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DTSTART;TZID=America/New_York:20250917T173000
DTEND;TZID=America/New_York:20250917T190000
DTSTAMP:20260509T162134
CREATED:20250903T204310Z
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UID:23748-1758130200-1758135600@storytelling.concordia.ca
SUMMARY:Artist Talk:  “Little Burgundy – Evolving Montreal”
DESCRIPTION:with Andrew Jackson \n  \nYou are warmly invited to join us for an artist talk with Andrew Jackson at the McCord Museum\, 690 Sherbrooke St. W. Jackson’s exhibition Little Burgundy – Evolving Montreal is a foray into this south-western district of the city. Over a two-year period\, the photographer documented important landmarks for the Black community and met people who grew up there\, live there or still have ties to the area. The result is an exhibition featuring 61 photographs of the individuals and sites that bear witness to the urban and social transformations that have impacted Little Burgundy. Three hard-hitting yet touching short films capture local residents’ lived experiences. \n  \nAndrew Jackson’s talk will take place from 6:00-6:30 pm\, leaving time both beforehand and afterwards to immerse yourself into this beautiful exhibit that moved some of us to tears earlier this summer. Please note that the McCord Museum offers free admission to selected exhibitions\, including “Little Burgundy\,” on Wednesday evenings after 5 pm. \nThe exhibition also features some twenty objects and images selected by Andrew Jackson from the Museum’s collection. These artefacts\, juxtaposed with contemporary objects loaned by residents\, create a dialogue between the past and the present. \nThrough this project\, Andrew Jackson exposes the duality involved in designating a place or neighbourhood as a “Black space.” For Black people\, it invokes a sense of security\, freedom and belonging\, while for non-Black persons it conveys a negative image. As Jackson reflects: “When city spaces\, such as Little Burgundy\, are designated as Black spaces\, there are profound implications for Black occupants. This is especially true in North America\, where historically\, in non-Black minds at least\, Black spaces have not existed as places of acceptance or celebration of difference. Rather\, they have been linked to notions of failure – notions that become catalysts for urban renewal\, gentrification and the ensuing erasure of Black communities.” \n  \nAndrew Jackson is a British-Canadian photographer based in Montreal since 2019. His practice is developed at the intersection of photography and text and\, most recently\, focuses on notions of family\, transnational migration\, displacement\, trauma and collective memory. He recently published the monograph From a Small Island\, the first chapter of his ongoing series Across the Sea Is a Shore\, a collection of works that explore the intergenerational legacies of migration from the Caribbean to the UK. \nAndrew Jackson has a history of developing platforms that provide opportunities for traditionally excluded groups to engage with photography. In 2021 he created a public engagement project in collaboration with the DESTA Black Youth Network\, located in Little Burgundy\, which resulted in a group exhibition shown at the PHI Foundation. His works are held in public collections that include the United Kingdom’s Government Art Collection\, the Permanent Collection of the New Art Gallery Walsall and the Autograph ABP and Light Work collections. His photographs have also appeared in such publications as the Los Angeles Times\, The Guardian\, the Financial Times and The New Statesman. \n  \nREGISTRATION \nRegister now \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person\, McCord Museum\, 690 Sherbrooke St. West. Please note that the artist talk will take place in the gallery space of “Little Burgundy – Evolving Montreal” in the McCord Museum. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/artist-talk-little-burgundy-evolving-montreal/
LOCATION:McCord Museum\, 690 Sherbrooke St. W.\, Montréal\, Quebec\, Canada
CATEGORIES:performances and exhibitions,presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250909T190000
DTEND;TZID=America/New_York:20250909T210000
DTSTAMP:20260509T162134
CREATED:20250903T195739Z
LAST-MODIFIED:20250904T151233Z
UID:23738-1757444400-1757451600@storytelling.concordia.ca
SUMMARY:Olga\, Erika\, & Me
DESCRIPTION:COHDS is partnering with the Montreal Holocaust Museum and the Cummings\nCentre to present the following event\, The Generations After: “Olga\, Erika\, and Me” Podcast at the Montreal Holocaust Museum on Tuesday\, September 9\, 7 pm. \nThe creator of the podcast\, Ilanit-Michele\, and her mother\, Erika Eriksson\, will be in attendance to discuss their experiences as second and third generation descendants of their mother and grandmother\, Olga. Through the podcast\, “Olga\, Erika\, and Me\,” they retrace Olga’s steps based on her writings left to them describing her experience of being part of a loving Jewish family who was torn apart during the Shoah and her life afterwards when she tried to rebuild without them followed by displacement due to the Communist repression of the 1956 Hungarian Uprising. Ilanit-Michele and her mother Erika discuss why this project is of importance: \nIlanit-Michele: “I think originally\, I wanted to do it so that it wasn’t just for you and me. I felt that I had a responsibility to expose Grand-mamma’s story. And I think it’s important.” \nErika: “Holocaust survivor is speaking through you now.” \nIlanit-Michele: “Through her daughter and grand-daughter. And actually walking in her footsteps…” (“Olga\, Erika\, and Me” podcast\, Part 3: Dominoes\, 0:39:50.) \nAs Ilanit-Michel and Erika travel to Hungary\, Poland\, and Israel to better understand Olga’s experience and gather further oral testimony from family and people they meet\, we not only better understand Olga through her words but through the eyes of her descendants. This event will allow us to hear directly from Ilanit-Michele and Erika and will be moderated by CBC Daybreak’s Sarah Dehaies. \nREGISTRATION\nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION\nIn-person at the Montreal Holocaust Museum\, 5151 Chem. de la Côte-Sainte-Catherine\, Montréal\, QC H3W 3E8
URL:https://storytelling.concordia.ca/event/olga-erika-me/
LOCATION:Montreal Holocaust Museum\, 5151 Chem. de la Côte-Sainte-Catherine\, Montréal\, Quebec\, H3W 3E8\, Canada
CATEGORIES:presentations
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/09/Olga-Erika-Me-e1756929334962.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250512T080000
DTEND;TZID=America/New_York:20250526T170000
DTSTAMP:20260509T162134
CREATED:20250305T152454Z
LAST-MODIFIED:20250305T153259Z
UID:22520-1747036800-1748278800@storytelling.concordia.ca
SUMMARY:Summer Institute: Oral History & Creative Practice (for credit)
DESCRIPTION:May 12-26\, 2025\nOpen to university students (for credit course) and community members \nCall for applications COHDS Summer Institute 2025 \nStorytelling\, as both an art and a practice\, occupies a central role in many cultures. The evocative power of oral history has made a major impact in the worlds of public history\, museum/curatorial practice\, and the arts. Our inaugural Summer Institute in “Oral History & Creative Practice” – hosted by Concordia’s “Centre for Oral History and Digital Storytelling” (COHDS) – offers you an opportunity to develop an oral history project that aspires to the kind of public-facing research that has become synonymous with COHDS\, including digital storytelling\, podcasts\, creative writing\, visual arts media\, and the performing arts. \nThis Summer Institute brings together graduate and senior undergraduate students\, activists\, artists\, oral historians\, and community members in a shared exploration of the intersection of oral history and creative practice. It will provide you with a strong grounding in the theory\, methodology\, and ethics of oral history while offering a space to “translate” your oral history research into works of research-creation. Participants will work with leading experts in the field; collaborate in workshops on oral history\, storytelling\, and research creation; and forge connections within an interdisciplinary group of peers. \nAs a field of inquiry\, oral history has grown up on the margins. Oral history interviewing has been undertaken for many reasons: artistic; community-building; truth and reconciliation; political action; storytelling\, preservation\, and research. Common to these projects is a commitment to lending an ear to marginalized voices. This year’s institute is a blend of a traditional seminar that revolves around deep engagement with assigned readings and a workshop that affords us a space to reflect on interview dynamics\, learn about best recording practices\, and explore innovative and creative ways of interpreting life stories. \nFor more information\, and for instructions to apply\, please see the call for applications. \nREGISTRATION\nPlease note that registration is open to university students and community members alike. University students may take this Summer Institute for credit.\nWe welcome all levels of experience. To submit an application for the Summer Institute\, please consult the call for applications above.\nPlease note that the application deadline is Sunday\, March 23\, 23:59 EST. For any academic inquiries please reach out to the Director of the Summer Institute\, Dr. Barbara.Lorenzkowski@concordia.ca
URL:https://storytelling.concordia.ca/event/summerinstitute2025/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/03/Lorenzkowski_Summer-Institute_Visual.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250508T160000
DTEND;TZID=America/New_York:20250508T180000
DTSTAMP:20260509T162134
CREATED:20250415T195613Z
LAST-MODIFIED:20250416T200004Z
UID:22960-1746720000-1746727200@storytelling.concordia.ca
SUMMARY:Identity\, Care Labor\, and Matrilineal Stories– Bodies Carrying Exhibit Programming
DESCRIPTION:Description by Cristina Alejandra Jimenez Gomez\, Javi Fuentes Bernal and David Diaz Méndez.\nThis is an event composed of two artist presentations followed by a joint Q&A. It will begin with a performance and talk by Cristina Alejandra Jimenez Gomez (Resonant roots: an intergenerational storytelling)\, followed by a presentation from Javi Fuentes Bernal and David Diaz Méndez on their collaborative project (Démarches décoloniales de fabulation critique et de reconnection: Hypergraphie\, performance et futurismes andins dans la création de la Revue d’études Travesti\, Q’iwa & Suprabinaires). \n(1) Resonant roots: an intergenerational storytelling (Cristina Alejandra Jimenez Gomez): \nCristina Alejandra Jimenez Gomez’s event includes a solo performance (resonant roots) and a performative talk: (mise en corps/puesta-en-cuerpo) which zooms in on the role of coperas (women who worked at cafés\, combining traditional waitressing with some escorting services without necessarily being sex workers) in Colombia. \nResonant Roots encompasses Alba’s story (the artist’s great-grandmother) narrated through the voices of her daughter and granddaughter. While a video is projected\, the performer enacts physical movements and interacts with objects around the space. Within this maternal lineage\, some stories want to be told\, others are hidden or denied. Are those stories somehow imprinted in the performer’s body\, although unknown? What are the resonances of her body with the audio archives of her distant lineage? \nmise en corps/puesta-en-cuerpo expands the inquiry; It is a performative talk which outlines the research process on the concept of public women\, focusing on the role of coperas. Also\, it draws on the dramaturgical guidelines\, the exploration of storytelling\, and the creative questions raised to develop these pieces. \nCristina Alejandra Jimenez Gomez (she/they) is a Colombian interdisciplinary artist and educator developing her PhD studies in the INDI program. She is interested in creative\, transformative and communal experiences that address critical intersectional concerns. Based in Tiohtià:ke – Mooniyang – Montreal since 2019. CA is affiliated with Hexagram\, Milieux-LeParc\, COHDS\, ALLab\, and SenseLab-3e at Concordia University. Editor and workshop facilitator at Kodama Cartonera\, an independent publishing house born in Tijuana\, Mexico\, in 2010. CA’s research-creation approach is performative\, feminist\, and (an)archival. Her perspectives stem from embodied practices as a source of knowledge\, intertwining processes of doing-feeling-thinking. Due to their experience in different theatre troupes\, CA learned about diverse techniques focused on developing research and creative methods for\, in\, and within public spaces and non-conventional stages. Currently\, they are a board member of Teesri Duniya Theatre\, where she has developed two community engagement projects. \nEvent language(s) \n\nThe performance includes audio in Spanish with video subtitles in English.