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DTSTART;TZID=America/New_York:20240206T110000
DTEND;TZID=America/New_York:20240206T123000
DTSTAMP:20260518T090344
CREATED:20240129T162501Z
LAST-MODIFIED:20240129T175729Z
UID:18493-1707217200-1707222600@storytelling.concordia.ca
SUMMARY:Cultures of Listening
DESCRIPTION:with Dr. Johanna Motzkau\, Senior Lecturer\, School of Psychology and Counseling\, Faculty of Arts & Social Sciences\, The Open University\, UK. \nIn this talk\, Dr. Johanna Motzkau presents the term “cultures of listening” as an analytical tool to understand\, what can make listening practices problematic\, and how we can transform such troubled practices. Her talk will focus on practices of child protection in the UK. In conversation with Luis Carlos Sotelo Castro\, the Acts of Listening Lab’s director\, the conversation will explore how oral history performance (and verbatim theatre) can become a tool for intervening in such troubled practices of listening. \n\n\nREGISTRATION \nThis event will be held online. To attend\, register here. \n\n  \n\nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/cultures-of-listening/
LOCATION:Online
CATEGORIES:presentations,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2024/01/Deadline-March-1st-2024-3.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240208T104500
DTEND;TZID=America/New_York:20240208T120000
DTSTAMP:20260518T090344
CREATED:20240129T164335Z
LAST-MODIFIED:20240129T164712Z
UID:18497-1707389100-1707393600@storytelling.concordia.ca
SUMMARY:The Clear Blue Skies: Diaries from Ukraine
DESCRIPTION:with Scott Illingworth. Associate Chair of the Graduate Acting Program at New York University’s Tisch School of the Arts. \nWhat does it take to work with vulnerable populations to create a piece of verbatim theatre? Professor Scott Illingworth will share insights he gained from creating The Clear Blue Skies: Diaries from Ukraine. The play is constructed of excerpts from 80 + hours of gripping audio punctuated with Ukranian poetry (delivered by a native speaker). Theactors use headphones verbatim to deliver select fragments of audio diaries provided byyoung people with whom he and his colleague Oleksandra (Alex) Oliinyk from Kyiv collaborate. The young people chronicle their experience of the unfolding war in Ukraine in those audio diaries. \n\n\nScott Illingworth is Associate Chair of the Graduate Acting Program at New York University’s Tisch School of the Arts\, a freelance director\, co-founder of SOCIETY\, and author of Exercises for Embodied Actors: Tools for Physical Actioning. He’s taught\, lectured\, and directed at universities and schools across the United States and internationally. His directing credits include new play collaborations with Lucas Hnath\, Mona Mansour\, Christina Anderson\, Stefanie Zadravec\, Padraic Lillis\, and Bill Bowers among others. Scott’s work has been seen in New York\, across the United States\, Europe\, South America\, and Asia. He is a member of the Stage Directors and Choreographers Society (SDC)\, a Guild Certified Feldenkrais Practitioner (GCFT)\, and a Fulbright grant recipient. \n  \nREGISTRATION \nThis event will be held online\, to attend register here. \n\n  \n\nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/the-clear-blue-skies-diaries-from-ukraine/
LOCATION:Online
CATEGORIES:presentations,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2024/01/clear-blue-skies-diaries-from-ukraine.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240215T103000
DTEND;TZID=America/New_York:20240215T123000
DTSTAMP:20260518T090344
CREATED:20240111T200334Z
LAST-MODIFIED:20240208T173439Z
UID:18344-1707993000-1708000200@storytelling.concordia.ca
SUMMARY:CANCELLED: Oral History and Oral History Performance: Similarities and Differences
