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DTSTART;TZID=America/New_York:20251112T150000
DTEND;TZID=America/New_York:20251112T170000
DTSTAMP:20260512T004601
CREATED:20250924T195000Z
LAST-MODIFIED:20250924T195000Z
UID:24107-1762959600-1762966800@storytelling.concordia.ca
SUMMARY:Oral Histories of Migration and Motion: Rábanos Olas Jacarandas Aleonarse
DESCRIPTION:with Nico Contreras\, Sonia Bustos\, and Priscilla Opazo Castillo \n  \nRábanos Olas Jacarandas Aleonarse (2025\, 10min) is an audiovisual collage born out of oral histories of migration\, community\, and the transformative power of art. Through blending interviews and choreographic exploration with Tiohtiá:ke/Montréal-based artists Sonia Bustos and Priscilla Opazo\, the film shares interlinking reflections on political consciousness\, navigating shifting identities across countries of origin and settlement\, and engagement in processes of change. Glimpses of Chile\, Mexico and Canada coexist in a shared space and time\, in a moment of exchange between creative voices. \nThe film screening will be followed by a discussion with the creators. \n  \nPriscilla Opazo Castillo\, an artist and educator from Chile\, has lived in Tiohtià:ke/Montreal since 2017. A self-taught dancer currently training at the Nyata Nyata Centre\, she weaves her path between popular education and artistic research. Her creative experience\, collective and multidisciplinary\, is rooted in an identity fragmented by colonization\, exile\, and violence\, yet rises in resonance with other marginalized voices. A committed feminist\, she envisions art as a living territory of resistance\, healing\, and memory\, where movement frees bodies\, rekindles their connection to the earth\, and nurtures a shared collective consciousness. \n  \nChoreographer and performer born in Mexico and now based in Tiohtiá:ke (Montréal)\, Sonia Bustos is interested in socio-political engagement and the recognition of performers’ creative work. Her artistic research focuses on feminist perspectives\, the Tercera Raíz in Latin America\, memory\, theatricality\, and the relationship with the audience. Pillars of her artistic process include varied bodily states\, the use of voice/text\, the presence of memory-bearing objects\, and non-danced body approaches. Sonia is the interpreter-creator of stage works Intérieur brut\, Je ne vais pas inonder la mer\, Luz : Dentelle\, Luz : Terre and Luz : Écho (in progress). She holds a Master’s degree in dance (UQÀM) and a Bachelor’s degree in theatre (UNAM). \n  \nNico Contreras is an Ecuadorian Canadian interdisciplinary artist\, social worker\, and current doctoral student in Social and Cultural Analysis at Concordia University. A facilitator of reflection and dialogue through creative practice\, he believes in the power of art to transform our conceptions of self and society. His most recent film SAN HEN\, a love letter to Montréal’s Latinx community\, premieres at the Toronto Latin American Film Festival 2025. \n  \nREGISTRATION   \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1042 (ALLLAB)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. 
URL:https://storytelling.concordia.ca/event/oral-histories-of-migration-and-motion-rabanos-olas-jacarandas-aleonarse/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:performances and exhibitions,presentations
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251119T190000
DTEND;TZID=America/New_York:20251119T210000
DTSTAMP:20260512T004601
CREATED:20250924T192941Z
LAST-MODIFIED:20251113T211948Z
UID:24098-1763578800-1763586000@storytelling.concordia.ca
SUMMARY:How to Say ‘Longing’ - Cancelled
DESCRIPTION:with Jad Orphée Chami and Noël Vezina \n\n\nJoin us on Wednesday\, November 19th\, at 7 PM\, at the ALLab\, Centre for Oral History and Digital Storytelling\, for How to say ‘longing’\, a contemplative performance by movement artist Noël Vézina and composer Jad Orphée Chami. \nThis intimate exploration of dualities—music and movement\, composition and improvisation\, the said and the unsaid—delves into the boundaries of closeness\, vulnerability\, and technology. Using a MIDI controller\, a chain of touch-sensitive sensors\, the performers weave a digital soundscape that shifts with their physical interactions\, crafting a dialogue of embodied listening. \n  \nJad Orphée Chami  is a Lebanese-Canadian artist-researcher\, composer and performer born in Beirut and living in Montreal. He notably composed the original music for the feature film Antigone by Sophie Deraspe\, which represented Canada at the 92nd Academy Awards. He was nominated at the age of 21 for the Iris prize for best original music at the 22nd Gala Québec Cinéma\, notably alongside Jean-Michel Blais and Howard Shore. After having provided the soundtracks for more than fifteen short films and three web series\, he composed his second film score in 2023 in collaboration with director Eli Jean Tahchi for the documentary Dorchester: In the Midst of the Fray\, produced by Jonah Mallak (Nemesis Films). \nIn addition to his music work for the image\, he composes and designs works for the contemporary scene\, notably for the École de Danse Contemporaine de Montréal and for the Acts of Listening Lab in collaboration with the Center for Restorative Justice. He explores through research-creation the dialogue between music and oral history. In 2022\, he is part of a trio