\nThe performative talk is held in English. \n\n(2)  Démarches décoloniales de fabulation critique et de reconnection: Hypergraphie\, performance et futurismes andins dans la création de la Revue d’études Travesti\, Q’iwa & Suprabinaires (Javi Fuentes Bernal & David Diaz Méndez) \nDecolonial approaches of critical fabulation and reconnection: Hypergraphy\, performance\, and Andean futurisms in the creation of the Journal of Travesti\, Q’iwa & Suprabinaires Studies. \n​​Interweaving critical fabulation\, hypergraphy\, and Pastos symbolism\, this presentation delves into the creative process behind the Journal of Travesti\, Q’iwa & Suprabinary Studies. This journal challenges the linear narratives of colonialism by reactivating indigenous imaginaries through their hybridization with experimental graphic practices. Grounded in Travesti and diasporic studies\, the journal’s critical fabulation—developed in collaboration with David Mendez for graphic design and enriched by the performances of Javi Fuentes Bernal and their mother\, Yadila Bernal—becomes a tool for inventing alternative narratives that unsettle the boundaries of the so-called fixed truths of colonial historiography. Through a hypergraphy that intertwines writing\, drawing\, ancestral symbols\, and contemporary visual languages\, the project explores forms of storytelling that are vibrant\, multifaceted\, and polysemic. This hybridity serves as a lever for reconfiguring Latinx Cholas aesthetics and imagining new visual forms in resonance with Andean futurism. By mobilizing performance as a space for the reactivation of long memories and other sensory repertoires\, the project fosters living connections between intergenerational transmission\, critical fabulation\, and humor. In this presentation\, we explore our research and creative process from sensitive perspectives aimed at rethinking and inhabiting our identities beyond the frameworks imposed by colonialism and whiteness. \nJavi Fuentes Bernal est un·e artiste transdisciplinaire\, chercheur·e et intervenant·e colombien·ne basé·e à Tiohtià:ke/Montréal. Son travail s’inspire des fabulations critiques et des pratiques archivistiques\, à l’intersection des pensées trans*travesti\, migrantes et autochtones. À travers la performance\, la vidéo\, l’installation et l’écriture\, Javi explore les affects liés à la mobilité\, ainsi que les relations entre mémoire\, territoire et culture populaire. Javi a récemment contribué à des expositions telles que Unique en son genre (Musée de la Civilisation\, 2023)\, Awera en Bakatá (Museo Nacional de Colombia\, 2024)\, et Le Québec\, autrement dit (Musée de la Civilisation\, 2024) et Minga Suprabinaire (PHI\, 2025). Ses recherches ont bénéficié du soutien d’institutions telles que le Centre de recherche en santé publique CReSP\, le Fonds de recherche du Québec\, et une bourse Vanier pour ses études doctorales en travail social à l’Université de Montréal. \nDavid Díaz Méndez est étudiant en design graphique à l’École de design de l’UQAM. Il s’intéresse au langage polysémique caractéristique des contextes d’hybridité culturelle et à la manière dont celui-ci peut enrichir les différentes sphères du design graphique. Il a rejoint l’équipe d’Hypercodex en 2023\, où il participe à la conception de l’identité visuelle de l’exposition ALCUIN (2023-2024)\, à l’événement FORUM (2024)\, ainsi qu’à la recherche et à la conception graphique des projets d’Amandine Alessandra Ephemeral Typography: Writing the impermanent et FLUX/Mémoires Photophobes. II sest illustré aux ADCC Student Awards 2024 en remportant le bronze dans la catégorie design graphique. \nEvent language(s): French \n\n\nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/identity-care-labor-and-matrilineal-stories-bodies-carrying-exhibit-programming/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:performances and exhibitions
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/04/Identity-Care.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250508T140000
DTEND;TZID=America/New_York:20250508T150000
DTSTAMP:20260509T162134
CREATED:20250416T163501Z
LAST-MODIFIED:20250416T163501Z
UID:22968-1746712800-1746716400@storytelling.concordia.ca
SUMMARY:Walking Interludes- Bodies Carrying Exhibit Programming
DESCRIPTION:Description by speaker Sunjay Mathuria.\n“Walking Interludes is a reflective reading about walking\, place\, race\, identity\, and memory. In this reading\, I share short excerpts from my field journal that I kept during my research visits to Belfast and Lahore. In an autoethnographic style\, these vignettes focus on movement (walking) through the cities and consider the affective and embodied surges and textures of place. I reflect on the ways I am visibly marked as a racialized body in Belfast\, a city still grappling with division. In Lahore\, I draw on themes of intergenerational memory and belonging in a city from which my great-grandparents were displaced during Partition. \n  As an urban researcher\, it is important to foreground walking as a self-reflexive\, embodied practice and acknowledge the ways in which walking narratives are articulated through footsteps\, sketching out our own entanglements with space\, as we become enmeshed in the textured spatial networks of the places in which we walk. \nThus\, this reading invites researchers to consider the ways they are situated within their research\, and in particular\, the relationship between body\, movement\, and place. \nI will begin with some context: what are walking methods and why are they important? I will then read excerpts from my field journal for around 10 minutes\, with an accompanying slideshow of photos I took projected behind me. At the end\, I invite audience members to reflect on and share their own walking experiences. This reflection period should be around 30 minutes.  \nPlease note:\nThis event may be of interest for those who use walking methods in place-based research. You can bring a notebook or your field journal to jot down some thoughts. \nSunjay Mathuria (he/him) is a PhD Candidate in Geography at Concordia University and a former urban planner. In his doctoral research\, he uses walking methods and narrative analysis to examine the dynamics of memory-making in cities that have experienced spatial trauma. He is also generally interested in the representations of place\, race\, and class in literature\, television and film. \nEvent language(s): English \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/walking-interludes-bodies-carrying-exhibit-programming/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/04/walking.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250507T160000
DTEND;TZID=America/New_York:20250507T173000
DTSTAMP:20260509T162134
CREATED:20250416T165538Z
LAST-MODIFIED:20250416T174405Z
UID:22986-1746633600-1746639000@storytelling.concordia.ca
SUMMARY:Intimate Listening - Bodies Carrying Exhibit Programming
DESCRIPTION:Description by Cristina Alejandra Jimenez Gomez.\nIn an intimate space within the exhibition space\, a copera will interact with volunteer participants who visit this spot individually. Before the interaction begins\, each participant will be given a token amount\, which will be used to exchange stories and typical beverages of the Colombian cafés. The tokens have different values\, and will determine the type of story\, drink and interaction the visitor may have with the copera. After those tokens are consumed\, the next participant is invited to visit the spot. This immersive theatre game delves into the notions of intimate labor\, embodied listening\, and care. \nEvent Requirements: \nThis piece requires one person at a time in the exhibition space. Each person will have around 10 minutes of interaction. For the quality of the piece\, it is requested that participants interact individually as personal stories arise during the conversation\, and those who wish to participate are invited to wait outside the room. \nCristina Alejandra Jimenez Gomez (she/they) is a Colombian interdisciplinary artist and educator developing her PhD studies in the INDI program. She is interested in creative\, transformative and communal experiences that address critical intersectional concerns. Based in Tiohtià:ke – Mooniyang – Montreal since 2019. CA is affiliated with Hexagram\, Milieux-LeParc\, COHDS\, ALLab\, and SenseLab-3e at Concordia University. Editor and workshop facilitator at Kodama Cartonera\, an independent publishing house born in Tijuana\, Mexico\, in 2010. CA’s research-creation approach is performative\, feminist\, and (an)archival. Her perspectives stem from embodied practices as a source of knowledge\, intertwining processes of doing-feeling-thinking. Due to their experience in different theatre troupes\, CA learned about diverse techniques focused on developing research and creative methods for\, in\, and within public spaces and non-conventional stages. Currently\, they are a board member of Teesri Duniya Theatre\, where she has developed two community engagement projects. \n\nEvent language(s): English \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person at COHDS Exhibition (LB-1042) \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/intimate-listening-bodies-carrying-exhibit-programming/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:performances and exhibitions
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/04/intimate-listening.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250507T100000
DTEND;TZID=America/New_York:20250507T130000
DTSTAMP:20260509T162134
CREATED:20250415T194643Z
LAST-MODIFIED:20250416T174442Z
UID:22947-1746612000-1746622800@storytelling.concordia.ca
SUMMARY:The Metabolism of Silence- Bodies Carrying Exhibit Programming
