Blast? Did we survive? How do we navigate the tension between our privilege of being away and our longing to reconnect with the city that is rooted in our minds and hearts? Did we become the expatriates that we are supposed to be?<br \/>\nJoin us for an evening of sharing to unfold our narratives and recount our side of survival, away and close, expelled and connected, denied, and legitimized.<\/p>\n<p>All are welcome to share feelings, thoughts, and aspirations. Monologues, poems, music, spoken word, etc. are all welcome. (Must be 5-7 mins in length).<br \/>\nTo reserve your reading slot, please fill this form by Thursday, September 16th: https:\/\/forms.office.com\/r\/ufV41HnaN0<\/p>\n<p>This event will take place on the Zoom platform and is free and open for all. You can get the access link when you register here:\u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/...\/tZ0pfu...\">https:\/\/concordia-ca.zoom.us\/\u2026\/tZ0pfu\u2026.<\/a><\/p>\n<p>&#8212;<\/p>\n<p>Un an apr\u00e8s l\u2019explosion, nous vivons encore dans la douleur, sous le choc. Beaucoup d\u2019histoires ont \u00e9t\u00e9 partag\u00e9es et beaucoup de voix, \u00e9cout\u00e9es. Le deuil p\u00e8se toujours.<br \/>\nComment nous, ceux et celles install\u00e9s au Canada, vivons-nous l\u2019Explosion? Y avons-nous surv\u00e9cu? Comment trouver un \u00e9quilibre quand nous sommes d\u00e9chir\u00e9s entre notre privil\u00e8ge d\u2019\u00eatre loin et notre d\u00e9sir de reconnecter avec cette ville ancr\u00e9e dans nos esprits et nos c\u0153urs? Sommes-nous devenus les expatri\u00e9s que nous sommes cens\u00e9s \u00eatre?<br \/>\nSoyez des n\u00f4tres pour une soir\u00e9e de partage o\u00f9 nous d\u00e9voilerons nos r\u00e9cits et parlerons de survie de notre point de vue : loin et proches, exclus et connect\u00e9s, rejet\u00e9s et l\u00e9gitimis\u00e9s.<\/p>\n<p>Toutes et tous sont invit\u00e9s \u00e0 parler de leurs sentiments, pens\u00e9es et aspirations. Monologues, po\u00e8mes, musique, cr\u00e9ation parl\u00e9e\u2026 choisissez votre forme d\u2019expression (dur\u00e9e : de 5 \u00e0 7 minutes).<br \/>\nPour r\u00e9server un cr\u00e9neau de lecture, veuillez remplir ce formulaire d\u2019ici le jeudi 16 septembre :\u00a0<a href=\"https:\/\/forms.office.com\/r\/ufV41HnaN0\">https:\/\/forms.office.com\/r\/ufV41HnaN0<\/a><\/p>\n<p>L\u2019activit\u00e9 se d\u00e9roulera sur la plateforme Zoom. L\u2019entr\u00e9e est libre et ouverte \u00e0 tous et \u00e0 toutes. Vous obtiendrez le lien d\u2019acc\u00e8s apr\u00e8s votre inscription ici :\u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/...\/tZ0pfu...\">https:\/\/concordia-ca.zoom.us\/\u2026\/tZ0pfu\u2026.\u00a0<\/a><\/p>\n<\/div>\n<hr \/>\n<p id=\"sep28\"><strong>SEP 28, 14:00-16:00 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>The Goose Village Project: Photography, Research-Creation, and Oral History<\/strong>, with Marisa Portolese. Moderated by\u00a0Dr\u00a0Cynthia Hammond.\u00a0In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\"><strong>Marisa Portolese<\/strong>\u00a0is Canadian-Italian and was born in Montreal, Quebec. She is an Associate Professor in the Photography Program in the Faculty of Fine Arts, at Concordia University. Portraiture, representations of women, narrative, autobiography, the figure in nature, cultural heritage and immigration are major and recurrent subjects in her practice. She often produces large-scale color photographs, rich in painterly references that concentrate on elucidating facets of human experiences in relation to psychological and physical environments, relating to larger themes concerning identity and spectatorship. She attempts to weave together gesture, affect, and the nuances of the gaze, to create an immersive and emotional landscape for the viewer. Her current research focuses on the cultural legacy of the Goose Village and how the hallmark event of Expo 67 caused the demolition of this working-class\u00a0neighbourhood\u00a0and displaced an entire community mostly made up Irish and Italian immigrants that included her parents.