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X-ORIGINAL-URL:https://storytelling.concordia.ca
X-WR-CALDESC:Events for COHDS
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DTSTART;TZID=America/New_York:20231005T163000
DTEND;TZID=America/New_York:20231005T173000
DTSTAMP:20231005T174318Z
CREATED:20230915T201716Z
LAST-MODIFIED:20231005T174318Z
UID:17597-1696523400-1696527000@storytelling.concordia.ca
SUMMARY:(Pre)Creation Processes: Milo Rau's Tribunals\, Political Actions\, and Prefigurative Performance
DESCRIPTION:Presented by Lily Climenhaga\, PhD \nThis talk will primarily explore two lines of work within Swiss-German political theatre director Milo Rau’s multifaceted oeuvre: (1) his political action performances exemplified by projects like The Congo Tribunal and The Revolt of Dignity (2019)\, and (2) site specific adaptations of classic texts exemplified by The Trilogy of Ancient Myths (Orestes in Mosul (2019)\, The New Gospel (2020)\, Antigone in the Amazons (2023)). \nOver the past fifteen years\, Rau and his production company\, the International Institute of Political Murder or IIPM\, has won international attention for his transnational\, politically engaged\, documentary-inspired theatre. With his appointment as artistic director of the Belgian city-theatre NTGent in 2018\, Rau showed increased interest in what he refers to as “conflict zones”\, building on an existing interest in the impact of neoliberal economic policy on the Global South first marked by The Congo Tribunal (2015/17). \nThis talk will look at Rau’s onsite\, ethnographic\, research-based approach as it searches for solutions fostered by the creation of what the director calls “practical networks of solidarity” between local and international partners\, allying – for better or for worse – the grassroots with the global. \n\nLily Climenhaga wrote the dissertation (Re)Creation Processes: Milo Rau and the International Institute of Political Murder in a joint degree between the University of Alberta and Ludwig-Maximilians-Universität and the co-editor of Theater’s special 2021 edition on Milo Rau. Lily is currently undertaking the FWO-funded postdoctoral project “Institutionalized Resistance: Milo Rau’s NTGent Period” at Universiteit Gent. Lily is a dramaturg\, editor\, blogger (https://lostdramaturgininternational.wordpress.com)\, critic\, translator\, and occasional stage manager.
URL:https://storytelling.concordia.ca/event/milo-raus-tribunals/
LOCATION:LB 1042.03 (Moonroom)\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2023/09/1694568316555.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231019T140000
DTEND;TZID=America/New_York:20231019T160000
DTSTAMP:20231002T181607Z
CREATED:20230914T175128Z
LAST-MODIFIED:20231002T181607Z
UID:17558-1697724000-1697731200@storytelling.concordia.ca
SUMMARY:Introduction to Oral History - Part 2
DESCRIPTION:with Kelann Currie-Williams and Lauren Laframboise  \nEnglish \nThis workshop will provide you with some of the fundamentals in the interdisciplinary field of oral history. Participants will learn about an oral history approach to interviewing\, ethics in research\, and the many ways that oral histories are shared with the public. This workshop is strongly recommended to all new affiliates\, as it is intended to present the methodology and ethics followed by our Centre.  \n\nLauren Laframboise is a PhD student in History at Concordia and a Student Representative on the COHDS Administrative Board. Her research explores the impacts of deindustrialization in the apparel industry in Montréal and New York City. In 2021\, Lauren completed her MA in History at Concordia\, and from 2020-2022 she was the Associate Director of Deindustrialization and the Politics of Our Time (DéPOT). She has worked on a variety of public history projects exploring labour and immigration history\, including museum exhibitions\, online oral history platforms\, walking tours\, and documentary film and radio. She is also a member of the Concordia Research and Education Workers’ Union (CREW–CSN) Organizing Council and Co-convener of their Feminist Workplace Committee.  \nKelann Currie-Williams (she/they) is an oral historian\, photo-based artist\, and writer based in Tiohtià:ke/Montreal. Kelann is currently a PhD student in the Humanities Interdisciplinary Program (HUMA) where their doctoral project focuses on the varied image-making and photographic image preservation practices taken up by Black Canadians during the late 19th to late 20th century\, as well as the presence of these photographs within personal\, community\, and institutional photographic archives. Her critical work has appeared in Urban History Review\, the Canadian Journal of History\, Topia: Canadian Journal of Cultural Studies\, and in Philosophy of Photography.  \nREGISTRATION \nPlease note that all of our events are free and open to all\, but you need to register! To register\, contact us at: cohds.chorn@concordia.ca \nTo attend online\, register here. \nIn-person\, LB-1019 (Sunroom)\, COHDS \n 