DESCRIPTION:Description by Eve Garnier and Jacynthe Desjardins\nIn a movement-based workshop\, we propose an exploration of relational possibilities and their bodily expression\, anchored in silence(s). Here\, silence is not a rupture but a dynamic space of exchange between individuals sharing the same space-time. \nThe connection between narrator and audience is a key part of any narrative formed during an interview or performance. Beyond words\, what do we\, as receivers\, perceive? Building trust and sharing authority requires thoughtful attention to how we receive stories. The body is not just a passive receiver but an active participant with its own agency. \nThe workshop will develop two distinct approaches: one in pairs and the other in groups. \nIn the first part\, participants will engage in storytelling through movement in pairs\, examining how narration emerges when bodies remain in constant motion. Can movement generate alternative cognitive pathways? We will seek to identify forms of silence that extend beyond the mere absence of words. We will explore the role of the receivers when also in motion; how they interact with the narrator’s entanglement with spatial relationship\, the unfolding story\, and gesture. What\, then\, is the nature of silence in this context? \nThe second part will focus on a group conversation without words\, engaging with the often-unconscious dimensions of interaction. Participants will observe\, sense otherness\, and be perceived by others. What do we see\, project\, or have projected onto us? How do we perceive “the other” within a group\, within space\, and within time? What is the nature of this silence? \nEve Garnier is a Franco-Polish dance artist and researcher\, born and trained in France\, it was\, however\, in Scandinavia and Canada that Eve built a career in dance as a performer\, assistant to creation and teacher. Centered around the relational and experimental potential of the living body in movement\, her artistic and pedagogical reflections are nourished by artists from varied generations and aesthetics. Eve is a Part-time professor at UQAM\, where she teaches technique and interpretation classes. She is currently pursuing a Master of Arts in the INDI program at Concordia University. \nJacynthe Desjardins est une artiste en danse établie à Tiohtià :ke/ Mooniyang/ Montréal\, Jacynthe Desjardins complète un baccalauréat en danse contemporaine à l’Université du Québec à Montréal (UQAM\, 2021) où elle aura eu l’occasion de travailler avec de nombreux chorégraphes et artistes de la scène\, dont Frédérick Gravel\, Caroline Laurin-Beaucage\, Danièle Desnoyers et poursuit depuis un parcours en tant qu’interprète et chercheuse. Aussi titulaire d’un diplôme en lutherie de l’école-atelier Bruand\, Jacynthe s’intéresse au lien entre la musique et la matière. Ses interrogations se tournent vers ce dialogue liminal entre corps sonore et corps matière. À travers sa pratique du mouvement\, elle navigue cet échange constant entre physicalité\, sons et vibrations. S’ajoute aussi un intérêt grandissant pour les arts martiaux ainsi qu’envers l’importance de notre héritage culturel en danse. \n\nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/the-metabolism-of-silence-bodies-carrying-exhibit-programming/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/04/the-metabolism-of-science.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250506T150000
DTEND;TZID=America/New_York:20250506T163000
DTSTAMP:20260509T162134
CREATED:20250414T201043Z
LAST-MODIFIED:20250416T173726Z
UID:22891-1746543600-1746549000@storytelling.concordia.ca
SUMMARY:كان حتى ما كان (Once Upon a Place): What Remains of the Halqa? Performing Memory and Absence - Bodies Carrying Exhibit Programming
DESCRIPTION:Photo Credits: Film still from Crossing the Seventh Gate (2017) by Ali Essafi\nDescription by Bouchra Assou and Salma Chouqair\nDrawing from a post-colonial concern with the preservation of different forms of oral traditions in Morocco\, this lecture performance seeks to restage a halqa as both a space and a conduit for ancestral storytelling\, performance and communion. \nThe halqa\, both evoking a space and a practice\, serves as the epitome of narratology and the subversive oral histories of Moroccan heritage. Exploring the intersections between space\, body and practice and treating the memories they hold as a form of resistance to authoritarian/colonial power\, this lecture performance will centre the role of the halqa and its role in preserving and transmitting traditions in their visual and auditory manifestations such as theatre\, storytelling\, carnivalesque practices\, music (tagnawit)\, etc. Furthermore\, we will explore the cinematic and literary languages that seek to disrupt\, challenge\, and dismantle hegemonic historical narratives using alternative modes of knowledge production\, such as the ancient North African practices that encompass a form of storytelling beyond text-image relationships \nBouchra Assou is an independent researcher\, film curator\, programmer\, writer\, and archivist of Moroccan origin based in Montreal\, Canada. She is the founder and curator of Dhakira Collective (2020): an independent research\, archival and curatorial platform that foregrounds art\, cinema\, and music outside the western canon with a focus on cinema from the SWANA region (South West Asia & North Africa) and the co-founder and director of programming of the North African Queer Film Festival (2021) : a community-driven platform dedicated to celebrating and supporting films by\, about\, and for North African queers\, powered by Dhakira Collective. She was invited to deliver lectures on North African cinema and archives by Concordia University\, McGill University and The International Federation of Film Archives (FIAF). Press features about her work have appeared in publications such as Mille World\, Journal de Métro\, Also Cool Mag\, The Link Newspaper etc.  \nSalma Chouqair is a freelance writer and an independent researcher of Moroccan Amazigh origin. She is currently pursuing a BFA Art History and Theology at Concordia University. In 2023\, Salma launched Bayt Zuhal\, an independent cultural platform dedicated to recollecting and preserving the traditions\, arts and archives of Tamazgha & the post-colonial Maghreb with a focus on ancestral futurism. Since its inception\, the project has amassed a global online community. Press features about Salma’s work and research were published in Dune Magazine\, The Road to Nowhere and more recently The Link Newspaper and Dazed MENA.  \nEvent language(s) English\, French\, Arabic & Darija \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \n 
URL:https://storytelling.concordia.ca/event/%d9%83%d8%a7%d9%86-%d8%ad%d8%aa%d9%89-%d9%85%d8%a7-%d9%83%d8%a7%d9%86-once-upon-a-place-what-remains-of-the-halqa-performing-memory-and-absence-bodies-carrying-exhibit-programming/
LOCATION:Quebec
CATEGORIES:performances and exhibitions
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/04/Once-upon-a-place.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250506T120000
DTEND;TZID=America/New_York:20250506T140000
DTSTAMP:20260509T162134
CREATED:20250414T200329Z
LAST-MODIFIED:20250416T173549Z
UID:22880-1746532800-1746540000@storytelling.concordia.ca
SUMMARY:Attuning to Spectralities: Senses\, Whispers\, and Other Connective Membranes - Bodies Carrying Exhibit Programming
DESCRIPTION:Photo: Milena Rodriguez\nDescription by Esteban Donoso and Shalon T. Webber-Heffernan\nThis workshop offers an immersive\, collaborative space for scholars\, performers\, visual artists\, and curators to engage with embodied practices that attune to spectral presences. By experimenting with spectrality as a connective tissue that links us to ancestral pasts\, we will explore expanded modes of perception that allow us to sense beyond conventional boundaries of time and space. \nParticipants will experiment with “tuning-in” to spectral traces—those unseen presences and memories that linger in bodies\, objects\, and environments. Through guided exercises\, ritual\, open discussions\, and collaborative writing\, we will examine how these traces  are always already part of our embodied experience\, inhabiting material objects\, spatial environments\, and our physical and emotional tissues.  \nThe session includes grounding and attuning exercises\, brief presentations by Esteban and Shalon on their methodologies\, and a generative group writing activity to create a shared “score” reflecting our collective experience of the spectral. \nEsteban Donoso is a researcher-artist from Quito\, Ecuador currently living in Montreal. He recently completed his PhD in Theatre and Performance Studies at York University in Toronto. His work focuses on dance and performance archiving and transmissions\, oral histories\, and practice-based methodologies. His artistic work has been shown in Ecuador\, Colombia\, Chile\, Belgium\, Switzerland\, France\, the U.S.\, and Canada. \nShalon T. Webber-Heffernan is a Toronto based writer and curator. She holds a PhD in Theatre and Performance Studies and is a core member of the Toronto Performance Art Collective (7a11d International Festival of Performance Art). Some of her recent writing has been published in Theatre Research in Canada\, Performance Research\, Comparative Media Arts Journal\, C Magazine\, Peripheral Review\, Performance Matters\, and several other publications. \n*Please wear comfortable clothing \nNote: this event will take place in English\, with the possibility of French translation \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \n 
URL:https://storytelling.concordia.ca/event/attuning-to-spectralities-senses-whispers-and-other-connective-membranes-bodies-carrying-exhibit-programming/
LOCATION:Quebec
CATEGORIES:workshops
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/04/Attuning-to-Spectralities.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250505T100000
DTEND;TZID=America/New_York:20250505T130000
DTSTAMP:20260509T162134
CREATED:20250414T195701Z
LAST-MODIFIED:20250416T191805Z
UID:22873-1746439200-1746450000@storytelling.concordia.ca
SUMMARY:Corps\, émotions et recherches: une exploration par cartographie corporelle - Bodies Carrying Exhibition Programming
DESCRIPTION:Description écrite par Naomie Léonard et Stéphane Guimont Marceau.\nLa cartographie corporelle offre une manière unique et créative d’explorer son identité\, ses expériences de vie ou une thématique particulière en centrant le corps et les émotions dans le processus de réflexion. Utilisant l’idée de la carte topographique\, la cartographie corporelle propose d’imaginer le corps comme un territoire qu’il est possible de représenter de manière symbolique. Abordant les thématiques du corps\, des émotions et de la recherche\, cet atelier invitera les participant-es à se pencher sur les manières dont le corps et les émotions affectent la recherche et inversement\, comment la recherche affecte le corps et les émotions ?  \nDurant l’atelier\, les participant-es créent une représentation en taille réelle de leur corps. Après avoir personnalisé leur carte pour l’imprégner de leur personnalité et caractéristiques\, les participant-es explorent les thématiques proposées à l’aide d’images\, de couleurs\, de textures\, de mots et de symboles produits via différents médiums d’art plastique (peinture\, dessin\, collage\, etc.). Cela leur permet d’exprimer et documenter leur perspective de certaines expériences à partir de sensations vécues  dans leur corps-territoire.  \nL’atelier se termine par un cercle de partage afin que chaque participant-e puisse raconter sa carte. Ces récits laissent ensuite place à une discussion collective sur les thématiques abordées pour mettre en relief les convergences et les contrastes entre les cartes. Nous invitons chaque participant-e à s’investir dans la création d’un espace bienveillant et sans jugement. Nous cherchons à établir un climat ludique\, marqué par le partage\, l’écoute et le respect mutuel.  \nInstructions: \n\nPlusieurs médiums artistiques\, dont de la peinture\, seront disponibles. N’hésitez pas à vous apporter un tablier.\nN’hésitez pas à amener des collations\nVeuillez arriver quelques minutes à l’avance si possible\n\nNaomie Léonard (elle/she) est doctorante en études urbaines à l’Institut national de la recherche scientifique (INRS). Adoptant une posture écoféministe décoloniale\, ses intérêts de recherche touchent les relations entre corps\, émotions et espaces en contexte de résistance au colonialisme et dans les luttes socio-écologiques. Sa thèse porte sur les relations à la ville et les espaces de care créés et maintenus par des femmes Ilnuatsh et Atikamekws de Mashteuiatsh. Elle a mobilisé la cartographie corporelle comme méthode de recherche afin d’inviter les femmes à explorer de manière créative leurs relations aux espaces et à leurs trajectoires de vie.  \nStéphane Guimont Marceau est professeure au centre Urbanisation Culture Société de l’Institut national de la recherche scientifique (INRS). Elle codirige le programme conjoint INRS-UQAT de maîtrise et de doctorat en études autochtones. Elle est aussi codirectrice du Collaboratoire Villes Voix Visions (c3v.inrs.ca). À partir d’approches critiques\, féministes\, antiracistes et décoloniales\, elle travaille au sein de projets collaboratifs et partenariaux qui priorisent des épistémologies autochtones et des méthodes participatives basées sur les récits. \nINSCRIPTION  \nInscrivez-vous ici. \nVeuillez noter que tous nos événements sont gratuits et ouverts à toutes et à tous. Cependant\, vous devez réserver votre place. Pour participer à l’événement en présentiel évrivez à: cohds.chorn@concordia.ca  \nLIEU \n Le CHORN/ALLAB sont situés sur le territoire non-cédé de Kanien’kehá:ka à Tiohtiá:ke/Montréal. 