<\/span><span data-ccp-props=\"{\">\u00a0(<\/span><a href=\"http:\/\/www.marisaportolese.com\/\"><span data-contrast=\"none\">www.marisaportolese.com<\/span><\/a>, <a href=\"https:\/\/goosevillage.ca\/\"><span data-contrast=\"none\">https:\/\/goosevillage.ca<\/span><\/a>)<\/p>\n<p><span data-contrast=\"none\"><strong>Dr Cynthia Hammond<\/strong>\u00a0is Professor of Art History at Concordia University and a core affiliate of COHDS. She is a practicing artist and scholar, whose research and creation emphasize living memories and situated knowledge of the city, especially the knowledge of women and older citizens. She is presently leading a three-year Partnership Development Grant project titled \u201cLa\u00a0ville\u00a0extraordinaire: Learning from older\u00a0Montrealers\u2019 urban knowledge through oral history research-creation. (<\/span><a href=\"https:\/\/concordia.academia.edu\/CynthiaHammond\"><span data-contrast=\"none\">https:\/\/concordia.academia.edu\/CynthiaHammond<\/span><\/a>, <a href=\"https:\/\/cynthiahammond.org\/\"><span data-contrast=\"none\">https:\/\/cynthiahammond.org<\/span><\/a>)<span data-contrast=\"none\">\u00a0<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">\u00a0<\/span>Registration: \u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZYrde-urzwqHNWjzybPsczZZzgkDuHgYQyD\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZYrde-urzwqHNWjzybPsczZZzgkDuHgYQyD<\/a><\/p>\n<hr \/>\n<p id=\"oct4\"><strong>OCT 4, 10:00-12:00 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Intro To Sound Recording<\/strong>, with\u00a0Vitalyi\u00a0Bulychev. In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Best practice and basics of working with microphones and recorders.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">Limited spaces. Register by emailing us at <a href=\"mailto:cohds.chorn@concordia.ca\" target=\"_blank\" rel=\"noopener\">cohds.chorn@concordia.ca<\/a>.<\/span><\/p>\n<p><strong>OCT 4, 14:00-15:30 (online)<\/strong><\/p>\n<p><span data-contrast=\"none\"><strong>Intro To Sound Recording<\/strong>, with\u00a0Vitalyi\u00a0Bulychev.\u00a0In English.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Best practice and basics of working with microphones and recorders.<\/span><span data-ccp-props=\"{\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{\">Limited spaces. Register by emailing us at <a href=\"mailto:cohds.chorn@concordia.ca\" target=\"_blank\" rel=\"noopener\">cohds.chorn@concordia.ca<\/a>.<\/span><\/p>\n<hr \/>\n<p id=\"oct6\"><strong>OCT 6, 11:00-14:00 (online, in person)<\/strong><\/p>\n<p><strong>COHDS\u00a0Annual General Assembly | Assembl\u00e9e\u00a0g\u00e9n\u00e9rale\u00a0annuelle\u00a0du CHORN\u00a0<\/strong><\/p>\n<p><strong>Agenda<\/strong><\/p>\n<p>11h00-11h05<br \/>\nWelcome and territorial acknowledgement<\/p>\n<p>11h00-12h00<br \/>\nKeynote Shirley Gunn \u00ab In whose interest? Ethics and storytelling \u00bb<\/p>\n<p>12h00-12h30<br \/>\nLunch break<\/p>\n<p>12h30- 13h30<br \/>\nAnnual General Assembly<\/p>\n<ul>\n<li>Opening of the AGA and review of AGA agenda<\/li>\n<li>Co-directors Report<\/li>\n<li>Coordinator Report<\/li>\n<li>Short questions period<\/li>\n<li>Elections of new members of the Administrative Board<\/li>\n<li>Annoucement of new core affiliates<\/li>\n<li>Ted Little Prize<\/li>\n<li>Suggestions for the year to come<\/li>\n<li>End of AGA<\/li>\n<\/ul>\n<p>13h30-14h00<br \/>\nCoffee break (In-person: Hall Building Terrace)<\/p>\n<p><strong>Keynote by Shirley Gunn \u00ab\u00a0In whose interest? Ethics and storytelling\u00a0\u00bb<\/strong><\/p>\n<p>In her keynote address, Shirley will examine whose interests are served when looking at the topic of ethics and storytelling. Reflecting on twenty years of practice at the <a href=\"https:\/\/hrmc.org.za\/\">Human Rights Media Centre<\/a> (HRMC) in South Africa, Shirley believes her reflections have universal resonance. Importantly how do we address and resolve the fundamental question: In whose interest?