DESCRIPTION:*Please note that this event has been cancelled* \nwith professors Steven High and Luis Carlos Sotelo Castro in conversation with students of the Oral History Performance class (Department of Theatre). \nProfessors Steven High\, Barbara Lorenzkovski and Luis Carlos Sotelo Castro in conversation with students of the Oral History Performance class (Department of Theatre). \nIn this conversation\, we will discuss similarities and differences between oral history and oral history performance when preparing for an interview\, listening\, and doing an interview guide. The event’s main goal is to give practitioners in both fields tools to better craft questions and prepare for the interviews they will make for their project. \n\nLuis C. Sotelo Castro is an Associate Professor in the Department of Theatre at Concordia University\, Montreal (Quebec\, Canada). In 2018 he founded at COHDS the Acts of Listening Lab\, a hub for research-creation on the transformative power of listening to painful narratives\, with reference to testimonies by exiles from sites of conflict. His latest publications explore listening in the context of post-conflict performances of memory. \nSteven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies\, forced migration\, community-engaged research\, as well as oral history methodology and ethics.  \nHe has published extensively on deindustrialization and the postindustrial transformation of North American cities. His most recent monograph\, Deindustrializing Montreal: Entangled Histories of Race\, Residence and Class (2022) was awarded three major prizes in Quebec History and Politics: le Prix du livre politique de la Présidence de l’Assemblée nationale du Québec\, le Prix Lionel-Groulx de l’IHAF\, and the Clio-Québec Book Prize from the Canadian Historical Association. He recently co-edited a special issue of Labour/le travail with Lachlan Mackinnon and has several others forthcoming. He is currently leading a seven-year SSHRC Partnership project on “Deindustrialization & the Politics of Our Time” (DePOT – deindustrialization.org).  \nHis second area of expertise involves oral history\, particularly as it relates to mass violence. Steven High led the prize-winning Montreal Life Stories from 2005 until 2012\, where he worked in close partnership with survivor groups. He authored or co-edited a number of books and articles out of this project. He was recently awarded a Governor General’s History Award for Popular Media for his work in this area \n  \nREGISTRATION  \nPlease note that all of our events are free and open to all\, but you need to register! To register\, contact us at: acts.listeninglab@concordia.ca \nIn-person in LB-1042.03 (Moonroom)\, ALLab \n  \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/oral-history-and-oral-history-performance-similarities-and-differences/
LOCATION:LB 1042.03 (Moonroom)\, 1400 de Maisonneuve Blvd W.\, Montreal\, Québec\, Canada
CATEGORIES:presentations,presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240229T093000
DTEND;TZID=America/New_York:20240229T110000
DTSTAMP:20260518T090344
CREATED:20240205T172340Z
LAST-MODIFIED:20240228T170936Z
UID:18537-1709199000-1709204400@storytelling.concordia.ca
SUMMARY:Roundtable: De-Industrial Heritage
DESCRIPTION:with Steven High\, Brian Rosa\, Paula Fernández Álvarez\, Guilherme Pozzer\, Myriam Guillemette\, Jorge Magaz-Molina\, and Laura Littlefair \nEnglish \nWhat does deindustrialization studies have to offer heritage studies—and what can scholars of deindustrialization learn from the world of heritage? Six DePOT student\, postdoctoral\, and research affiliates share their research on de-industrial heritage. \n\n\n\n\n\nChair: Steven High \nPresenters:  \nBrian Rosa\, Autonomous University of Barcelona: “The “Disciplining of Memory”? Narrating Traces of the Industrial Past in Barcelona”\nPaula Fernández Álvarez\, University Complutense of Madrid — “Post-industrial ruins and fossil imaginaries. Worker memory\, spaces and visual culture of coal extractivism”\nGuilherme Pozzer\, University of Sheffield — “Crafting the Past: Empowering Communities through Creative Writing\, Visual Narratives\, Memory\, and Place-Making”\nMyriam Guillemette\, Université du Québec à Montréal — “Sundown Towns phenomenon in Canadian planned communities; recognition of the industrial contribution of the Indigenous Peoples of Manitoba”\nJorge Magaz-Molina\, University of Alcalà — “Climate action\, carbon deindustrialization and heritage concerns in Northwestern Spain”\nLaura Littlefair\, Northumbria University — “From Cradle to Grave: Recontextualising the Deindustrialised Railway Town” \n  \nREGISTRATION \nRegister on Google Forms to get the Zoom link and receive reminder emails ahead of the roundtable!
URL:https://storytelling.concordia.ca/event/roundtable-de-industrial-heritage/
LOCATION:Online
CATEGORIES:presentations
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