URL:https://storytelling.concordia.ca/event/corps-emotions-et-recherches-une-exploration-par-cartographie-corporelle-bodies-carrying-exhibition-programming/
LOCATION:Quebec
CATEGORIES:workshops
ATTACH;FMTTYPE=image/png:https://storytelling.concordia.ca/wp-content/uploads/2025/04/carto-corporelle.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250430T170000
DTEND;TZID=America/New_York:20250516T170000
DTSTAMP:20260509T162134
CREATED:20250410T153957Z
LAST-MODIFIED:20250417T170837Z
UID:22827-1746032400-1747414800@storytelling.concordia.ca
SUMMARY:Exhibit - Bodies Carrying: Traces & Stories
DESCRIPTION:Bodies carry and transmit traces of memories\, sites\, and stories—both as acts of care and as burdens to bear. \nBodies Carrying: Traces & Stories is a twofold conversation taking the form of a group exhibition and a program consisting of workshops\, performances\, and talks. This is an experiment in transforming the Centre for Oral History and Digital Storytelling into a dialogue space that brings together artists and researchers who engage with or reflect on oral history in their work\, from the curatorial process to the mise en œuvre. \nThe exhibition and program explore the traces we carry—the traces of what was willingly or unwillingly passed on\, those that were inflicted\, and the lingering ghosts of what was left behind.  \nThese imprints can be things we hold onto or want to make more visible\, carried through acts of care\, (re)connection\, and resistance. Yet\, these traces also represent the weight of what bodies have borne and still bear. Bodies Carrying: Traces & Stories asks: How do we hold space for both the tenderness and heaviness of what it means to carry? \nExhibition Location \nCOHDS\, 10th Floor – LB-1042; 1400 de Maisonneuve Blvd W.\nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \nExhibition Hours \nMay 1 – May 16\nOpen daily | 1:00 PM – 4:00 PM \nDates \nMay 5 – May 8\nPlease register for individual events. \nVernissage \nApril 30\, 5 à 7\, Sunroom (LB-1019)\nWith durational performance “I Insist” by Sol Worsnip \nProgram \nMay 5\, 10h-13h\nCorps\, émotions et recherches: une exploration par cartographie corporelle – Atelier \nMay 6\, 12h-14h\nAttuning to Spectralities: Senses\, Whispers\, and Other Connective Membranes – Workshop \nMay 6\, 15h-16h30\nكان حتى ما كان (Once Upon a Place): What Remains of the Halqa? Performing Memory and Absence – Lecture Performance \nMay 7\, 10h-13h\nThe Metabolism of Silence – Workshop \nMay 7\, 16h-17h30\nIntimate Listening- Immersive Theatre \nMay 8\, 14h-15h\nWalking Interludes – Reading and dialogue  \nMay 8\, 16h-18h\nIdentity\, Care\, Labour\, and Matrilineal Stories – Performance and Artist Talks  \nREGISTRATION \nRegistration forms are linked on each event page. \nCurated/facilitated by: Annie Thao Vy Nguyen \nAnnie Thao Vy Nguyen (they/she) is a Master’s student in Geography and Urban Studies at Concordia University\, exploring queer futurity and political imagination through dialogic processes. Their thesis uses oral history to trace the evolution of queer Asian activism in Montreal across generations\, using Chinatown as a case study. Annie holds a Bachelor of Architecture from Université de Montréal\, with a thesis at the Technical University of Munich on inquiry-based exhibition pedagogy\, where they co-developed and co-taught a course on pedagogy in architecture exhibitions. Trained and soon-to-be certified in Philocreation dialogue facilitation\, Annie used these tools to facilitate this exhibition and program through a curatorial dialogue with all contributors.
URL:https://storytelling.concordia.ca/event/exhibit-bodies-carrying-traces-stories/
LOCATION:Quebec
CATEGORIES:performances and exhibitions,presentations,workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250430T170000
DTEND;TZID=America/New_York:20250430T190000
DTSTAMP:20260509T162134
CREATED:20250414T194940Z
LAST-MODIFIED:20250416T160958Z
UID:22867-1746032400-1746039600@storytelling.concordia.ca
SUMMARY:Vernissage and Durational performance\, "I Insist" - Bodies Carrying Exhibit Programming
DESCRIPTION:I insist is a long-duration performance piece that unfolds over the course of several hours. In it\, the artist slowly wraps their body in red sewing thread. With minor\, ritualistic\, almost inconsequential movements\, the piece itself is mostly understood in fragments. The scale of this piece does not encourage you to sit with it in its entirety\, though one may choose to\, but rather to understand it as it unfolds in the space. The slow disappearance of the body from its surroundings enhances a distinction between the person and the outside; the other. I insist is an exploration of what it means for a body to be woven (or not) into networks of community\, lineage\, and environments. \nSol Worsnip is an emergent interdisciplinary artist whose work primarily lies at the intersection of sound\, video\, and performance art. They are currently completing a B.A. in Communication Studies at Concordia with a focus on sound and audio art. Through their work\, they seek to ask the simplest questions. How can one inhabit a body and move it through the world—and get everything else done as well? And what does it mean to witness? \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/i-insist/
LOCATION:Quebec
CATEGORIES:performances and exhibitions
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/04/I-insist.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T140000
DTEND;TZID=America/New_York:20250429T160000
DTSTAMP:20260509T162134
CREATED:20250226T200442Z
LAST-MODIFIED:20250429T172408Z
UID:22419-1745935200-1745942400@storytelling.concordia.ca
SUMMARY:Casual COHDS
DESCRIPTION:Join us for another session of “Casual COHDS\,” a monthly drop-in event for members of the COHDS community and anyone curious about oral history to gather\, converse\, and connect over coffee\, tea\, and snacks in a relaxed setting. If you would like to meet other members of the COHDS community\, or simply take a moment to pause\, recharge\, and connect with other oral history practitioners and enthusiasts\, “Casual COHDS” is an opportunity to foster these exchanges. Held in the afternoon\, each monthly meeting will be loosely designed around a theme\, to get the conversation started. For our gathering in March\, participants are invited to bring a favourite story around an interview encounter or a photograph that they would like to share — or to simply bring themselves. We look forward to welcoming you on Tuesday\, April 29th\, anytime between 14:00 and 16:30 p.m. in the Sunroom (LB- 1019). \nKelann Currie-Williams (they/she) is a writer\, visual artist\, and oral historian based in Tiohtià:ke/Montreal. Kelann is a PhD student at Concordia University’s Centre for Interdisciplinary Studies in Society and Culture\, working at the intersections of Visual Culture\, History\, Black Studies\, and Cultural Studies. Their research focuses on the image-making and photographic preservation histories of the Afro-Caribbean diaspora in Canada from the late 19th to late 20th centuries\, and the scenes of migration\, homemaking\, community-building\, and political mobilization that those photographs depict. Kelann is a long-time student affiliate of the Centre for Oral History and Digital Storytelling\, an affiliate of the Access in the Making lab\, and a member of the Milieux Institute for Arts\, Culture and Technology’s Post Image cluster. Her critical work has appeared in academic journals such as Urban History Review\, the Canadian Journal of History\, TOPIA: Canadian Journal of Cultural Studies\, and Philosophy of Photography. \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/casual-cohds-3/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:Roundtable/table ronde
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T150000
DTEND;TZID=America/New_York:20250424T170000
DTSTAMP:20260509T162134
CREATED:20250226T193707Z
LAST-MODIFIED:20250326T210324Z
UID:22407-1745506800-1745514000@storytelling.concordia.ca
SUMMARY:Ethics in Research: How to Apply for Ethics Certification
DESCRIPTION:With Liam Devitt\, Gabryelle Iaconetti\, Barbara Lorenzkowski\, and Sonya Di Sclafani \nTo obtain the informed consent of our research participants is both an ethical and institutional obligation for oral historians working at Canadian universities. This workshop seeks to demystify the process of applying for ethics certification. Three emerging scholars will reflect on their experiences in navigating this process and discuss how they have translated the ethos of “sharing authority” into the formal language of their ethics applications. Meanwhile\, Lead Co-Director Barbara Lorenzkowski will provide hands-on guidance on how to prepare an ethics application for your own thesis research at Concordia. Registered participants will be provided with examples of successful ethics applications\, including consent forms. \nLiam Devitt is a labour historian\, writer\, and research worker based in Tiohti:áke/Montréal. Their MA thesis “Gay Steel Mill” (Concordia University\, 2024) examined how deindustrialization affected queer communities in Cape Breton. Currently\, they are the Associate Director of “Deindustrialization and the Politics of Our Time” (deindustrialization.org)\, a SSHRC Partnership grant project examining histories and contemporary lived experiences of deindustrialization. They are also Vice-President\, Sir George Williams Campus for their union\, CARE (PSAC 12501). They are in charge of grievances at this campus\, and work with union members to fight for justice in the workplace. \nGabryelle Iaconetti (she/they) is a second-year PhD student at Concordia University in Montréal\, Québec under the supervision of Dr. Rachel Berger. She holds a BA and MA in History from Concordia University and a MISt (Master of Information Studies) from McGill University. Her research interests lie at the intersection of bisexual history\, oral history\, queer space\, queer theory and archives. \nBarbara Lorenzkowski is an oral historian of childhood and youth whose work explores the ways in which global processes of migration\, displacement\, and violence have shaped small people’s lives in outsized ways. She recently published the co-edited anthology Small Stories of War: Children\, Youth\, and Conflict in Canada and Beyond (with Kristine Alexander and Andrew Burt\, McGill-Queen’s University Press 2023) and is currently completing a FQRSC-funded book project The Children’s War\, a large-scale oral history project on children’s sensuous and emotional life-worlds in Atlantic Canada during the Second World War. Dr. Lorenzkowski is the Lead Co-Director of COHDS\, while also serving as the Associate Chair at the Department of History (Concordia University). \nSonya Di Sclafani is a first-year MA student in History at Concordia University. Her research centres on women’s experiences in the Hungarian-Canadian diaspora in Montreal\, with a focus on foodways and intergenerational storytelling. She holds a BA History (Honours)\, with a minor in English Literature\, from Concordia University; a BFA in Photography and Art History (Concordia); and a diploma in Interior Design at Dawson College\, Montreal. \nREGISTRATION \nRegister now. \nPlease note that all of our events are free and open to all\, but you need to register! To register\, contact us at: cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/ethics-in-research-how-to-apply-for-ethics-certification/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T100000
DTEND;TZID=America/New_York:20250422T120000
DTSTAMP:20260509T162134
CREATED:20250402T171026Z
LAST-MODIFIED:20250415T160332Z
UID:22744-1745316000-1745323200@storytelling.concordia.ca
SUMMARY:Memory\, Art\, and Violence: Listening to Difficult Stories