<\/p>\n<p>Shirley Gunn, a former trade unionist, anti-apartheid activist and freedom fighter of the South African liberation struggle, continues to be involved in human rights work in post-conflict South Africa. For over two decades, Shirley has served as executive director of the <a href=\"https:\/\/hrmc.org.za\/\">Human Rights Media Centre<\/a> (HRMC) based in Cape Town \u2013 promoting awareness and activism through oral history projects, media, educational materials and social interventions. HRMC is a founding member of the South African Coalition for Transitional Justice (SACTJ) campaigning for truth, accountability, justice, and reparations for which Shirley currently serves as chairperson.\u00a0\u00a0She is the author of <a href=\"https:\/\/www.penguinrandomhouse.co.za\/book\/voices-underground\/9781776093854\"><em>Voices from the Underground<\/em><\/a>, a book collecting eighteen life stories of members of the African National Congress\u2019 military underground.<\/p>\n<p>Registration: \u00a0<a href=\"https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZYvd-qqpzojHtFFJwXo25UuydXAwMTPoLzv\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZYvd-qqpzojHtFFJwXo25UuydXAwMTPoLzv<\/a><\/p>\n<hr \/>\n<p id=\"oct8\"><strong>OCT 8, 18:30-20:00 <\/strong><\/p>\n<p><strong>Rhapsody for the Disappeared (Movement, \u201cOdette\u201d): An Oral History Music Performance Fragment. <\/strong>Hosted by: Jad Orph\u00e9e Chami. In\u00a0English.<\/p>\n<p>A draft performance of my ongoing research-creation project exploring the dialogue between music and testimony in the context of the missing and the disappeared in Lebanon.<\/p>\n<p>In person at the Acts of Listening Lab Black Box and streamed ONLINE.\u00a0Please email <a href=\"mailto:acts.listeninglab@concordia.ca\">acts.listeninglab@concordia.ca<\/a> to secure your in-person spot. A very limited number of spots are available.\u00a0Register in advance for the online meeting: <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fconcordia-ca.zoom.us%2Fmeeting%2Fregister%2FtZIvcuChrj0sHN00tjiuCbKQyLou5pMD1jDH&amp;data=04%7C01%7Ccohdscoordinator%40concordia.ca%7Cd37c80e2efb844e56fa308d97238f11c%7C5569f185d22f4e139850ce5b1abcd2e8%7C0%7C0%7C637666411145591390%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=bHM8N%2FlRLgHcAx8gdnID2XWYPnOwse%2Fq3aNGYsN9GuI%3D&amp;reserved=0\">https:\/\/concordia-ca.zoom.us\/meeting\/register\/tZIvcuChrj0sHN00tjiuCbKQyLou5pMD1jDH<\/a><\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":11198,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[91],"tags":[],"class_list":["post-11156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nouvelles"],"_links":{"self":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts\/11156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/comments?post=11156"}],"version-history":[{"count":15,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts\/11156\/revisions"}],"predecessor-version":[{"id":11682,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/posts\/11156\/revisions\/11682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/media\/11198"}],"wp:attachment":[{"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/media?parent=11156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/categories?post=11156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/storytelling.concordia.ca\/fr\/wp-json\/wp\/v2\/tags?post=11156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}