of artists commissioned by the MAI for the realization of the work Justement (en)raciner on the theme of Justice\, among others alongside Kimura Byol-Lemoine\, Angelina Guo and Moe Clark. The same year\, he presented with Noël Vézina the performance How to say ‘longing’\, mixing dance-theatre\, music and new technologies\, at the RIPA performance evening. The testimonies of the disappeared from Lebanon are central to his approach. He is affiliated with the Centre for Oral History and Digital Storytelling and is developing his oral history performance Rhapsody for the disappeared. \nHe is also interested in contemporary issues of art and presents conferences on themes such as the question of the author\, the ethics of research-creation and gender and sexuality in music history. \n  \n Noël Vezina is a queer\, interdisciplinary\, dance and movement artist based in Montreal (Tiohtiá:ke / Mooniyang). Largely self-taught\, her process is highly intuitive and organic. Approaching performance as a tool to connect deeply\, to herself and to others\, her work often takes on ephemeral and intimate forms. \nNoël’s latest accomplishments include: presenting Stardust and Parallax with Festival Quartiers Danses (2021)\, sharing a first version of a cloud\, a distance (September 2020)\, creating We live together now – a video performance presented by Sanskar Festival (August 2020) and Festival Bouge D’ici (March 2021)\, performing 05062020live via Zoom for National AccessAbility Week with the DisAbled Women’s Network of Canada (June 2020)\, and her ongoing collaboration with A Safe Space\, initiated by Nicholas Bellefleur in 2019. In February 2020 she hosted the first of many editions of 5×8/6 – a free-from experimental performance evening that takes place in her kitchen – where she premiered Soft Warm Light (an autobiographical solo piece in progress). \nNoël is one sixth of the winning team of the 2021 Dansathon in Liège\, recognized for their imagining of ‘the future of dance’ through a new interactive performance experience The \nLiving Room. They will continue questioning the place of technology in promoting embodiment soon\, with the support of the Maison de la Danse de Lyon\, Sadler’s Wells and the Théâtre de Liège. \nNoël strives to be radically soft\, honest and vulnerable. She values not-knowing and never perfecting. To be kind and loving is essential. \n  \nREGISTRATION   \nRegister now  \nPlease note that all our events are free and open to all\, but registration is mandatory. For any questions please contact cohds.chorn@concordia.ca    \nLOCATION  \nIn-person in LB-1042 (ALLLAB)\, COHDS   \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal. 
URL:https://storytelling.concordia.ca/event/how-to-say-longing-2/
LOCATION:Concordia University\, LB-1042 (COHDS)\, 1400 de Maisonneuve Blvd O\, Montreal
CATEGORIES:performances and exhibitions,presentations
ATTACH;FMTTYPE=image/jpeg:https://storytelling.concordia.ca/wp-content/uploads/2025/09/Jad-Orphee-Chami-Noel-Vezina-06-1-845x321-1.jpg
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DTSTART;TZID=America/New_York:20251128T150000
DTEND;TZID=America/New_York:20251128T170000
DTSTAMP:20260512T004601
CREATED:20250918T201502Z
LAST-MODIFIED:20250918T201502Z
UID:24068-1764342000-1764349200@storytelling.concordia.ca
SUMMARY:Dancing Life Stories/Dancing Biographies/Forming the WE
DESCRIPTION:With the DANC 202 Cohort: Charlotte Bisson\, Nathaniel Cancela Edsell\, Florence Cross\, Homeyra Esmaeilzadeh\, Leonardo Giraldo Rodriguez\, Anaïs Girard\, Elle Golfinopoulos\, Sophie Groleau-Rouleau\, Nasiriyah Hamilton\, Joselande Josue\, Adaline Kuranko\, Camille Moon\, Fredlyne Pierre\, Pooya Ratnam\, Amy Staples\, Kaiya Thomas-Bynoe\, and Cameron Weaver. \n  \nJoin us for an afternoon of dance as students from the Department of Contemporary Dance bring embodied auto-biographical narratives to the Acts of Listening Lab. Such storytelling in motion – based on life history interviews that students conducted with one of their peers – constitutes what Christine Thurner once called “emphatically fragile\, deliberately contingent narrative acts.” These gestural narratives break free of the frame of linear\, literary (auto)biography. Seen in relation to one another they form a complex and rich society. \n  \nThis event is based on students’ coursework in the Department of Contemporary Dance\, who\, under the guidance of Professor Lília Mestre\, are exploring the possibilities of danced life narration\, this time in a collective improvisation setting. \n  \nPlease note that the event will take place in the Dance Studio (MB-7.265) of the Department of Contemporary Dance\, 1600 Blvd. De Maisonneuve Ouest. \n  \nREGISTRATION \nPlease note that all our events are free and open to all\, but you need to register! \nRegister here. \nFor any questions\, please contact cohds.chorn@concordia.ca \n  \nLOCATION \nIn-person in the Dance Studio (MB-7.265) of the Department of Contemporary Dance\, 1600 Blvd. De Maisonneuve Ouest. \nCOHDS/ALLAB is located on unceded Kanien’kehá:ka territory\, in Tiohtiá:ke/Montreal.
URL:https://storytelling.concordia.ca/event/dancing-life-stories-dancing-biographies-forming-the-we/
LOCATION:Dance Studio\, MB 7.265\, 1600 Blvd De Maisonneuve West\, Montreal\, Quebec\, H3H 1J5\, Canada
CATEGORIES:performances and exhibitions,workshops
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