DESCRIPTION:with Manuela Ochoa\, Luana Sampaio\, and Patricia Branco Cornish.  \n\nConflict and dictatorship are challenging topics to discuss and engage new audiences. However\, scholars have tasked themselves with finding creative ways to revisit narratives of these difficult pasts to foster public awareness and prevent socio-political violence from happening in the future. Art has been a long-standing medium through which our society registers our lives\, from pre-historic cave paintings to contemporary cartoons\, films and exhibitions. \nOral history is ubiquitous in recounting stories of survivors’ experiences of traumatic pasts involving state violence\, civil conflicts and abuse of power around the world. Still\, merging oral history with different forms of art practices remains an underutilized approach to retelling the recent violent pasts in Latin America. A new wave of scholars are working to promote more engaging and immersive ways of showing the broader public complex narratives of people who experienced or survived dictatorships and armed conflicts. \nThis panel brings together three doctoral researchers who examine the interconnections between listening\, memory\, and art in Brazil and Colombia. Through three case studies\, researchers discuss how oral history methodology and art practices offer alternative ways to engage audiences with complex narratives about past socio-political violence. \nManuela Ochoa has developed Can You Hear the Trees Talking?\, an arts-based methodology for conducting dialogical interviews and actively listening to survivors\, collaborating with Comunidad\, a displaced human rights defender and musician. \nThrough the question “How can memory be filmed?”\, Luana Sampaio explores a series of Brazilian documentaries that depict the Civil-Military Dictatorship in Brazil\, which lasted from 1964 to 1985. The films focus on listening and filming the testimonies of survivors and their peers. By examining this creative work\, she uncovers how cinema can offer a new understanding of memory by engaging an artistic expression with the past\, present\, and future. \nPatricia Branco Cornish researches the experiences of women artists during Brazil’s military dictatorship (1964–1985)\, merging oral history and visual art within a decolonial framework. She uses the artworks as memory prompts so women artists can retell their past from daily struggles to groundbreaking creative practices despite censorship and normative gender roles. Patricia seeks to understand the pervasive and subtle ways dictatorship erases women’s stories\, and manipulates how we understand past state violence in the present. \nManuela Ochoa’s is an artist and PhD candidate in Humanities at Concordia University. In Colombia\, she was part of the team at the Museum of Memory\, where she explored the relationship between art and memory in violent contexts. Her research centers on how to listen—effectively and with care—to survivors of violence while collaborating on creative works based on their life stories. \nLuana Sampaio is a documentary filmmaker and a PhD student in Communication Studies at the Federal University of Ceará in Brazil. Her research and creative practice focus on exploring the relationship between memory and history in documentaries that use cinematic narrative tools to tell stories about the past. Luana has co-directed over five documentaries\, including short films\, feature films\, and series\, and is dedicated to discovering new ways to listen to and capture memories through cinema. She holds a Master’s degree in Communication Studies from the Federal University of Ceará (UFC) and a Graduate Certificate in Creative Arts from Deakin University.  \nPatricia Branco Cornish is a PhD candidate in the Communications Department at Concordia University. Her research focuses on women artists living under the Brazilian dictatorship (1964-85) and their contributions to the country’s avant-garde art scene of the 1960s–70s. In Brazil\, Patricia worked as an art curator and gallery owner. She earned her MA in Art History from the University of São Paulo\, where she investigated how women artists carved out space for themselves in the local avant-garde movement despite censorship and conservative gender norms. \nATTEND THIS EVENT \nJoin us on Zoom.  \nPlease note that all our events are free and open to all. For any questions please contact cohds.chorn@concordia.ca \n 
URL:https://storytelling.concordia.ca/event/memory-art-and-violence/
LOCATION:Online
CATEGORIES:presentations
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T130000
DTEND;TZID=America/New_York:20250411T160000
DTSTAMP:20260509T162134
CREATED:20250303T210330Z
LAST-MODIFIED:20250410T152055Z
UID:22445-1744376400-1744387200@storytelling.concordia.ca
SUMMARY:Cancelled - A Reflection Moment: Writing a Land Recognition for COHDS
DESCRIPTION:“Our immigrant plant teachers offer a lot of different models for how not to make themselves welcome on a new continent […] But Plantain is not like that. Its strategy was to be useful\, to fit into small places\, to coexist with others around the dooryard\, to heal wounds […] White Man’s Footstep [Plantain]\, generous and healing\, grows with is leaves so close to the ground that each step is a greeting to Mother Earth.” – Robin Wall Kimmerer\, Braiding Sweetgrass \nEnglish \nWith Fran Beauvais\, Catherine Richardson and Mélissa-Anne Ménard \nWe invite you to a moment of connection and deep reflection as we work together to write a land recognition that vibrates with COHDS’ essence and intention of reciprocity\, respect and care. A time to explore the relationship we have to the land that kisses our feet every day and to honor it\, this Reflection Moment will approach the collective writing moment as an ongoing process to be reflected on in the years to come. It is meant as an opportunity to connect to love and commit to the land that houses us\, shapes us and offer deep gratitude to its guardians; it is a commitment to self. \nAs members of the COHDS community\, you will be invited to meditate on your own relationship to the land and the relationship that COHDS\, as the sum of its parts\, also has to it. In small groups\, you will be asked to come up with a land recognition which we will then “braid” together as a whole to act as a heartfelt ode to the land for COHDS to use moving forward. \nWhy are doing this? \nMembers of our team and community have felt the need to write a deeply personalized land recognition and acknowledgement\, gratitude for the Kanien’kehá:ka nation\, people and lands upon which we live and work.  \nOur aim is that this process would also allow us to reflect on COHDS’ positionality and involvement in decolonization. \nPlease note that participating members will ask to read and listen to excerpts beforehand so as to arrive with a common mindset. We will communicate with participants 1 week prior to the event to do so. \nWe look forward to sharing this moment with you. \n  \nREGISTRATION   \nPlease note that this event has been cancelled. \nPlease note that registration for this event will close on April 4. If you wish to attend after this date\, please write to cohdscoordinator@concordia.ca. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1019 (Sunroom\, Computer Research Lab\, Moonroom)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.  
URL:https://storytelling.concordia.ca/event/a-reflection-moment-writing-a-land-recognition-for-cohds/
LOCATION:Quebec
CATEGORIES:workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250410T170000
DTEND;TZID=America/New_York:20250410T190000
DTSTAMP:20260509T162134
CREATED:20250307T203014Z
LAST-MODIFIED:20250402T173904Z
UID:22574-1744304400-1744311600@storytelling.concordia.ca
SUMMARY:WIBCA’s Legacy: Carrying the Torch from Elders to Youth in Montreal’s Black Community
DESCRIPTION:with Jamilah Dei-Sharpe\, Joan Lee (President)\, and Ray Resvick\nMC by CBC’s Dionne Codrington.  \nIn 1982\, the West Island Black Community Association (WIBCA) was founded as one of Montreal’s first Black Anglophone associations. The film is guided by the oral histories of WIBCA’s founding elders\, who recount their grassroots efforts to support Black communities in Montreal for over forty years. Despite challenges like school bus drivers refusing to transport Black youth and increased policing\, WIBCA engaged with politicians\, educators\, and law enforcement to develop essential programs. Through intergenerational dialogue\, the film showcases how WIBCA youth continue to champion justice and unity amid the pandemic and the Black Lives Matter Movement\, highlighting WIBCA’s vital role in Black Canadian history and its commitment to celebrating and supporting diverse communities in Montreal. The film was produced by the Decolonial Perspectives and Practices Hub (DPPH) and was funded by the SHIFT Centre for Social Transformation. Directed by Jamilah Dei-Sharpe\, with Ray Resvick as Director of Photography\, Rania Salawdeh as Videographer and Rebeccah Redden as the Video Editor. \nWatch the Promotional Video. \nThe Decolonial Perspectives and Practices Hub (DPPH)\,  is a nonprofit organization based in Montreal. It creates spaces for collaboration between faculty\, students\, and community organizations to address the systemic challenges marginalized groups face in academia. The DPPH makes higher education more equitable and inclusive by incorporating decolonial approaches into curricula and the learning environment\, including integrating oral histories\, community knowledge\, antiracism education\, and promoting student leadership. The DPPH engages in various initiatives to transform teaching and learning\, such as syllabus deconstruction events\, enhancing collaboration between students and faculty\, an online library of antiracism educational videos\, and offering a credit-based experiential student internship program. This program connects Concordia University students with community organizations involved in social justice projects. Notably\, the WIBCA short film was produced as part of this internship program\, linking Concordia film studies students with the West Island Black Community Association.and oral history into her research-creation process.  \nJamilah Dei-Sharpe is\, a Ph.D. candidate in Sociology at Concordia University\, specializing in Black Canadian studies\, gender studies\, and decolonizing higher education. As an undergraduate instructor and community organizer\, she is dedicated to nurturing the next generation of students and scholars. Some of Jamilah’s work for community advancement includes serving as co-chair of the Race and Ethnicity Research Cluster at the Canadian Sociological Association\, founding the Decolonial Perspectives and Practices Hub\, and co-founding the National Black Graduate Association. \nFacebook & Instagram \nDionne Codrington is an award-winning journalist. In addition to her role as the producer of the CBC Black Changemakers series for CBC Quebec\, she’s the host of the spin-off podcast\, Changemakers. Dionne is a regular guest TV and radio host. When she’s not in front of the camera or on the mic\, she also works as a TV and radio producer. \nRay Resvick\, is a filmmaker\, comedian & community organizer based in Tiohtià:je / “Montréal.” Their work is focused on marginalized perspectives and subverting mainstream understanding of identity. They graduated from Concordia University in 2023 with a major in Communications and a minor in Creative Writing. They are currently participating in the Quebec Writers’ Federation’s screenwriting mentorship. Ray’s short film Extremely Small Claims Court was screen at the 2025 Canadian Film Fest.  \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/wibcas-legacy-carrying-the-torch-from-elders-to-youth-in-montreals-black-community/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250403T160000
DTEND;TZID=America/New_York:20250403T180000
DTSTAMP:20260509T162134
CREATED:20250228T162238Z
LAST-MODIFIED:20250303T203254Z
UID:22453-1743696000-1743703200@storytelling.concordia.ca
SUMMARY:Looking at the World from Inside Mosques: Questioning Prejudice Through Art Photography
DESCRIPTION:with Marwan Bassiouni. Hosted by Chedly Belkhodja (Concordia) and Paul May (UQAM) \nIslam comes in all shapes and colours. It is now Western and a part of the national identity and landscape of many countries. Since January 2018\, Marwan Bassiouni has visited mosques in various countries in order to document their presence in the landscape from the inside. He was led into the hearts of cities\, suburbs\, villages\, industrial zones and remote areas\, alongside rivers\, lakes and mountains. Mosques were able to become a part of the Western landscape by adapting to the shapes and colors of the local architecture – by building minarets and prayer rooms out of bricks\, wood and various other materials. Through this journey\, Marwan Bassiouni not only witnessed the diversity of locations in which Muslims are living today\, but also the diversity within the Muslim community itself. \nUnfortunately\, Muslims are the most targeted minority when it comes to hate crimes\, and recent terrorist attacks have contributed to an increase in islamophobia\, racism and xenophobia towards Muslims. Many Western medias are biased in their representation of Muslim peoples and contribute towards negative and unwelcoming sentiments towards this multi-ethnic and multi-cultural minority demography. The mosques contained in this project were therefore left unidentified to respect the wishes of mosque representatives who feared for their safety. All photographs in this series document views of actual mosques within their original surroundings. \nMarwan Bassioni’s images\, often presented large-scale\, lie at the intersection of documentary practice\, fine art\, and intercultural mediation. In his photographs\, he explores the poetics and aesthetics of documentary photography while focusing on the Western landscape and themes related to identity\, spirituality\, culture\, and the politics of representation. \nHis work is held in private and public art collections such as Kunsthaus Zürich\, Kunstmusem Bern\, Kunstmusem Den Haag\, The Nederlands