URL:https://storytelling.concordia.ca/event/introduction-to-oral-history-part-2/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2023/09/Untitled-design-11.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231019T173000
DTEND;TZID=America/New_York:20231019T190000
DTSTAMP:20230926T151802Z
CREATED:20230926T151656Z
LAST-MODIFIED:20230926T151802Z
UID:17664-1697736600-1697742000@storytelling.concordia.ca
SUMMARY:Moving-with Anastasis Corporal\, a path to implicated witnessing
DESCRIPTION:Sarah Ashford Hart will present her contribution to the special issue Oral History Performance\, Listening and Transitional Justice (RiDe\, Journal of Applied Theatre and Performance\, Vol. 28\, Issue 1\, 2023)\, which was co-edited by Luis Carlos Sotelo Castro (the Acts of Listening Lab’s director) and Toni Shapiro-Phim (Brandeis University). With her presentation\, this special issue will be launched. All other contributors are invited to attend\, meet\, exchange ideas\, and celebrate. Sarah’s article thinks through a practice-as-research exploration of facilitating active listening to the testimonies of female victims/survivors in Colombia\, bridging a theoretical gap between applied theatre and performance studies by extending the understanding of theatre’s impact in transitional justice contexts beyond visibility to an affective register. \n\nSarah Ashford Hart  is an applied theatre facilitator/scholar from a Canadian-Venezuelan-American background. Her PhD dissertation analyses affective approaches to facilitating expression/witnessing within Latin American contexts of displacement\, enclosure and violence. She is currently an adjunct instructor in the Department of Performing Arts at the Pontifical Javeriana University (Bogotá). \n  \n\nREGISTRATION \nOnline\, to attend register here. \nFor inquiries regarding this event please contact Acts of Listening Lab \n  \n\n  \n\nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/moving-with-anastasis-corporal-a-path-to-implicated-witnessing/
LOCATION:Online
CATEGORIES:presentations,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2023/09/crde20.v028.jpg
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DTSTART;TZID=America/New_York:20231027T150000
DTEND;TZID=America/New_York:20231027T170000
DTSTAMP:20231006T170015Z
CREATED:20230915T200837Z
LAST-MODIFIED:20231006T170015Z
UID:17589-1698418800-1698426000@storytelling.concordia.ca
SUMMARY:Book Launch: Small Stories of War: Children\, Youth and Conflict in Canada and Beyond (McGill-Queen’s University Press\, 2023)
DESCRIPTION:With Barbara Lorenzkowski\, Kristine Alexander\, and Andrew Burtch   \nEnglish \nMany believed the twentieth century would be the century of the child: an era in which modern societies would value and protect children\, sheltering them from violence and poverty. Yet this hopeful vision was marred by the harsh realities of migration\, displacement\, and armed conflict.  \nSmall Stories of War grapples with the meanings and memories of childhood and wartime by asking new questions about lived experience. Spanning the First World War to the early twenty-first century and featuring chapters about Canada\, Australia\, Germany\, the former Yugoslavia\, Rwanda\, and northern Uganda\, this volume asks how young people encountered and responded to armed conflict. How did children\, youth\, and their families make sense of war in the violent twentieth century? How have they shared their stories and experiences of violence and trauma? Analyzing a broad range of sources including family letters\, oral history\, and children’s artwork\, contributors offer important insights into the production of historical knowledge with and about young people.  \nYou are cordially invited to join the editors and contributors of this collection in the launch of this collection.  \n\nBarbara Lorenzkowski is the Lead Co-Director of COHDS and Associate Professor and Associate Chair of History at Concordia University.  \nKristine Alexander is Canada Research Chair in Child and Youth Studies and Associate Professor of History at the University of Lethbridge.  \nAndrew Burtch is the post-1945 historian at the Canadian War Museum and Adjunct Research Professor in Carleton University’s History Department.  \nREGISTRATION \n Please note that all of our events are free and open to all\, but you need to register! To register\, contact us at: cohds.chorn@concordia.ca \nTo attend online\, register here. \nIn-person and online; LB-1019 (Sunroom)\, COHDS  \n 
URL:https://storytelling.concordia.ca/event/book-launch-small-stories-of-war/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2023/09/Copy-of-Add-a-heading-2.jpg
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