Fotomuseum\, and many other arts centres. Marwan Bassioni is the recipient of the W. Eugene Smith Student Grant\, the Harry Pennings Prize\, the Prix Circulation(s)-Fujufilm and several other awards and nominations. His book New Dutch Views was a finalist for the Aperture First Book Award at Paris Photo. \nChedly Belkhodja is Professor and former Principal of the School of Community and Public Affairs at Concordia University. He holds a BA (1988) in Political Science from l’Université de Moncton and an MSc (1990) in Political Science from l’Université de Montréal. He completed his Diplôme d’études approfondies (1991) and his PhD (1996) in Political Science at l’Université de Montesquieu (Bordeaux\, France). His research focuses on immigration policies and mobility of migrants in the case of less common destinations. He is also interested in the processes of integration and inclusion. \nPaul May is a professor in the Department of Political Science at the Université du Québec à Montreal. He holds a PhD from the École des Hautes Études en Sciences Sociales (Paris) and UQAM. His research focuses on the consequences of immigration for Western societies\, with a particular focus on debates on multiculturalism\, public controversies related to identity politics in the public sphere\, and the agency of migrants during their migratory journey. Before joining UQAM\, he was a post-doctoral researcher at Queen’s University (Canada) and Harvard (United States). Dr. May was awarded the Vincent Lemieux Prize for the best thesis in political science in Canada as well as two awards for teaching excellence at Harvard University. He regularly writes articles and op-eds\, notably including the Los Angeles Times\, Huffington Post US\, Le Monde\, Le Figaro\, and Liberation. \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/looking-at-the-world-from-inside-mosques-questioning-prejudice/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250326T150000
DTEND;TZID=America/New_York:20250326T170000
DTSTAMP:20260509T162134
CREATED:20250226T184227Z
LAST-MODIFIED:20250307T185454Z
UID:22383-1743001200-1743008400@storytelling.concordia.ca
SUMMARY:Kids on the Street: Queer Oral History\, Performative Storytelling
DESCRIPTION:with Joseph Plaster \nJoseph Plaster’s prize-winning Kids on the Street: Queer Kinship and Religion in San Francisco’s Tenderloin (Duke University Press\, February 2023) explores the informal support networks that enabled abandoned and runaway “kids on the street” to survive in central city tenderloin districts across the United States\, and San Francisco’s Tenderloin in particular\, over the past century. Centering the experiences of street kids enabled him to articulate—indeed excavate—a history of queer sociality that has been overshadowed by major narratives of gay progress and pride. He ultimately represents a politics where the marginal position of street youth—the self-defined “kids on the street\,” hair fairies\, hustlers\, queens\, and “undesirables”—is the basis for a moral economy of reciprocity and mutual aid. \nJoseph Plaster is an interdisciplinary scholar trained in queer studies and public humanities\, with teaching and research fields at the intersection of American 20th-century urban history\, oral history\, performance studies\, public history\, and LGBTQ studies of religion. He is a Lecturer in the Program in Museum and Society and Director of the Winston Tabb Special Collection Research Center at Johns Hopkins University\, where he develops cross-departmental\, community-based research initiative in collaboration with Baltimore’s ballroom and voguing scene\, grassroots trans and non-binary activities\, and local artists of colour. \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. \n 
URL:https://storytelling.concordia.ca/event/kids-on-the-street/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250325T140000
DTEND;TZID=America/New_York:20250325T160000
DTSTAMP:20260509T162134
CREATED:20250226T192023Z
LAST-MODIFIED:20250326T183639Z
UID:22397-1742911200-1742918400@storytelling.concordia.ca
SUMMARY:Casual COHDS
DESCRIPTION:With Lea Kabiljo \nJoin us for our second session of “Casual COHDS\,” a monthly drop-in event for members of the COHDS community and anyone curious about oral history to gather\, converse\, and connect over coffee\, tea\, and snacks in a relaxed setting. If you would like to meet other members of the COHDS community\, or simply take a moment to pause\, recharge\, and connect with other oral history practitioners and enthusiasts\, “Casual COHDS” is an opportunity to foster these exchanges. Held in the afternoon\, each monthly meeting will be loosely designed around a theme\, to get the conversation started. For our gathering in March\, participants are invited to bring a favourite story around an interview encounter or a photograph that they would like to share — or to simply bring themselves. We look forward to welcoming you on Tuesday\, March 25th\, anytime between 14:00 and 16:30 p.m. in the Sunroom (LB- 1019). \nLea Kabiljo\, assistant professor at Université Laval\, is a multidisciplinary researcher whose expertise spans the fields of the arts\, education\, and oral history. She has a particular interest in integrating photography and oral history into her research-creation process. Holding a PhD in Art Education from Concordia University\, Lea’s research highlights her multidisciplinary approach by exploring the educational potential of oral history and photography in art education. Having taught in school\, community\, and university settings\, Lea is actively engaged in teacher training\, with a special focus on the development of socio-emotional skills. She is also recognized for her expertise in oral history and has led numerous research projects in Canada and internationally. \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/casual-cohds-2/
LOCATION:LB-1019 (sunroom)\, COHDS
CATEGORIES:Roundtable/table ronde
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DTSTART;TZID=America/New_York:20250314T084500
DTEND;TZID=America/New_York:20250314T170000
DTSTAMP:20260509T162134
CREATED:20250226T211605Z
LAST-MODIFIED:20250306T194622Z
UID:22430-1741941900-1741971600@storytelling.concordia.ca
SUMMARY:“Vivre avec le trouble” – Trouble in Oral History and Storytelling 12th Emerging Scholars Symposium (Friday\, March 14)
DESCRIPTION:How might trouble and troublemaking (re)shape our fields? How might oral history and storytelling help us survive the current moment of poly-crisis? How might we mobilize oral history and storytelling to engage in necessary troublemaking? This year’s symposium brings together twenty emerging scholars from Concordia and beyond in an interdisciplinary conversation on “Vivre avec le trouble” and the transformative potential of oral history in troubled times. \nOver the course of our day-long conversations\, panelists and conference attendees will explore ways of knowing\, interrogate the politics of the archive\, listen to oral histories on the ground\, and examine how oral history and storytelling might be used in creating a more just society. We will delve into intergenerational conversations and contemplate ways of feeling memory. There will be “ghost stories” too. The program will culminate in a series of four brief performances\, followed by a conversation with the researchers-artists. \nOur keynote speaker\, Dr. Lea Kabiljo (Université Laval)\, the 2024 recipient of the Award of Distinction in Oral History\, will reflect on the complex ethical and relational dynamics of sharing authority in works of research-creation. Her keynote – “Oral History x Photography: Negotiating Authority in Participatory Research-Creation” – brings oral history and photography into a single analytical frame to explore the tensions between researcher subjectivity and participant agency. \nThe Emerging Scholars Symposium is one of the highlights of our COHDS year. We’d be delighted if you could join us! \, \nSee the program at a glance. \nSee the full program (including panel description and biographies of panelists) \n  \nThe Program Committee | Le comité organisateur \nSamia Dumais is a PhD student in history at Concordia University. A transdisciplinary researcher\, she is interested in Afro-descendant and Black transnational discourses and their materialization in Quebec and Canadian educational structures. Member of the editorial board of HistoireEngagée.ca\, Samia is the archivist for the afro-feminist community organization Harambec and a Scholar-in-Residence (2024-25) at the Centre for Oral History and Digital Storytelling (COHDS). \nVarda Nisar is a mother\, daughter\, and sister. She is also a PhD Candidate in Concordia’s Department of Art History and a Concordia Public Scholar (2022-23). She is currently a Fellow at the Social Justice Center and a COHDS Scholar-in-Residence (2024-25). Varda is the co-founder of the Art History Decolonial Action Group (AHDAG)\, which actively challenges the silence around Palestine in academia. Her doctoral research draws attention to cultural production under military regimes in Pakistan\, mainly focusing on museums and archives. She currently sits on the executive committee of the South Asian Women’s Cultural Centre as the Vice-President of the Board and on Concordia University’s Graduate Student Association Council as the Director of the Faculty of Fine Arts. \nAnna Vigeland is a PhD student in Concordia’s INDI program and a COHDS Scholar-in-Residence (2024-25). Her research is driven by overlapping interests in oral history\, performance histories\, translation\, memory\, and interdisciplinary forms of creation. Her approach also draws on over 15 years working in circus and on a translation practice that is increasingly interwoven with her research and artistic practices. \nREGISTRATION \nRegister now. \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1019 (Sunroom) and LB-1042 (Moonroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/vivre-avec-le-trouble/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:keynote speech,performances and exhibitions,presentations,symposium
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DTSTART;TZID=America/New_York:20250307T140000
DTEND;TZID=America/New_York:20250307T170000
DTSTAMP:20260509T162134
CREATED:20250203T181133Z
LAST-MODIFIED:20250203T195031Z
UID:22080-1741356000-1741366800@storytelling.concordia.ca
SUMMARY:Best Recording Practices for Oral Historians and Digital Storytellers – Part Two
DESCRIPTION:with Andrés Torres  \nThis two-part\, hands-on workshop offers Oral Historians and Digital Storytellers a practical introduction to audiovisual recording and editing. Participants will learn to use recording devices like cameras and microphones while exploring the foundational principles of audiovisual practice. The workshop emphasizes how technical choices in production—shaped by audiovisual theory—can enhance storytelling and research. Participants will gain the skills to effectively capture and edit high-quality material\, preparing it for dissemination or archiving. \nPart 2: Editing and Disseminating – Bringing It All Together \nIn Part 2\, the focus shifts to editing the images and sounds captured in Part 1. You will learn basic editing techniques to refine your recordings\, integrating the process of exporting your final product for archiving and dissemination. You will explore how to make intentional choices in your editing and how these choices enhance the effectiveness of your work as it goes to preservation and/or dissemination. By the end of this session\, you will have the basic skills to edit your audiovisual materials to present to an audience and ready for dissemination in research or creative contexts. \nWho Should Attend: \nThis workshop is ideal for Oral Historians\, Digital Storytellers\, Scholars\, and anyone involved in creative or research projects who wishes to enhance their skills in audiovisual production\, from recording to editing. No prior experience is necessary\, but an interest in exploring both the technical and conceptual aspects of media creation is encouraged. \nEquipment: \nAll equipment\, including cameras\, microphones\, and editing software\, will be available for current COHDS affiliates\, ensuring an immersive and practical learning experience. \nAndrés F. Torres is a filmmaker and screenwriter with extensive experience in fiction and non-fiction\, digital storytelling\, audiovisual archives\, and oral history. He holds an M.F.A. in Film and Media from the University of Texas at Austin and is currently engaged in various projects across his native Colombia\, the United States\, and Canada. Andrés joins COHDS as the Technical Coordinator after serving for five years as the Head Videographer and Digital Archivist at the Voces Oral History Center in Austin.  \nREGISTRATION   \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1019 (Sunroom\, Computer Research Lab\, Moonroom)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.  
URL:https://storytelling.concordia.ca/event/best-recording-practices-part-two/
LOCATION:LB 1042.03 (Moonroom)\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250306T153000
DTEND;TZID=America/New_York:20250306T170000
DTSTAMP:20260509T162134
CREATED:20250226T182217Z
LAST-MODIFIED:20250303T175846Z
UID:22363-1741275000-1741280400@storytelling.concordia.ca
SUMMARY:Walking as a Way of Knowing:  Amy Starecheski in Conversation with Luis C. Sotelo
DESCRIPTION:with Dr. Amy Starecheski\, Director\, Columbia University’s Oral History MA program and Dr. Luis C. Sotelo\, Director\, Concordia’s Acts of Listening Lab \nWhat and how do we learn about the past when we use our bodies as research instruments? Dr. Starecheski will open this conversation by sharing a paired soundwalk she created as a way of “walking other people’s memories into our bodies” and building enduring relationships grounded in history sharing in her South Bronx neighborhood. \nIn her current research about how people decide what is true about the past\, Dr. Starecheski is doing participant observation and archival research in communities of history practitioners in the Bronx\, from journalists and historians to genealogists and history buffs. While most say that they are carefully weighing textual evidence to find out what happened in the past\, in practice many rely as much or more on affective and embodied ways of knowing – including walking – when trying to make sense of all the messy traces of the past they encounter. Dr. Starecheski will share some of these preliminary findings and invite you to think with her about walking\, and embodied practice more broadly\, as a way of knowing about the past. Dr. Sotelo Castro will respond remotely from the United College at the University of Waterloo\, where he is currently acting as a visiting associate professor in the humanities. \nDr. Amy Starecheski consults and lectures widely on oral history education and methods\, is co-author of the Telling Lives Oral History Curriculum Guide\, and co-founded the Pedagogy of Listening Lab. She was lead interviewer on Columbia’s September 11\, 201 Narrative and Memory Project\, for which she interviewed Afghans\, Muslims\, Sikhs\, activists\, low-income people\, and people who lost work. From 2020-2023 she was Co-Director of the NYC Covid-19 Oral History\, Narrative and Memory Project. \nLuis C. Sotelo Castro is an Associate Visiting Professor in the Humanities at United College (University of Waterloo) and Associate Professor in the Department of Theatre at Concordia University\, Montreal (Québec\, Canada). Between 2016 and 2021 he held the position of Canada Research Chair in Oral History Performance at Concordia. With funding from the Canada Foundation for Innovation\, he established in 2018 the Acts of Listening Lab\, a hub for research-creation on the transformative power of listening. \nREGISTRATION \nRegister to attend (in person only)  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca \nLOCATION \nIn-person in LB-1042 (Acts of Listening Lab)\, COHDS / Online: You will be sent the Zoom link upon registration (see above). \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/walking-as-a-way-of-knowing/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T140000
DTEND;TZID=America/New_York:20250221T170000
DTSTAMP:20260509T162134
CREATED:20250203T174632Z
LAST-MODIFIED:20250214T204252Z
UID:22061-1740146400-1740157200@storytelling.concordia.ca
SUMMARY:Best Recording Practices for Oral Historians and Digital Storytellers - Part One (Registration Closed)
DESCRIPTION:with Andrés Torres  \nPlease note registration is full\, email cohds.chorn@concordia.ca for more information if needed. \nThis two-part\, hands-on workshop offers Oral Historians and Digital Storytellers a practical introduction to audiovisual recording and editing. Participants will learn to use recording devices like cameras and microphones while exploring the foundational principles of audiovisual practice. The workshop emphasizes how technical choices in production—shaped by audiovisual theory—can enhance storytelling and research. Participants will gain the skills to effectively capture and edit high-quality material\, preparing it for dissemination or archiving. \nPart 1: Recording – Practical and Creative Foundations \nIn Part 1\, participants will become familiar with cameras\, microphones\, and other recording devices available at the COHDS Center. You will learn the fundamentals of operating these tools\, as well as best practices for capturing clear and compelling audio-visual media. Through practical exercises\, you will gain confidence in your ability to record high-quality material; while also considering the aesthetic and linguistic choices you make during the process. This session will set the stage for creating work that is not only technically sound but also consequent with your practice and visually engaging. \nWho Should Attend:  \nThis workshop is ideal for Oral Historians\, Digital Storytellers\, Scholars\, and anyone involved in creative or research projects who wishes to enhance their skills in audiovisual production\, from recording to editing. No prior experience is necessary\, but an interest in exploring both the technical and conceptual aspects of media creation is encouraged. \nEquipment: \nAll equipment\, including cameras\, microphones\, and editing software\, will be available for current COHDS affiliates\, ensuring an immersive and practical learning experience. \nAndrés F. Torres is a filmmaker and screenwriter with extensive experience in fiction and non-fiction\, digital storytelling\, audiovisual archives\, and oral history. He holds an M.F.A. in Film and Media from the University of Texas at Austin and is currently engaged in various projects across his native Colombia\, the United States\, and Canada. Andrés joins COHDS as the Technical Coordinator after serving for five years as the Head Videographer and Digital Archivist at the Voces Oral History Center in Austin.  \nREGISTRATION (Closed) \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nFind out more about Part 2 of this workshop \nLOCATION  \nIn-person in LB-1019 (Sunroom)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.  
URL:https://storytelling.concordia.ca/event/best-recording-practices/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/02/AndresWorkshop_Part1A-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250220T190000
DTEND;TZID=America/New_York:20250220T210000
DTSTAMP:20260509T162134
CREATED:20250206T171432Z
LAST-MODIFIED:20250219T214317Z
UID:22047-1740078000-1740085200@storytelling.concordia.ca
SUMMARY:CANCELED: How to Say 'Longing'
DESCRIPTION:with Jad Orphée Chami and Noël Vezina \nJoin us on Thursday\, February 20th\, at 7 PM\, at the ALLab\, Centre for Oral History and Digital Storytelling\, for How to say ‘longing’\, a contemplative performance by movement artist Noël Vézina and composer Jad Orphée Chami. \nThis intimate exploration of dualities—music and movement\, composition and improvisation\, the said and the unsaid—delves into the boundaries of closeness\, vulnerability\, and technology. Using a MIDI controller\, a chain of touch-sensitive sensors\, the performers weave a digital soundscape that shifts with their physical interactions\, crafting a dialogue of embodied listening. \nJad Orphée Chami  is a Lebanese-Canadian artist-researcher\, composer and performer born in Beirut and living in Montreal. He notably composed the original music for the feature film Antigone by Sophie Deraspe\, which represented Canada at the 92nd Academy Awards. He was nominated at the age of 21 for the Iris prize for best original music at the 22nd Gala Québec Cinéma\, notably alongside Jean-Michel Blais and Howard Shore. After having provided the soundtracks for more than fifteen short films and three web series\, he composed his second film score in 2023 in collaboration with director Eli Jean Tahchi for the documentary Dorchester: In the Midst of the Fray\, produced by Jonah Mallak (Nemesis Films). \nIn addition to his music work for the image\, he composes and designs works for the contemporary scene\, notably for the École de Danse Contemporaine de Montréal and for the Acts of Listening Lab in collaboration with the Center for Restorative Justice. He explores through research-creation the dialogue between music and oral history. In 2022\, he is part of a trio of artists commissioned by the MAI for the realization of the work Justement (en)raciner on the theme of Justice\, among others alongside Kimura Byol-Lemoine\, Angelina Guo and Moe Clark. The same year\, he presented with Noël Vézina the performance How to say ‘longing’\, mixing dance-theatre\, music and new technologies\, at the RIPA performance evening. The testimonies of the disappeared from Lebanon are central to his approach. He is affiliated with the Centre for Oral History and Digital Storytelling and is developing his oral history performance Rhapsody for the disappeared. \nHe is also interested in contemporary issues of art and presents conferences on themes such as the question of the author\, the ethics of research-creation and gender and sexuality in music history. \n Noël Vezina is a queer\, interdisciplinary\, dance and movement artist based in Montreal (Tiohtiá:ke / Mooniyang). Largely self-taught\, her process is highly intuitive and organic. Approaching performance as a tool to connect deeply\, to herself and to others\, her work often takes on ephemeral and intimate forms. \nNoël’s latest accomplishments include: presenting Stardust and Parallax with Festival Quartiers Danses (2021)\, sharing a first version of a cloud\, a distance (September 2020)\, creating We live together now – a video performance presented by Sanskar Festival (August 2020) and Festival Bouge D’ici (March 2021)\, performing 05062020live via Zoom for National AccessAbility Week with the DisAbled Women’s Network of Canada (June 2020)\, and her ongoing collaboration with A Safe Space\, initiated by Nicholas Bellefleur in 2019. In February 2020 she hosted the first of many editions of 5×8/6 – a free-from experimental performance evening that takes place in her kitchen – where she premiered Soft Warm Light (an autobiographical solo piece in progress). \nNoël is one sixth of the winning team of the 2021 Dansathon in Liège\, recognized for their imagining of ‘the future of dance’ through a new interactive performance experience The \nLiving Room. They will continue questioning the place of technology in promoting embodiment soon\, with the support of the Maison de la Danse de Lyon\, Sadler’s Wells and the Théâtre de Liège. \nNoël strives to be radically soft\, honest and vulnerable. She values not-knowing and never perfecting. To be kind and loving is essential. \nREGISTRATION   \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1040.02 (ALLLAB)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.  \n  
URL:https://storytelling.concordia.ca/event/how-to-say-longing/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:performances and exhibitions,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/01/Jad-Orphee-Chami-Noel-Vezina-06-1.jpg
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DTSTART;TZID=America/New_York:20250220T130000
DTEND;TZID=America/New_York:20250220T160000
DTSTAMP:20260509T162134
CREATED:20250203T193413Z
LAST-MODIFIED:20250203T193639Z
UID:22092-1740056400-1740067200@storytelling.concordia.ca
SUMMARY:Introduction à l’histoire orale
DESCRIPTION:avec Mélissa-Anne Ménard  \nFrançais  \nCet atelier vous permettra d’explorer certains des éléments fondamentaux dans le domaine interdisciplinaire de l’histoire orale. Les participants découvriront une approche aux entretiens spécifique à l’histoire orale\, l’éthique de la recherche et les nombreuses façons dont les histoires orales sont partagées avec le public. Cet atelier est fortement recommandé à tous nos nouvelles.eaux affilié.e.s\, car il a pour but de présenter la méthodologie et l’éthique suivies par notre Centre.  \nCet atelier offre des conseils sur la réalisation d’un projet d’histoire orale du début à la fin\, y compris la planification du projet\, les méthodes d’entretien\, la gestion des données et le traitement des dossiers\, ainsi que la diffusion de ceux-ci. L’atelier comprend également des moments interactif qui permettront aux participant.e.s de discuter des concepts clés et de mettre en pratique les stratégies d’entretien.  \nMélissa-Anne Ménard est une historienne orale qui s’intéresse principalement à l’histoire de l’enfance\, aux récits de migration\, à l’histoire des émotions et à la production d’archives. Elle a découvert l’histoire orale lors d’un séminaire de premier cycle en histoire. Elle a obtenu sa maîtrise en histoire en 2023\, année au cours de laquelle elle a reçu la bourse de mérite de l’Université Concordia. Sa thèse portait sur les ramifications éthiques et méthodologiques de la réutilisation d’entrevues d’histoire orale archivées menées par d’autres chercheurs afin d’élaborer des cadres et des protocoles nous permettant de réutiliser les innombrables collections d’histoire orale qui sont préservées et qui demeurent souvent dormantes dans les archives.  \nINSCRIPTION  \nInscrivez-vous ici. \nVeuillez noter que tous nos événements sont gratuits et ouverts à toutes et à tous. Cependant\, vous devez réserver votre place. Pour participer à l’événement en présentiel évrivez à: cohds.chorn@concordia.ca  \nLIEU \n Le CHORN/ALLAB sont situés sur le territoire non-cédé de Kanien’kehá:ka à Tiohtiá:ke/Montréal. 
URL:https://storytelling.concordia.ca/event/introduction-a-lhistoire-orale-w2025/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/02/DSC01905.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250218T140000
DTEND;TZID=America/New_York:20250218T163000
DTSTAMP:20260509T162134
CREATED:20250217T204026Z
LAST-MODIFIED:20250326T183935Z
UID:22291-1739887200-1739896200@storytelling.concordia.ca
SUMMARY:Casual COHDS
DESCRIPTION:With Kelly Norah Drukker \nJoin us for the inaugural session of “Casual COHDS\,” a monthly drop-in event for members of the COHDS community and anyone curious about oral history to gather\, converse\, and connect over coffee\, tea\, and snacks in a relaxed setting. If you would like to meet other members of the COHDS community\, or simply take a moment to pause\, recharge\, and connect with other oral history practitioners and enthusiasts\, “Casual COHDS” is an opportunity to foster these exchanges. Held in the afternoon\, each monthly meeting will be loosely designed around a theme\, to get the conversation started. For February’s session\, participants are invited to bring a favourite book\, or a question\, quandary\, or story around an interview encounter that they would like to share—or to simply bring themselves. We look forward to welcoming you on Tuesday\, February 18th\, anytime between 14:00 and 16:30 p.m. in the Sunroom (LB- 1019). \nREGISTRATION   \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1040.02 (ALLLAB)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. 
URL:https://storytelling.concordia.ca/event/casual-cohds/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:Roundtable/table ronde,workshops
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/02/DSC06622-e1743014191973.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250212T180000
DTEND;TZID=America/New_York:20250212T200000
DTSTAMP:20260509T162134
CREATED:20250122T205719Z
LAST-MODIFIED:20250205T212612Z
UID:21997-1739383200-1739390400@storytelling.concordia.ca
SUMMARY:Sharing Black Stories with Care\, Intentionality and Authenticity
DESCRIPTION:with Martha Nduwayo\, Methsaïca Philippe\, and Lourdenie Jean \nBilingual \nJoin us for an immersive experience that highlights the art of storytelling of black communities. Through a captivating multimedia exhibition\, a panel with experts and an engaging interactive component\, this workshop invites you to explore how to collect\, tell and value these essential narratives. \nWhether you’re a creator\, researcher\, entrepreneur\, oral history enthusiast or simply a human willing to share with intention\, this event is an opportunity to rethink how we bring the stories of the black community to life. Leave inspired\, better equipped and ready to become agents of change through ethical\, empathetic and transformative storytelling. \nArt and activism \nLourdenie Jean: is deeply is passionate about the humanities\, particularly sociology\, psychology and anthropology. Beneath this passion for justice lies an unconditional love of the arts\, as well as a childlike heart. As an author\, visual artist\, actress and singer in her spare time\, she uses art as the main emancipatory tool in her daily life.\nToday\, she marries her experiences to express herself through a variety of mediums in the breadth of her personal practices. Today\, she marries all of her experiences to express herself through a variety of mediums in the breadth of her personal practices.  \nHer achievements include:\n \n\nFounding of the platform L’Environnement\, c’est intersectionnel – ECI (2019)\n\nPublication of her short story Car Tu es avec moi in the book Il y a des joies dont on ignore l’existence (2022)\n\nAppearance on On est rendu là (2023)\n\nPublication of her Afrofeminist essay L’amour\, l’élément manquant de la justice climatique in the book 11 brefs essais sur la justice climatique (2024).\n\nMartha Nduwayo is deeply committed to amplifying Black voices and fostering mental health and wellness within her community. She co-founded the Black Healing Fund and served as Operations Director at the Black Healing Centre\, roles that reflect her dedication to creating spaces for healing and empowerment.\n \nCurrently\, Martha is the Quebec Regional Coordinator for the Black Entrepreneurship Knowledge Hub (Q-BEKH)\, where she bridges academic research and community needs. She is also a co-founder of the Community Capacity Building Initiative (CCBI)\, a tax and finance clinic providing programming for Two-Spirit\, trans\, non-binary\, and gender-diverse communities. \nMartha recently collaborated with the Black Inc Podcast team to produce a series highlighting Black entrepreneurship and community innovation. Her passion for storytelling continues with this upcoming workshop\, where she invites participants to explore the transformative power of Black narratives and their impact on community\, identity\, and resilience. \nMethsaïca Philippe is an independent and creative marketing strategist whose mission is to create a positive and lasting impact within the environments in which she operates by amplifying meaningful voices and fostering innovative creation. Dedicated to empowering creators\, entrepreneurs\, and small businesses through an authentic and impactful online presence\, she specializes in brand strategies\, content creation\, and social media management. As the co-producer of the Black Inc. Podcast\, a platform that highlights the experiences\, expertise\, and excellence of entrepreneurs and business leaders from Black communities\, Methsaïca stands out for her thoughtful and intentional narrative approach. By combining strategy\, creativity\, and storytelling\, she helps build memorable brands and share impactful stories\, all while staying true to her mission of inspiring\, uplifting\, and connecting communities. \nEn collaboration avec / In collaboration with: \nBlack Inc. Podcast \nQ-BEKH \nOffice of Community Engagement \nREGISTRATION \nRegister now \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca   \nLOCATION \nIn-person in LB-1019 (Sunroom)\, COHDS \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/partager-les-histoires/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:performances and exhibitions,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/01/Untitled-design.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250207T130000
DTEND;TZID=America/New_York:20250207T150000
DTSTAMP:20260509T162134
CREATED:20250120T173752Z
LAST-MODIFIED:20250122T175154Z
UID:21877-1738933200-1738940400@storytelling.concordia.ca
SUMMARY:Book Launch: The Left in Power
DESCRIPTION:with Steven High  \nEnglish  \n\nYou are cordially invited to the launch of Steven High’s The Left in Power: Bob Rae’s NDP and the Working Class. At the end of the 20th century\, as social democratic parties around the world struggled to produce a coherent response to the end of the post-war boom\, many pivoted towards neoliberalism. Based on extensive archival research and oral history interviews\, The Left in Power examines the response of the political Left in Ontario in the 1990s. \nThis may be Steven’s most personal work to date (though he would quick to point out that this is “no political memoir”!). He joined the NDP at age sixteen in 1984\, was elected president of the national party’s youth wing a few months before the Ontario NDP victory in 1990\, and spent three years criss-crossing the country\, organizing youth from Newfoundland to northern British Columbia. This study arose from his interest in exploring the apparent failure of the centre-left to respond to the industrial crisis and its betrayal of working-class communities. \nPlease join us in celebrating the launch of a work that that Edward Dunsworth (Department of History\, McGill University) has called “[e]ssential reading for anyone interested in bringing about a very different version of the Left in power.” The launch will take place on Friday\, February 7\, 13:00-15:00 in the Sunroom of COHDS (LB-1019). Light refreshments will be served. \n\nSteven High is Professor of History and has published extensively in oral history. He was the principal investigator of the Montreal Life Stories project\, which recorded the life stories of 500 survivors of mass violence\, as well as the Living Archives of Rwandan Exiles and Survivors.   \n  \nREGISTRATION\nRegister now\n\nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca  \n \nLOCATION\nIn-person in LB-1019 (Sunroom)\, COHDS\nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/the-left-in-power/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/01/cover-and-back-NDP-book-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241205T100000
DTEND;TZID=America/New_York:20241205T120000
DTSTAMP:20260509T162134
CREATED:20240916T151039Z
LAST-MODIFIED:20241128T193614Z
UID:20807-1733392800-1733400000@storytelling.concordia.ca
SUMMARY:Deep Listening to Life Stories
DESCRIPTION:* Please note this event has been rescheduled to 10 a.m. – 12 p.m. \nwith Steven High  \nThe workshop will invite you to engage deeply with a videotaped interview of a Rwandan genocide survivor recorded as part of the Montreal Life Stories project. We will explore different ways of interpreting an interview recording and transcription including narrative analysis\, life course visualization\, analysis of emotion\, etc.  We will send the interview link to those registered ten days before the workshop. It is essential that everyone attending listen to the interview and take some notes for reference.  \n  \nSteven High is Professor of History and has published extensively in oral history. He was the principal investigator of the Montreal Life Stories project\, which recorded the life stories of 500 survivors of mass violence\, as well as the Living Archives of Rwandan Exiles and Survivors.   \n  \nREGISTRATION  \nPlease note that registration for this even is now closed. \nIn person\, LB 1019 (Sunroom)  \n   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. 
URL:https://storytelling.concordia.ca/event/deep-listening-to-life-stories1/
LOCATION:LB-1019 (Sunroom)\, COHDS\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:workshops
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2024/09/Visuals-for-Fall-Event-Pages-10.jpg
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